標(biāo)題: Titlebook: Notational Experiments in North American Long Poems, 1961-2011; Stave Sightings A. J. Carruthers Book 2017 The Editor(s) (if applicable) an [打印本頁] 作者: coherent 時間: 2025-3-21 16:43
書目名稱Notational Experiments in North American Long Poems, 1961-2011影響因子(影響力)
書目名稱Notational Experiments in North American Long Poems, 1961-2011影響因子(影響力)學(xué)科排名
書目名稱Notational Experiments in North American Long Poems, 1961-2011網(wǎng)絡(luò)公開度
書目名稱Notational Experiments in North American Long Poems, 1961-2011網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Notational Experiments in North American Long Poems, 1961-2011被引頻次
書目名稱Notational Experiments in North American Long Poems, 1961-2011被引頻次學(xué)科排名
書目名稱Notational Experiments in North American Long Poems, 1961-2011年度引用
書目名稱Notational Experiments in North American Long Poems, 1961-2011年度引用學(xué)科排名
書目名稱Notational Experiments in North American Long Poems, 1961-2011讀者反饋
書目名稱Notational Experiments in North American Long Poems, 1961-2011讀者反饋學(xué)科排名
作者: PALSY 時間: 2025-3-21 22:39 作者: adroit 時間: 2025-3-22 03:25 作者: 采納 時間: 2025-3-22 07:51
—Thailand boundary to the South China Sea, has been well-studied through the UN-sponsored water and related resources development programme, ., launched some 25 years ago. This chapter concentrates on the Lower Mekong River and its basin, shown in Fig. 2.作者: adulterant 時間: 2025-3-22 09:38 作者: Commonwealth 時間: 2025-3-22 14:55
A. J. Carruthersression of the seasons is such that the period of time for optimal reproduction is fairly well defined, it must not be forgotten that many more species of mammals live in tropical or semi-arid climates where the optimal season does not hold the same position in the annual cycle.作者: 突襲 時間: 2025-3-22 21:01
Notational Experiments in North American Long Poems, 1961-2011Stave Sightings作者: nerve-sparing 時間: 2025-3-22 23:49
2634-6052 e or a critical “fugue” of instances. In differing ways, musical notation and notational methods impact the form, time and sometimes the ethical and political stances of these respective long poems..978-3-319-83476-4978-3-319-46242-4Series ISSN 2634-6052 Series E-ISSN 2634-6060 作者: CHAR 時間: 2025-3-23 02:19
A. J. Carruthersseparate entity, while realizing that as knowledge grows about environmental effects on reproduction the various delays will be explained in terms of each individual factor as outlined above. Furthermore, as will be shown later, there are marked seasonal variations in growth rate in the wild species under consideration which affect puberty.作者: invade 時間: 2025-3-23 09:24
,The Notational Template: Langston Hughes’ , and the “Hesitation Blues”,n 1961, . provides a test case for notational poetics in the aftermath of the modern and at the cusp of the contemporary. Hughes supplies actual musical notation of the blues before the poem, both as a guide for reading and performance. Each of the poem’s twelve parts corresponds to a “mood,” as an 作者: macabre 時間: 2025-3-23 11:02
,Long Poem Including Music: Reading the Score in Armand Schwerner’s “Tablet XII”,struct “Tablet XII,” Schwerner uses a hypothetical reconstruction of an ancient Sumerian hymn, scored by the archaeomusicologist Francis W. Galpin in 1937. Drawing upon modernist practices, particularly Pound’s score in “Canto 75,” Schwerner uses this score to open up the question of musical analogi作者: 妨礙 時間: 2025-3-23 14:30
,“, tation”: The Scored Allegorical in BpNichol’s ,,in Books 5 and 6 work down to the smallest scales of sonic engineering. Yet like “.”-24 of the Zukofskys, BpNichol also experiments with allegorical music, choosing to end the entire work with notation. Book 9, “Ad Sanctos,” is a final, collaborative score, a musical drama written with the composer 作者: Inferior 時間: 2025-3-23 21:13
,Joan Retallack’s , and Register Reading, (or as Retallack puts it, silent) lines of an analogous “grand-staff.” Along these lines, several sets of mainly male philosophers, logicians and scientists are played together. The claim this chapter makes is that the scored writing of ., segmented in syntax and diction, and derived from reading-t作者: 大洪水 時間: 2025-3-24 01:54 作者: instructive 時間: 2025-3-24 03:16 作者: nascent 時間: 2025-3-24 09:05
A. J. Carrutherse production of viable young. This process is complicated in many species by the presence of recurring intervals (the non-breeding or anoestrous seasons) when gamete production is interrupted. The initial onset of puberty is a period in the life of the individual which is difficult to define except 作者: Inferior 時間: 2025-3-24 10:57 作者: 純樸 時間: 2025-3-24 16:45
A. J. Carrutherse year. Individuals born in particular seasons have thus a delayed puberty when compared with other individuals born at other times of the year. Evidence has already been presented (page 8) showing how the season of birth of the young lamb governs the time it will take to reach puberty and indicatin作者: 誹謗 時間: 2025-3-24 21:32 作者: farewell 時間: 2025-3-25 03:10
A. J. Carruthers under- tones concerned with such things as fisheries, pollution or control of blackflies, it has evolved into a discipline with hypotheses, such as the River Continuum Concept (Vannote et a/. 1980), and even a book suggesting that it offers opportunity for the testing of ecological theory (Barnes &作者: Lice692 時間: 2025-3-25 06:33
e to the Dzanag La Pass in the Tanghla Shan Mountains, on the NE rim of the great Tibetan Plateau (Fig. 1). Along its 4200 km course, it flows through or along the borders of six countries: China, Burma, Lao PDR Thailand, Kampuchea and Viet Nam, before emptying into the South China Sea. In terms of 作者: Emg827 時間: 2025-3-25 10:58
2634-6052 ew readings of a range of North American authors both modern.This book is a critical experiment that tracks the literary and poetic uses of musical notation and notational methods in North American long poems from the middle of last century to the contemporary moment. Poets have readily referred to 作者: conformity 時間: 2025-3-25 13:34
,The Notational Template: Langston Hughes’ , and the “Hesitation Blues”,al notation of the blues before the poem, both as a guide for reading and performance. Each of the poem’s twelve parts corresponds to a “mood,” as an . for the musical “bar.” By reading the “Hesitation Blues” as a commodity recirculated in or by the poem, musically analogous form is shown to be harnessed for cultural critique.作者: SPASM 時間: 2025-3-25 17:56
Book 2017rom the middle of last century to the contemporary moment. Poets have readily referred to their poems as “scores.” Yet, in this study., .Carruthers argues that the integration of musical scores in expansive works of this period does more work than previously thought, offering both resolution and esc作者: ASSAY 時間: 2025-3-25 22:42
,Joan Retallack’s , and Register Reading,thority of patrilineal, “Western-Civ” philosophical thinking. Reading the registers at work in this sequence becomes an act of listening to the silence between the lines of an “invisible” literary stave.作者: insurgent 時間: 2025-3-26 00:46
,Long Poem Including Music: Reading the Score in Armand Schwerner’s “Tablet XII”,es in relation to poetic form. Appearing roughly in the middle of the work, the score, in effect, divides the question of the “musical” and the “l(fā)yrical” at the point of its appearance, marking a subjective and critical crux in the structure of the long poem.作者: Pelvic-Floor 時間: 2025-3-26 06:29
,“, tation”: The Scored Allegorical in BpNichol’s ,,Howard Gerhard. Hence notational work in . moves from the tiniest sonic layers and audial contours toward a full-blown choral poetics. The argument is that . as a whole cannot be understood without consideration of this final, choral book.作者: BALK 時間: 2025-3-26 10:39 作者: acquisition 時間: 2025-3-26 15:12
Book 2017 offer approaches to reading literary scores in what might be described as a critical stave or a critical “fugue” of instances. In differing ways, musical notation and notational methods impact the form, time and sometimes the ethical and political stances of these respective long poems..作者: 偽善 時間: 2025-3-26 19:54 作者: 使殘廢 時間: 2025-3-27 00:40 作者: 異端 時間: 2025-3-27 01:50 作者: prostatitis 時間: 2025-3-27 07:34 作者: 熱情贊揚 時間: 2025-3-27 10:18 作者: WAG 時間: 2025-3-27 14:53
10樓作者: 神圣不可 時間: 2025-3-27 18:48
10樓作者: hauteur 時間: 2025-3-28 01:23
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