標(biāo)題: Titlebook: New York School Collaborations; The Color of Vowels Mark Silverberg Book 2013 The Editor(s) (if applicable) and The Author(s) 2013 aestheti [打印本頁(yè)] 作者: bradycardia 時(shí)間: 2025-3-21 20:05
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書(shū)目名稱New York School Collaborations被引頻次
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書(shū)目名稱New York School Collaborations讀者反饋學(xué)科排名
作者: 枕墊 時(shí)間: 2025-3-21 22:43
Terence Diggoryd cascode structures can be implemented, a trade-off between line regulation and low-voltage operation being necessary in this case. A large bandwidth of the voltage reference improves the transient behavior of the circuit, implying also a good noise rejection. Referringtothe possibilities ofimpleme作者: 不容置疑 時(shí)間: 2025-3-22 01:31
Ellen Levyd cascode structures can be implemented, a trade-off between line regulation and low-voltage operation being necessary in this case. A large bandwidth of the voltage reference improves the transient behavior of the circuit, implying also a good noise rejection. Referringtothe possibilities ofimpleme作者: accessory 時(shí)間: 2025-3-22 04:41
Kimberly Lammd cascode structures can be implemented, a trade-off between line regulation and low-voltage operation being necessary in this case. A large bandwidth of the voltage reference improves the transient behavior of the circuit, implying also a good noise rejection. Referringtothe possibilities ofimpleme作者: 短程旅游 時(shí)間: 2025-3-22 12:00
Introduction,publishing experience” [in Crase, 44]), and there would be many collaborative productions still to come: plays, films, musical scores, operas, poem-paintings, comic poems, and cowritten books of all sorts.. An exhilarating sense of artistic community (kept aloft by parties, panels, and art openings)作者: induct 時(shí)間: 2025-3-22 15:31 作者: CUMB 時(shí)間: 2025-3-22 18:07
Life without Malice: The Minor Arts of Collaboration,s of collaboration could tell us something about collaboration as principle and practice. I hesitate to write the “aesthetics of the minor,” because that sounds a little too important too quickly, but it is what I mean.作者: Tincture 時(shí)間: 2025-3-23 00:30
,“An Opposite Force’s Breath”: Medium-Boundedness, Lyric Poetry, and Painting in Frank O’Hara,” emphasizing both its particularity and its elusive presence “in the spirit’s glare.” I want to examine how this tension between wanting connection with the other and finding it somehow out of reach extends to O’Hara’s fascination with, and at times, anxiety about art, and in particular dwells on t作者: Oratory 時(shí)間: 2025-3-23 04:17
Beings is emphatically not a scientific work, wherein a theory is tested. Rather, it is an attempt to interpret and explain important philo- sophical, religious, and theological questio978-0-387-48065-7978-0-387-48077-0作者: ascetic 時(shí)間: 2025-3-23 09:10
Ben Hickmange operation being necessary in this case. A large bandwidth of the voltage reference improves the transient behavior of the circuit, implying also a good noise rejection. Referringtothe possibilities ofimpleme978-1-4899-8394-7978-1-4419-0416-4作者: deciduous 時(shí)間: 2025-3-23 12:43 作者: Jubilation 時(shí)間: 2025-3-23 17:16
Jenni Quilterge operation being necessary in this case. A large bandwidth of the voltage reference improves the transient behavior of the circuit, implying also a good noise rejection. Referringtothe possibilities ofimpleme978-1-4899-8394-7978-1-4419-0416-4作者: FLASK 時(shí)間: 2025-3-23 20:08 作者: Axillary 時(shí)間: 2025-3-23 22:43 作者: 陪審團(tuán)每個(gè)人 時(shí)間: 2025-3-24 05:21
Ben Hickmanture-correction techniques and self-programmable voltage refVoltage references represent important VLSI structures, having multiple appli- tions in analog and mixed-signal circuits: measurement equipment, voltage re- lators, temperature sensors, data acquisition systems, memories, or AD and DA conve作者: 獨(dú)行者 時(shí)間: 2025-3-24 07:36 作者: 凹槽 時(shí)間: 2025-3-24 11:50
Susan Rosenbaumture-correction techniques and self-programmable voltage refVoltage references represent important VLSI structures, having multiple appli- tions in analog and mixed-signal circuits: measurement equipment, voltage re- lators, temperature sensors, data acquisition systems, memories, or AD and DA conve作者: 牌帶來(lái) 時(shí)間: 2025-3-24 15:39 作者: Cantankerous 時(shí)間: 2025-3-24 20:44 作者: 機(jī)構(gòu) 時(shí)間: 2025-3-24 23:34 作者: 暫時(shí)中止 時(shí)間: 2025-3-25 05:53
Introduction,y-third birthday, and his friends Frank O’Hara, Kenneth Koch, and John Ashbery have written a play to commemorate the event. Among the audience are Edwin Denby, Rudy and Edith Burckhardt, Fairfield and Anne Porter, Jane Freilicher, and Joe Hazan. Onstage, along with the playwrights (who also serve a作者: Agnosia 時(shí)間: 2025-3-25 10:44 作者: 減去 時(shí)間: 2025-3-25 13:40 作者: flimsy 時(shí)間: 2025-3-25 18:46 作者: 傲慢物 時(shí)間: 2025-3-25 21:59 作者: 牛馬之尿 時(shí)間: 2025-3-26 03:39
,Fair Realism: The Aesthetics of Restraint in Barbara Guest’s Collaborations, painted under the pseudonym “George,” Hartigan was known for her ability to create paintings that slide gracefully between abstraction and figuration, high art and kitsch, tradition and innovation. These stylistic signatures put her at odds with Clement Greenberg’s teleology for modern painting, an作者: 拘留 時(shí)間: 2025-3-26 08:16
Life without Malice: The Minor Arts of Collaboration,of a book like this one, in which the scholarly gaze is turned on such an ephemeral practice, invites the question as to what is exactly “minor” about collaboration. After all, it seems very possible that critical attention will end up “discovering” collaboration’s heretofore-secret centrality in va作者: calorie 時(shí)間: 2025-3-26 11:56
,“An Opposite Force’s Breath”: Medium-Boundedness, Lyric Poetry, and Painting in Frank O’Hara,” This sense of love or desire expressed through an encounter with difference extends beyond the poet’s personal relationships to his experiences with other artists and their work. The speaker’s longing for the other “waits for the joining of an opposite force’s breath,” a union that in O’Hara’s poe作者: nullify 時(shí)間: 2025-3-26 15:50
,Mourning Coterie: Morton Feldman’s Posthumous Collaborations with Frank O’Hara, By thinking community elegiacally, we might begin to discover how affective modes of sociability offer ways of interpreting the collaborations between the New York School poets and their musician and artist compatriots.. The friendship between composer Morton Feldman and Frank O’Hara—one of the mos作者: 動(dòng)機(jī) 時(shí)間: 2025-3-26 17:09
,“Everything Turns into Writing”: Rhizomes and Poetry Re-Processings in Ted Berrigan’s ,mundane interactions with other members of the second generation of the New York School poets—Ron Padgett, Anne Waldman, Jim Carroll, and Anselm Hollo, to name only a few. Berrigan emphasizes his daily activities, “… in Brooklyn [… on] the 28th of July …” or “in a bright room sustained by a bellyful作者: 撫慰 時(shí)間: 2025-3-26 23:52
Giant Creatures Sculpted Here: Collectivity, Gender, and Performance in the Collaborations of Eilee and perhaps the question at hand is not so much “who is Joan,” but rather, “who were (or are) the women of the New York School?” (Nelson xiv) The Lost Texans Collective began, as did many New York School associated collaborations, with conversations between friends. “The whole thing was cooked up o作者: Conduit 時(shí)間: 2025-3-27 05:02
2634-6052 ican poets. New York School Collaborations gathers essays from a diverse group of scholars on the alliances and artistic co-productions of New York School poets, painters, musicians, and film-makers.978-1-349-44777-0978-1-137-28057-2Series ISSN 2634-6052 Series E-ISSN 2634-6060 作者: Flustered 時(shí)間: 2025-3-27 05:54
978-1-349-44777-0The Editor(s) (if applicable) and The Author(s) 2013作者: Angioplasty 時(shí)間: 2025-3-27 12:57 作者: 獨(dú)特性 時(shí)間: 2025-3-27 14:50 作者: Arrhythmia 時(shí)間: 2025-3-27 19:49 作者: 注入 時(shí)間: 2025-3-27 23:57
https://doi.org/10.1057/9781137280572aesthetics; America; gender; lyric; New York; poetry; Tradition作者: 確認(rèn) 時(shí)間: 2025-3-28 02:17 作者: troponins 時(shí)間: 2025-3-28 09:52
,“Our Program Is the Absence of Any Program”: The New York School Reading the Past, no attempt to suggest connections. There is also the collaborative atmosphere that reading as an activity is evidently taking place in: Ashbery is not only sharing his reading with one friend, he is constantly framing it in relation to another.作者: 指令 時(shí)間: 2025-3-28 10:39 作者: 盡管 時(shí)間: 2025-3-28 17:20
Ballet, Basketball, and the Erotics of New York School Collaboration,crucial distinction: “Schneeman and his poet-friends felt hemmed in by the same traditions that upset Foucault. But, feeling no need to score theoretical points, they simply left such obstacles behind as they moved out into the open spaces where the new is possible” (25).作者: 彎腰 時(shí)間: 2025-3-28 21:36
,Slippery Subjects: Thoughts on the Occasion of Ashbery and Koch’s “Death Paints a Picture”,c collaborations by Ashbery and Koch that follow “amusing intricate rules” (as Koch once termed them) of the poets’ own devising, while at the same time also managing to fit, if only just, under the “poets on painting” rubric imposed upon them on this occasion by . (qtd. in Lehman 84).作者: 硬化 時(shí)間: 2025-3-29 02:27 作者: BOOM 時(shí)間: 2025-3-29 06:59
,“Everything Turns into Writing”: Rhizomes and Poetry Re-Processings in Ted Berrigan’s ,on on the 1960s avant-garde community—its relationship with the first generation of the New York School poets and its ambitions. In addition, his role as the editor of . puts him at the center of the collaborative publishing activities of the New York School scene, which has led scholars to propose biographical accounts of his poetry.作者: 肌肉 時(shí)間: 2025-3-29 09:40
,Mourning Coterie: Morton Feldman’s Posthumous Collaborations with Frank O’Hara,n the New York School poets and their musician and artist compatriots.. The friendship between composer Morton Feldman and Frank O’Hara—one of the most significant relationships within the New York School—exemplifies this mournful mode of sociability but has been little commented upon.作者: 喊叫 時(shí)間: 2025-3-29 14:26 作者: metropolitan 時(shí)間: 2025-3-29 16:57
2192-3671 ife cycle.Contains key chapters on artificial intelligence, This volume provides cutting-edge research from malaria parasitology and records the success story of disease control in China. The country, which was certified malaria-free by the World Health Organization in 2021, looks back on 70 years o
