標(biāo)題: Titlebook: New Vocal Repertory; An Introduction Jane Manning Book 1986 Palgrave Macmillan, a division of Macmillan Publishers Limited 1986 design.perf [打印本頁] 作者: 萬圣節(jié) 時(shí)間: 2025-3-21 18:35
書目名稱New Vocal Repertory影響因子(影響力)
書目名稱New Vocal Repertory影響因子(影響力)學(xué)科排名
書目名稱New Vocal Repertory網(wǎng)絡(luò)公開度
書目名稱New Vocal Repertory網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱New Vocal Repertory被引頻次
書目名稱New Vocal Repertory被引頻次學(xué)科排名
書目名稱New Vocal Repertory年度引用
書目名稱New Vocal Repertory年度引用學(xué)科排名
書目名稱New Vocal Repertory讀者反饋
書目名稱New Vocal Repertory讀者反饋學(xué)科排名
作者: Schlemms-Canal 時(shí)間: 2025-3-21 22:48
Peter Racine Fricker,T. E. Hulmeertheless also experience pleasure in watching such a spectacle? Might it be that the pleasure we get from watching a play . in one way or another for the pain we experience at the same time? Or might it rather be the case that something helps . that pain into pleasure?作者: 冒失 時(shí)間: 2025-3-22 01:05 作者: 飛行員 時(shí)間: 2025-3-22 05:51 作者: biopsy 時(shí)間: 2025-3-22 08:55 作者: ordain 時(shí)間: 2025-3-22 14:48 作者: 熱心 時(shí)間: 2025-3-22 20:11
One and All (1975)me uneven rhythms need to be strictly defined and intonation must be exact. The whole impression is cool, detached and extremely touching despite the economy of expression. The piano part is generally more elaborate than the vocal line and fills in the gaps left by the enigmatic and inwardly passion作者: Fibroid 時(shí)間: 2025-3-23 00:51
Five Cabaret Songs (1985) deep alto or bass. A warm, clear-toned soprano, mezzo-soprano or tenor with a good low register would be ideal. Musical demands on the singer are modest and full use is made of the middle of the voice for clarity of enunciation.作者: 周興旺 時(shí)間: 2025-3-23 01:59 作者: 半身雕像 時(shí)間: 2025-3-23 08:48
The Exiled King (1984)one scales are used; some of the melodies and harmonies are reminiscent of the late English Romantics, for example Delius and Vaughan Williams. The piano writing is extremely striking; it can almost be said to dominate and to dictate proceedings in the very best sense. Exciting, often. percussive os作者: PHONE 時(shí)間: 2025-3-23 12:43
The Wonderful Widow of Eighteen Springs/A Flower (1942/1950)deserve. Partly through ignorance and partly because of the wide range of styles that Cage employs, those not familiar with Cage’s work may not appreciate the purely musical virtues which have always distinguished this visionary figure from his many imitators.作者: Mirage 時(shí)間: 2025-3-23 14:09
First Dream of Honeysuckle Petals Falling Alone (1978)vid piano writing is most exciting and the abundant melismas in the voice part make it rewarding for the singer in exactly the same way as the bel canto writing of the past. Despite being brief, each song is eventful.作者: disrupt 時(shí)間: 2025-3-23 20:59
Palgrave Macmillan, a division of Macmillan Publishers Limited 1986作者: nocturia 時(shí)間: 2025-3-23 22:30
Overview: An introduction to 70 songs from the contemporary vocal repertoire which provides advice on performance and suggestions on programming. It is designed for young singers and singing students.978-1-349-18494-1作者: stressors 時(shí)間: 2025-3-24 05:32
http://image.papertrans.cn/n/image/666060.jpg作者: 內(nèi)部 時(shí)間: 2025-3-24 09:25 作者: overweight 時(shí)間: 2025-3-24 12:29 作者: bisphosphonate 時(shí)間: 2025-3-24 15:08 作者: Formidable 時(shí)間: 2025-3-24 20:18 作者: 鋼盔 時(shí)間: 2025-3-25 00:02
Keith Humble and fear, as Aristotle details them in his ., are painful emotions when experienced in the real world, why is it so obviously and yet mysteriously the case that we nonetheless usually do enjoy attending tragic plays where pity and fear play a central role? Might it be the case that in fact our emot作者: innate 時(shí)間: 2025-3-25 04:34
Thea Musgrave,Maurice Lindsay and fear, as Aristotle details them in his ., are painful emotions when experienced in the real world, why is it so obviously and yet mysteriously the case that we nonetheless usually do enjoy attending tragic plays where pity and fear play a central role? Might it be the case that in fact our emot作者: Magnificent 時(shí)間: 2025-3-25 11:33 作者: 繞著哥哥問 時(shí)間: 2025-3-25 15:44
Three Theatrical Songs (1946)essive vocal output is otherwise too difficult to be included in this book (but is to be warmly recommended to singers of outstanding musicianship). As Babbitt says in the introductory note, the songs come from an entirely different side of his musical life and represent his prodigious knowledge, lo作者: RAGE 時(shí)間: 2025-3-25 19:41 作者: 積云 時(shí)間: 2025-3-25 23:17 作者: 良心 時(shí)間: 2025-3-26 02:19
One and All (1975)uch found in the higher voices (soprano and tenor) is perhaps most suitable for the purity and clarity of line and detail that is so important here. As is typical of this composer, there are elements of pastiche in the music. He imitates a wide variety of styles including conventional lieder (especi作者: Ptsd429 時(shí)間: 2025-3-26 05:34 作者: decode 時(shí)間: 2025-3-26 09:21
The Wonderful Widow of Eighteen Springs/A Flower (1942/1950)deserve. Partly through ignorance and partly because of the wide range of styles that Cage employs, those not familiar with Cage’s work may not appreciate the purely musical virtues which have always distinguished this visionary figure from his many imitators.作者: ELUC 時(shí)間: 2025-3-26 12:57
Two Songs (1977)difficult and the piano part is equally undemanding. The vocal writing is smooth and shows Fricker’s sensitivity to timbre. The musical idiom is fairly traditional with neo-classical elements. With great economy of means, the songs come across strongly and clearly and are beautifully integrated. The作者: Small-Intestine 時(shí)間: 2025-3-26 20:17 作者: 輕彈 時(shí)間: 2025-3-26 22:45 作者: antedate 時(shí)間: 2025-3-27 02:29 作者: 極端的正確性 時(shí)間: 2025-3-27 09:14
Dear Emily (1973)idiom is extremely straightforward. Many modern conventions of notation are used. In the passages without time signatures time is indicated in seconds (which need not be timed with a stop-watch), giving the performer extra freedom. There are various styles of delivery, including pitched speech and h作者: arbovirus 時(shí)間: 2025-3-27 11:08
Five Lyrics of the T’ang Dynasty (1947)voice and piano. The music’s appeal is immediate. A variety of contrasting moods is displayed during the cycle’s short span. The singer should feel completely comfortable throughout. The economy of the writing is truly admirable and highly appropriate to the conciseness of the texts. A sparkling vit作者: GREG 時(shí)間: 2025-3-27 15:21
Three Poems of Robert Frost (1942)lier, neo-classical idiom is not exacting and will not tax the inexperienced singer. The songs make a bright, extrovert impression and abound in rhythmic verve. A high baritone with a youthful timbre would be the ideal voice to bring out the texts with freshness and clarity. As with much American so作者: Limerick 時(shí)間: 2025-3-27 18:17 作者: 幻想 時(shí)間: 2025-3-27 23:27
Six de la Mare Songs (Nos. 1–4 and 6, 1966–71; no. 5, 1985) Elaine Hugh-Jones. Her songs show complete mastery and understanding of voice and piano writing. Although they are firmly based on a traditional musical style — that of English post-Romantic — the songs are not in the least derivative. The composer shows a wonderful assurance and freshness of appro作者: TRAWL 時(shí)間: 2025-3-28 04:00 作者: FLOUR 時(shí)間: 2025-3-28 08:22 作者: 驚呼 時(shí)間: 2025-3-28 10:30
Bucolics op. 28 (1968)ic supremely well. As in all good vocal writing, there is physical enjoyment to be had in the action of enunciating and, in some cases, lingering over the expressive syllables of the resonant texts. The whole effect is fresh and exuberant. The drama flows with the music, as do the dynamics which are作者: Obliterate 時(shí)間: 2025-3-28 18:34 作者: Talkative 時(shí)間: 2025-3-28 20:37 作者: 報(bào)復(fù) 時(shí)間: 2025-3-29 02:51 作者: SSRIS 時(shí)間: 2025-3-29 06:34
A Suite o’ Bairnsangs (1953)et the Scottish syllables meticulously, one or two words will not roll out quite as smoothly in the adapted English version. A light, clear voice is needed for the springing lines of infectious vitality. The songs are ideally contrasted in mood and tempo, forming a beautifully balanced group of perfect proportions for a recital item.作者: 貿(mào)易 時(shí)間: 2025-3-29 09:11 作者: Aerate 時(shí)間: 2025-3-29 14:21
Two Songs (1977) steady movement of the first, shorter song is contrasted with a more extended second song which is mainly in waltz rhythm with fluctuating tempos. The songs are an ideal choice for a comparative beginner.作者: 高興去去 時(shí)間: 2025-3-29 18:07 作者: HPA533 時(shí)間: 2025-3-29 20:27
Five Songs (1978)ments are delicately judged and the whole effect is unusually sensitive and simple. The songs would not tax the technique of a comparative beginner since they lie so smoothly in the voice and the timing of the phrases follows the natural flow of the text. The musical idiom is fresh, tuneful and instantly appealing, with gently shifting tonality.作者: 欲望 時(shí)間: 2025-3-30 00:58 作者: Pantry 時(shí)間: 2025-3-30 05:08 作者: 疲憊的老馬 時(shí)間: 2025-3-30 09:57
Five Summer Songs (1972)oss clearly. There should be no difficulty with pitch since the piano parts contain cues and doublings. The cycle is an ideal length for a concert and its appeal will be immediate. The composer’s instructions in the score are lucid and helpful, making this an excellent choice for a young singer.作者: jumble 時(shí)間: 2025-3-30 15:27 作者: 拍翅 時(shí)間: 2025-3-30 18:04
Six de la Mare Songs (Nos. 1–4 and 6, 1966–71; no. 5, 1985)ne Hugh-Jones varies her material constantly yet always seems to preserve stylistic unity. Each song is a joy to sing and play. (The composer was herself for many years a staff accompanist for the BBC, which must have contributed to her unerring instinct for the medium.)作者: reflection 時(shí)間: 2025-3-30 21:35
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