派博傳思國(guó)際中心

標(biāo)題: Titlebook: New Tendencies in Mexican Art; The 1990‘s Rubén Gallo Book 2004 Palgrave Macmillan, a division of Nature America Inc. 2004 America.american [打印本頁(yè)]

作者: commotion 時(shí)間: 2025-3-21 17:42
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作者: Encapsulate 時(shí)間: 2025-3-21 23:42

作者: Parley 時(shí)間: 2025-3-22 03:00
Voyeurism,tographic project by a 29-year-old artist that unleashed a torrent of tabloid-like newspaper articles: Daniela Rossell’s . [Rich and famous], a collection of photos of Mexican multimillionaires posing in their palatial and overdecorated homes. The subjects are young, mostly blond women who seem to l

作者: Wordlist 時(shí)間: 2025-3-22 08:33

作者: 小平面 時(shí)間: 2025-3-22 10:08

作者: 1分開(kāi) 時(shí)間: 2025-3-22 13:23
Institutionalism,onal Revolutionary Party. How could a political organization be both institutional and revolutionary? Don’t revolutions, by definition, do away with institutions? And what does it mean when a party declares itself to be “institutional”? Perhaps the PRI’s greatest achievement—as well as the strategy

作者: 小蟲(chóng) 時(shí)間: 2025-3-22 17:33
Rubén Gallo ihre Grenzen, wenn die Entwicklung nicht durch rein ?konomische Kriterien, sondern auch durch politische Einflüsse gepr?gt ist...Matthias Kempf entwickelt ein Erkl?rungsmodell für die Entwicklung komplexer Industriesektoren mit ?konomischen und politischen Interdependenzen und gibt Gestaltungsvorsc

作者: languor 時(shí)間: 2025-3-22 22:15

作者: spinal-stenosis 時(shí)間: 2025-3-23 05:21
Voyeurism,mous artists (from the muralists to the neo-Mexicanists), crystal chandeliers, giant mirrors, gold lamé wallpaper, and maids in crisp uniforms (who appear slightly less comfortable than their employers in front of the camera).

作者: Gobble 時(shí)間: 2025-3-23 06:28

作者: 干涉 時(shí)間: 2025-3-23 10:19

作者: Acquired 時(shí)間: 2025-3-23 14:09

作者: Strength 時(shí)間: 2025-3-23 20:31
1554-4028 and articles devoted to the subject. Despite this interest, there are few books devoted to contemporary Mexican art. New Tendencies in Mexican Art is the first book-length study devoted to a generation of Mexican artists who have had enormous international success. It focuses on several ‘tendencies

作者: hazard 時(shí)間: 2025-3-24 00:37

作者: HIKE 時(shí)間: 2025-3-24 05:57
Radiophonism, museums from New York to Berlin. Since 2003, Morales has taught various art, performance, and sound workshops at El Faro de Oriente—a public art school located in Ciudad Nezahualcóyotl, one of the poorest districts in Mexico City—to an eclectic audience that includes punks, hard rockers, gang members, and even the occasional vagabond.

作者: FANG 時(shí)間: 2025-3-24 08:57

作者: narcotic 時(shí)間: 2025-3-24 11:18
Introduction Tendencies,s period, from Daniela Rossell’s photographs of Mexican millionaires to Teresa Margolles’s manipulations of human remains, from Santiago Sierra’s exploitation of manual laborers to Vicente Razo’s creation of a museum devoted to Carlos Salinas, the disgraced ex-president.

作者: 巨大沒(méi)有 時(shí)間: 2025-3-24 16:40
Orientalism,have been made anywhere in the world, and that they seemed entirely disconnected from their cultural context. Once, as I was showing slides of a recent exhibition to the editor of an influential Italian art magazine, he brushed them aside and said, “I want work that looks Mexican: I want to see pyramids, jungles, Mayan temples.”

作者: 條街道往前推 時(shí)間: 2025-3-24 19:07
Urbanism,ertain totality, but it can be represented by new, creative strategies that, though fragmentary, capture the most striking aspects of life in the capital. In this chapter we will discuss five artists from different walks of life who have come up with fresh, innovative proposals for representing the city.

作者: 易發(fā)怒 時(shí)間: 2025-3-25 00:53