派博傳思國(guó)際中心

標(biāo)題: Titlebook: New Takes in Film-Philosophy; Havi Carel (Senior Lecturer in Philosophy),Greg Tu Book 2011 Palgrave Macmillan, a division of Macmillan Pub [打印本頁(yè)]

作者: 尖酸好    時(shí)間: 2025-3-21 19:36
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作者: arousal    時(shí)間: 2025-3-21 22:56
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作者: d-limonene    時(shí)間: 2025-3-22 02:39

作者: 一個(gè)姐姐    時(shí)間: 2025-3-22 06:51

作者: 以煙熏消毒    時(shí)間: 2025-3-22 11:23
978-0-230-25029-1Palgrave Macmillan, a division of Macmillan Publishers Limited 2011
作者: Obscure    時(shí)間: 2025-3-22 15:41
Overview: This collection displays?a range of approaches and contemporary developments in the expanding field of film-philosophy. The?essays?explore central issues surrounding the conjunction of film and philosophy, presenting a varied yet coherent reflection on the nature of this conjunction.978-0-230-25029-1978-0-230-29485-1
作者: Offensive    時(shí)間: 2025-3-22 19:13

作者: syring    時(shí)間: 2025-3-22 22:05
John Mullarkeylection presents strategies for eliciting systems of knowledge from mother-tongue speakers, triggering linguistic self-awareness, and providing semantic and morphosyntactic context for their languages..This pub978-3-030-79343-2978-3-030-79341-8
作者: Optimum    時(shí)間: 2025-3-23 03:11

作者: cylinder    時(shí)間: 2025-3-23 07:45
ic development. As their given economic development evolves, we find that there is actually no unique corner solution, and the question becomes whether there are any non-corner solutions. If there are, what’s the significance of the non-corner solutions for internationalizing the RMB?
作者: 創(chuàng)作    時(shí)間: 2025-3-23 12:04

作者: 拔出    時(shí)間: 2025-3-23 15:29

作者: SLAY    時(shí)間: 2025-3-23 21:43

作者: Foreshadow    時(shí)間: 2025-3-23 23:10
Hamish Fordualitative and quantitative characteristics of these categories. The study was aimed at ascertaining correlations between personality parameters (spontaneous and natural, or conscious and volitional use), situation parameters (instrumental or symbolic presence of the language), and language quality
作者: 鎮(zhèn)痛劑    時(shí)間: 2025-3-24 03:20
heir methodology of data collection. These techniques allow the authors to reveal the worldview of mother-tongue speakers, and the symbols and values significant in their tradition, through the elicitation of ethnolinguistic language data..To achieve these results, the authors stress the importance
作者: HUMID    時(shí)間: 2025-3-24 10:34
Stephen Mulhalltheir behaviors to their more-or-less dispersed shareholders. In light of this, it is not surprising that strategy scholars and consultants have, over the years, devoted most of their attention to studying and advising large public companies and guiding their strategic behaviors.
作者: Emmenagogue    時(shí)間: 2025-3-24 12:21
Amy Coplan,Derek Matraverstheir behaviors to their more-or-less dispersed shareholders. In light of this, it is not surprising that strategy scholars and consultants have, over the years, devoted most of their attention to studying and advising large public companies and guiding their strategic behaviors.
作者: effrontery    時(shí)間: 2025-3-24 17:11
entsimulation, RQMC gets judiciously combined with standard Monte Carloto keep memory requirements bounded. .This monograph has been designed to appeal to a diverse audience,including those with applications in queueing, operations research,computational finance, mathematical programming, partial di
作者: Liability    時(shí)間: 2025-3-24 20:49
Introductionjunction one originates from? In addition, both film studies and philosophy are themselves heterogeneous practices, divided between radically different conceptions of what ‘counts’ as legitimate modes of study. Thus the conjunction becomes even harder to define. So why bother with it? What is to be
作者: resilience    時(shí)間: 2025-3-24 23:36

作者: 陪審團(tuán)每個(gè)人    時(shí)間: 2025-3-25 05:44
Notes on Stanley Cavell and Philosophical Film Criticismerhaps as a way of reviving) the somewhat lost art of academic criticism, coming to see it again in the light of Cavell’s (philosophical) understandings and in comparison to other forms of analysis more commonly in use today. His demonstrations and demarcations have partly arisen in an endeavour to
作者: insidious    時(shí)間: 2025-3-25 11:30
Broken Glass by the Road: Adorno and a Cinema of Negativityds its typical expression in cinema and radio’ (Horkheimer and Adorno, 1979, p.xvi), fuelled by a model of heavily delimited ‘individuality’ characteristic of the culture industry’s ‘a(chǎn)dministered life’ (ibid., p.3). This seemingly blanket critique of film and mass media, given detailed form in .’s m
作者: 雪上輕舟飛過(guò)    時(shí)間: 2025-3-25 12:41
Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s on to his failing eyesight, horrific medical experiences, and approaching death, all in the context of a larger community of lovers, friends, and strangers living with and dying from AIDS. . not only elicits extremely positive or negative responses from most of those who experience it but also chall
作者: isotope    時(shí)間: 2025-3-25 18:11
or of the Center for Leading Innovation and Cooperation (CLIC) at the HHL - Leipzig Graduate School of Management, Germany. .Emilio E. Matthaei is Research Associate at the University Erlangen-Nuremberg, Visiting Researcher at the U978-3-8349-0761-5978-3-8349-8010-6
作者: Obedient    時(shí)間: 2025-3-25 23:03

作者: 赦免    時(shí)間: 2025-3-26 01:54

作者: cutlery    時(shí)間: 2025-3-26 04:43
g the capital account during the economic and opening-up process, clearly reveals Mundell’s “Impossible Trinity.” This theory reflects the central conflict plaguing the economic system under an open economy and indicates the extent of policy limitations when selecting from among multiple options. It
作者: gangrene    時(shí)間: 2025-3-26 11:48

作者: asthma    時(shí)間: 2025-3-26 15:14

作者: intertwine    時(shí)間: 2025-3-26 18:09

作者: amorphous    時(shí)間: 2025-3-26 21:45
Hamish Ford Russian Federation, namely, the Karelian language in the national districts of the Republic of Karelia (Kalevalsky, Olonetsky, and Pryazhinsky). The study also substantiates the interview method as the most relevant method for conducting this type of research..The methodology was developed to study
作者: 談判    時(shí)間: 2025-3-27 01:28
John Mullarkey.Demonstrates how gaining knowledge from speakers provides v.This volume provides an overview of experimental methods, approaches, and techniques used by field linguists of the Russian school, and highlights the fieldwork experience of Russian scholars working in regions with a range of languages th
作者: Infelicity    時(shí)間: 2025-3-27 06:19
of Pamir languages and Yaghnobi. It focuses on specific fieldwork techniques for the collection and elicitation of language data, as well as on the interpretation, presentation, and storage of the language data of these unwritten languages, enabling the compilation of an archive of audio language ma
作者: 易于交談    時(shí)間: 2025-3-27 10:05

作者: Ophthalmoscope    時(shí)間: 2025-3-27 16:36
Amy Coplan,Derek Matraversily-controlled, as statistics in many countries suggest, the question should actually be reversed. We should be asking what is unique about strategy in .-family firms. Yet it is a well-known fact that strategic management developed both as a theory and as a management practice to address the specifi
作者: 比喻好    時(shí)間: 2025-3-27 19:15

作者: impaction    時(shí)間: 2025-3-27 23:16
Introductione been interested in cinema for as long as it has existed. However, the last few years has seen the emergence of extraordinary interest in the conjunction of film and philosophy. This is not to say that it is a well-defined field of enquiry or one that has broad agreement amongst its practitioners o
作者: 制定法律    時(shí)間: 2025-3-28 03:19

作者: 獎(jiǎng)牌    時(shí)間: 2025-3-28 07:06
Re-enfranchising Film: Towards a Romantic Film-Philosophy as an independent area of inquiry with its own journals, monographs, and conferences (see Wartenberg, 2008). Despite this welcome flourishing of approaches, I shall ask whether Arthur Danto’s thesis concerning the ‘philosophical disenfranchisement of art’ (1986) might apply to (some) contemporary t
作者: fulmination    時(shí)間: 2025-3-28 12:35
Notes on Stanley Cavell and Philosophical Film Criticism bring together observations by Cavell, often in the form of quotation, from across his many writings on film and aesthetics, especially his more recent work, to note some of the characteristics of philosophical criticism, and to illuminate the value of it.. I do not think it is Cavell’s intention t
作者: angiography    時(shí)間: 2025-3-28 16:56

作者: 錢財(cái)    時(shí)間: 2025-3-28 21:07

作者: opinionated    時(shí)間: 2025-3-29 02:04

作者: pacific    時(shí)間: 2025-3-29 04:50

作者: 植物學(xué)    時(shí)間: 2025-3-29 07:33
Theory as Style: Adapting , via Baudrillard and Cronenbergy and film: Jean Baudrillard’s . (1994) and David Cronenberg’s . (Canada, 1996) respectively.. The chapter focuses on the source text and its adaptations with a view to outlining the diverse modalities of theorising that are to be found across these different mediums and forms: the written word of l
作者: IRK    時(shí)間: 2025-3-29 14:00

作者: gerrymander    時(shí)間: 2025-3-29 16:13

作者: flamboyant    時(shí)間: 2025-3-29 22:38
Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s and What might film studies bring to the practice of philosophy? Here, explored from a pedagogical perspective, my exemplar is existential phenomenological philosophy as it illuminates — and is illuminated by — Derek Jarman’s seemingly ‘monochromatic’ film, . (UK, 1993). Made when the filmmaker was
作者: 大方一點(diǎn)    時(shí)間: 2025-3-30 01:45

作者: 表皮    時(shí)間: 2025-3-30 08:01
A Bleak Burlesque: Michael Haneke’s , as a Study in Violencee is soaked in the sink and rendered unusable before proceeding, over the course of a night, to impose upon Ann, George and their young son, Georgie. The family endure a series of games where the stakes are either to escape or choose the manner of death. All three are killed: the child and father by
作者: brother    時(shí)間: 2025-3-30 08:36

作者: 大漩渦    時(shí)間: 2025-3-30 15:52
The Ghost is the Machine: Media-Philosophy and Materialismat was invisible becomes visible. What was immaterial becomes material. But is the pen just that: an instrument, a tool? Are the instruments we use to make art from the ‘a(chǎn)iry nothing’ in our heads just that: tools which . art?
作者: endarterectomy    時(shí)間: 2025-3-30 19:30
Serious Men: The Films of the Coen Brothers as Ethicso pin down. Reflecting on this forces us to think more clearly about how philosophy normally does philosophy in the first place. If the idea of film as philosophy is problematic, then the philosophy part is at least as troublesome as the film component.
作者: 腐敗    時(shí)間: 2025-3-30 23:51

作者: 針葉    時(shí)間: 2025-3-31 04:30

作者: 者變    時(shí)間: 2025-3-31 05:37





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