標題: Titlebook: New Perspectives on the War Film; Clémentine Tholas,Janis L. Goldie,Karen A. Ritzenh Book 2019 The Editor(s) (if applicable) and The Autho [打印本頁] 作者: 偏差 時間: 2025-3-21 20:07
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作者: GONG 時間: 2025-3-21 20:19 作者: Enliven 時間: 2025-3-22 02:21
Liz Clarkeon of mentioned stars.Provides an introduction to spectrosco.This book recounts the stories of the astronomical pioneers who forever changed our views of the cosmos. The chapters delve into their fascinating lives over the centuries, showing how these pivotal minds built upon the work of their prede作者: Digitalis 時間: 2025-3-22 05:52 作者: liaison 時間: 2025-3-22 08:49 作者: 地殼 時間: 2025-3-22 14:44
Zachary Baqués with theateriality of paid caregiving. Each chapter has identified ways in which the labour market participation of paid caregivers is widely judged as inferior. The discussion has located assumptions of sex and class in homecare workers’ experience and connected these to inquiries about legal for作者: Ablation 時間: 2025-3-22 18:23 作者: Assault 時間: 2025-3-22 23:50
Elena Caoduroticularly in Australian football and rugby league. Although only comprising 3 per cent of the Australian population, they account for between 10 per cent and 14 per cent of the elite player population in the |NRL (National Rugby League) and the AFL (Australian Football League) (Harvey and Halloran 2作者: acclimate 時間: 2025-3-23 03:34
Zachary Michael Powellticularly in Australian football and rugby league. Although only comprising 3 per cent of the Australian population, they account for between 10 per cent and 14 per cent of the elite player population in the |NRL (National Rugby League) and the AFL (Australian Football League) (Harvey and Halloran 2作者: 條約 時間: 2025-3-23 08:23 作者: Ataxia 時間: 2025-3-23 12:41 作者: 補助 時間: 2025-3-23 17:21 作者: Inflammation 時間: 2025-3-23 20:30
Vamps and Virgins: The Women of 1920s Hollywood War Romances, Hollywood. She points out that in the 1920s, Hollywood studios considered females to be their target audience and so geared their narratives and complex female protagonists accordingly. Exploring films from that time era, Clarke connects melodrama and war and observes the broader relationship betwe作者: 陰謀 時間: 2025-3-23 22:30 作者: 整潔漂亮 時間: 2025-3-24 05:01
The Other Fights Back: Indigenizing the War Film,r questions how the war film can be re-imagined when the audience is provided with an Indigenous point of view. As she argues, when traditionally marginalized voices are the focus of a film, conceptions of national identity, heroism, and memory may be challenged. Gauthier finds that due to commercia作者: 一瞥 時間: 2025-3-24 08:09 作者: pantomime 時間: 2025-3-24 11:44 作者: parallelism 時間: 2025-3-24 16:52
,“So Long as They Are Maintaining a Bona Fide Family Relationship in the Home”: Women in World War I how the federal government envisioned the role of women in the war effort at the time and uncovers, via looking at samples of the relevant film documentaries, that the films present a temporary and tempered version of revision in both roles and representations. In this way, while minute changes for作者: Mendacious 時間: 2025-3-24 21:15
Post-socialist Hauntings in Vietnamese Revisionist Cinema, the Vietnamese film industry for the readers before tackling the important role of the ghosts in these two revisionist films. He argues that by using spirits, ??ng’s critiques failed socialist promises in addition to the tendency to romanticize the sacrifices of war as well as postwar Vietnamese so作者: 瑪瑙 時間: 2025-3-25 01:29 作者: infarct 時間: 2025-3-25 06:56
Rebel: African Child Soldiers, Gender, and the War Film,lls within the African child soldier subgenre. While the film’s female-centered plot and perspective hold potential to challenge the typically racist and reductionist representations of African child soldiers in media culture, who are often portrayed as dangerous and disorderly, hapless victims, or 作者: MOAT 時間: 2025-3-25 07:28
Sisters in Arms: Epic Narratives in , (2007) and , (2008),ms host tensions as well as anxieties between nostalgia for the spirit of revolution of the past as well as anguish over history. Caoduro is interested in the portrayal of the female terrorist figure and finds that the women in these films challenge stereotypical understandings of the female as pass作者: Rankle 時間: 2025-3-25 12:26
The Form of the White Ethno-State: , (2017) Omits Indian Soldiers for White Vulnerable Bodies,ethnocentrism in . (2017). Powell makes the case that the complete omission of the approximately 1000 Indian troops that were also trapped on the beach makes the prioritization of white bodies in the film inherently problematic. To illustrate this, Powell analyzes the film’s editing, mise-en-scène, 作者: 小平面 時間: 2025-3-25 17:44 作者: 共同時代 時間: 2025-3-25 22:03 作者: Anonymous 時間: 2025-3-26 01:37 作者: 首創(chuàng)精神 時間: 2025-3-26 04:58 作者: irritation 時間: 2025-3-26 08:28
Yael Munkall telescope...In addition, the histories on specific star names and designations are given, along with an overview of the most popular catalogues and online databases that readers can use for reference..978-3-030-80308-7978-3-030-80309-4Series ISSN 1431-9756 Series E-ISSN 2197-6562 作者: 廣口瓶 時間: 2025-3-26 15:45 作者: 形容詞 時間: 2025-3-26 20:03 作者: jarring 時間: 2025-3-26 21:25
Thong Winng comments, I return to consider the institutionalised humiliation of homecare workers as a process which underpins many of the failings of social care and is expressed through law and legal doctrine at work. I believe that transformative change to law at work is urgently required. An appropriate c作者: BOGUS 時間: 2025-3-27 05:04 作者: intrigue 時間: 2025-3-27 09:21 作者: 使?jié)M足 時間: 2025-3-27 11:14
of war via terrorism and bioterrorism are closely analyzed. The contributors demonstrate how these viewpoints have been consistently ignored in mainstream, blockbuster war sagas and strive to re-integrate these lost perspectives into current and future narratives.?.978-3-030-23098-2978-3-030-23096-8作者: reaching 時間: 2025-3-27 13:36
Introduction,same time established journalistic resources are discredited as “fake news,” it is important to discuss the influence of image-making on public awareness and the making of memory, especially concerning warfare.作者: BULLY 時間: 2025-3-27 18:23
http://image.papertrans.cn/n/image/665659.jpg作者: 客觀 時間: 2025-3-27 22:30 作者: 異端邪說下 時間: 2025-3-28 05:44
Clémentine Tholas,Janis L. Goldie,Karen A. RitzenhGives voice to those who have traditionally been marginalized and whose historically silenced stories of war can conceivably provide us with much needed insight in what is arguably a very turbulent ti作者: 禁令 時間: 2025-3-28 10:13 作者: GEAR 時間: 2025-3-28 12:59
Women and Nation in Films of the Great War,ese films are presented in complex, multidimensional ways. Saunders makes the case that the imagined possibilities for gender relations being explored in these films emphasize active, risk-taking, and rational images of women who are in charge of their lives, as well as their sexuality.作者: abolish 時間: 2025-3-28 15:26 作者: Heresy 時間: 2025-3-28 21:20 作者: Crohns-disease 時間: 2025-3-28 23:59
The Other Fights Back: Indigenizing the War Film,l imperatives, the narrative feature films fall back on common war film tropes in their goal to entertain audiences. In this way, while there are moments where the Indigenous “Other” fights back in the war film, the documentary format appears to offer greater promise for a fuller narrative and perspective of the marginalized in war.作者: Keratectomy 時間: 2025-3-29 05:37
(1918), , (1926), , (1927): How Silent War Films Discuss Homosexuality and Gender Representations n, love, friendships, and femininity within. Accordingly, she discovers that these films tend to reassert a patriarchal and misogynistic vision or masculinity and gender roles. At the same time, they portray the various kinds of male and maternal love, virile friendships and physical desire that can reflect, and effect, social transformation.作者: NAV 時間: 2025-3-29 08:44 作者: exorbitant 時間: 2025-3-29 14:56 作者: Meager 時間: 2025-3-29 17:46
Post-socialist Hauntings in Vietnamese Revisionist Cinema,ciety. According to Win, the ghosts work to reflect the differences in the way the Vietnamese Communist Party (VCP) memorializes war and how survivors remember it. In this way, ??ng’s films resist State hegemony, at times and in various ways, but also provide alternative narratives of war.作者: RUPT 時間: 2025-3-29 21:54 作者: BILL 時間: 2025-3-29 23:55
Sisters in Arms: Epic Narratives in , (2007) and , (2008),ive and prone to nurturing, even though these combatants are depicted as the worst kind of transgressor in a patriarchal structure. Caoduro concludes that the female violence that falls outside traditional social expectations within these films is domesticated.作者: Pulmonary-Veins 時間: 2025-3-30 07:54 作者: 種子 時間: 2025-3-30 12:12
The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First the unpredictable and constant nature of the anxiety provoked by both, visual media productions on outbreaks and pandemics should be conceived of within an updated understanding of the war film genre.
