標(biāo)題: Titlebook: New Media Dramaturgy; Performance, Media a Peter Eckersall,Helena Grehan,Edward Scheer Book 2017 The Editor(s) (if applicable) and The Auth [打印本頁(yè)] 作者: Indigent 時(shí)間: 2025-3-21 18:09
書(shū)目名稱New Media Dramaturgy影響因子(影響力)
書(shū)目名稱New Media Dramaturgy影響因子(影響力)學(xué)科排名
書(shū)目名稱New Media Dramaturgy網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱New Media Dramaturgy網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱New Media Dramaturgy被引頻次
書(shū)目名稱New Media Dramaturgy被引頻次學(xué)科排名
書(shū)目名稱New Media Dramaturgy年度引用
書(shū)目名稱New Media Dramaturgy年度引用學(xué)科排名
書(shū)目名稱New Media Dramaturgy讀者反饋
書(shū)目名稱New Media Dramaturgy讀者反饋學(xué)科排名
作者: 不法行為 時(shí)間: 2025-3-21 21:12 作者: 得罪人 時(shí)間: 2025-3-22 01:11
From Extreme Light to Total Darkness: The Dramaturgy of Organised Light,tions, and light and video displays in installation works exhibited in gallery spaces. We draw on Sean Cubitt’s idea of ‘organised light’ (., Open Humanities Press, London: 2015, 45) as the functional ability to focus and amplify light in parallel with developments of the technologies of luminescenc作者: 名次后綴 時(shí)間: 2025-3-22 05:39 作者: Pillory 時(shí)間: 2025-3-22 08:51 作者: 微枝末節(jié) 時(shí)間: 2025-3-22 15:46
The Theatrical Superfield: On Soundscapes and Acoustic Dramaturgy,Chion, ., Columbia University Press, New York: 1994, 150). With the development of high-fidelity sound systems, sound presence in film (‘projected’ in cinematic speaker arrays and even via headphones inserted into the ear canal) is superabundant; it is a resonant field that can be more sensorially c作者: Acupressure 時(shí)間: 2025-3-22 20:27 作者: frenzy 時(shí)間: 2025-3-22 22:19
Play/Pause, FF/Rewind. End. Machine Times, End Times: Theatre, Live Film and Video,rmation of a practice looking backwards and forwards, communicating histories and the future worlds of NMD. This chapter deals with questions of temporality and belatedness in NMD and considers modalities of machinic temporality through a number of examples of work that seem to betray a dramaturgica作者: calamity 時(shí)間: 2025-3-23 03:39
Post-NMD?,guages of contemporary media but is not the same as the ‘media’ broadly constituted, but has a materiality and a particular critical cultural presence. We argue that it deploys new media to counteract the ‘cognitive automatism’ (Berardi) and the bland anthropomorphism of contemporary media experienc作者: Decrepit 時(shí)間: 2025-3-23 09:13 作者: incisive 時(shí)間: 2025-3-23 11:00
Peter Eckersall,Helena Grehan,Edward Scheerterine and mammary tissue. Antiestrogens and long-acting estrogens move estrogen receptor sites to the nucleus and maintain elevated nuclear receptor levels for a prolonged period. The antagonistic action of antiestrogens in the uterus, however, appears to derive from their ability to effect a marke作者: atrophy 時(shí)間: 2025-3-23 17:33 作者: laparoscopy 時(shí)間: 2025-3-23 18:13
Peter Eckersall,Helena Grehan,Edward Scheert cells. By employing an assay using competitive binding of ER with basal transcription factors on a constitutive promoter (CMV-(HRE)n-CAT, containing hormone response element(s) between the TATA-box and the start site of transcription of the Cytomegalovirus promoter upstream of the chloramphenicol 作者: Communicate 時(shí)間: 2025-3-24 01:26 作者: collagen 時(shí)間: 2025-3-24 05:50 作者: TIGER 時(shí)間: 2025-3-24 06:35 作者: 使隔離 時(shí)間: 2025-3-24 11:10
Peter Eckersall,Helena Grehan,Edward Scheerhe receptors for these steroids are comprised of single polypeptide chains of about 90,000 molecular weight. Binding of agonist steroids to the receptor induces a conformational change to an active receptor form that is followed by a second change in the glucocorticoid-receptor complex, termed activ作者: 擁擠前 時(shí)間: 2025-3-24 16:05
Peter Eckersall,Helena Grehan,Edward Scheered that the ovarian steroid hormones estradiol (E) and progesterone (P) in conjunction with pituitary peptide hormones and adrenal steroids were responsible for initiating ductal and alveolar morphogenesis (.). The next wave of breast research, which dominated until the advent of GEM, focused on the作者: 蕨類(lèi) 時(shí)間: 2025-3-24 21:49 作者: intimate 時(shí)間: 2025-3-25 01:22 作者: Canopy 時(shí)間: 2025-3-25 04:25 作者: commonsense 時(shí)間: 2025-3-25 09:05 作者: 善于 時(shí)間: 2025-3-25 13:30
The Editor(s) (if applicable) and The Author(s) 2017作者: Incise 時(shí)間: 2025-3-25 19:42
New Media Dramaturgy978-1-137-55604-2Series ISSN 2947-6801 Series E-ISSN 2947-681X 作者: 網(wǎng)絡(luò)添麻煩 時(shí)間: 2025-3-25 20:37 作者: Aggrandize 時(shí)間: 2025-3-26 02:23 作者: athlete’s-foot 時(shí)間: 2025-3-26 04:23 作者: Limousine 時(shí)間: 2025-3-26 11:09 作者: APO 時(shí)間: 2025-3-26 14:01 作者: ELATE 時(shí)間: 2025-3-26 17:24
methods account for 31% of total use in the Americas and they account for 50% of all method use in Africa (Mauldin and Segal 1988). A recent report on contraceptive use in Sub-Saharan Africa (SSA) suggests that as countries shift from low contraceptive prevalence to higher levels, traditional method作者: essential-fats 時(shí)間: 2025-3-27 00:10
Peter Eckersall,Helena Grehan,Edward Scheerlevels of cytoplasmic estrogen receptor are depressed with over 90% of total receptor being found in the nucleus..Two radiolabelled antiestrogens of high specific activity and purity have been prepared by us and their interaction with nuclear and cytoplasmic estrogen receptors is reported. Both .H-C作者: 倔強(qiáng)不能 時(shí)間: 2025-3-27 03:54
Peter Eckersall,Helena Grehan,Edward Scheerle our knowledge of the diversity and magnitude of steroid effects has advanced, the precise mode of steroid hormone action has alluded investigators. This volume brings together an international team of prominent investigators who discuss their most recent work on the basic and clinical aspects of 作者: arthrodesis 時(shí)間: 2025-3-27 08:20 作者: interference 時(shí)間: 2025-3-27 13:18 作者: Favorable 時(shí)間: 2025-3-27 14:51 作者: 不朽中國(guó) 時(shí)間: 2025-3-27 20:24 作者: 強(qiáng)所 時(shí)間: 2025-3-27 22:18 作者: 遺忘 時(shí)間: 2025-3-28 04:31 作者: HEPA-filter 時(shí)間: 2025-3-28 07:19 作者: explicit 時(shí)間: 2025-3-28 11:09 作者: LOPE 時(shí)間: 2025-3-28 16:12 作者: Baffle 時(shí)間: 2025-3-28 20:50 作者: 背心 時(shí)間: 2025-3-29 02:53
From Extreme Light to Total Darkness: The Dramaturgy of Organised Light,yoji. The chapter comes full circle in a discussion of Verdonck’s ., a large-scale work projected onto the sides of buildings in post-austerity Athens in 2015. The early termination of this work at the behest of the authorities created a media frenzy, and our analysis in this chapter shows how these作者: 博識(shí) 時(shí)間: 2025-3-29 03:54
The Theatre of Atmospheres,vision severely constricted, and to reach out to others sharing the space. It is also often to feel a coolness on the skin. Their concern with weather brings the politics of global warming to a close and personal level. There is also a politics of the non-human turn here, an atmospheric scene that i作者: FRONT 時(shí)間: 2025-3-29 10:49
Robots: Asleep, Awake, Alone, and in Love,rough analyses of robot and android theatre works by Hirata Oriza and Ishiguro Hiroshi, Mari Velonaki, and Kris Verdonck, that the experience and meaning generated by this work is a result of the entire system’s design and dramaturgy and that it is dramaturgically constituted as a result of the inte
