標題: Titlebook: New Documentary Ecologies; Emerging Platforms, Kate Nash,Craig Hight,Catherine Summerhayes Book 2014 Palgrave Macmillan, a division of Mac [打印本頁] 作者: irritants 時間: 2025-3-21 18:23
書目名稱New Documentary Ecologies影響因子(影響力)
書目名稱New Documentary Ecologies影響因子(影響力)學科排名
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書目名稱New Documentary Ecologies網絡公開度學科排名
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書目名稱New Documentary Ecologies被引頻次學科排名
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書目名稱New Documentary Ecologies年度引用學科排名
書目名稱New Documentary Ecologies讀者反饋
書目名稱New Documentary Ecologies讀者反饋學科排名
作者: PACT 時間: 2025-3-21 23:17
Ceding the Activist Digital Documentaryr documentaries. As corporations have granted us inexpensive access to media expression our demands adapt. In the epoch of Facebook, the art of the activist documentary becomes less a matter of speaking and being heard through technologies of representation and more of an artful practice of speaking作者: 寬大 時間: 2025-3-22 01:14
Clicking on the World: Documentary Representation and Interactivitycumentary from film and television, changing not only modes of engagement, but the form of the text itself. But what is interactivity and what are the implications of interacting with documentary as opposed to other media forms?作者: Vulvodynia 時間: 2025-3-22 07:32
Web-Weaving: The Affective Movement of Documentary Imaginge found together with our subsequent connections to those who create these websites and the potential links between them. In the broader context of documentary discourse, I am investigating and speculating here on some of the ways in which web documentaries might be situated within the web itself.作者: Hiatal-Hernia 時間: 2025-3-22 09:23 作者: Filibuster 時間: 2025-3-22 15:27 作者: 雄辯 時間: 2025-3-22 17:34 作者: 連系 時間: 2025-3-22 23:25 作者: 小樣他閑聊 時間: 2025-3-23 03:32 作者: 發(fā)牢騷 時間: 2025-3-23 08:34
929, die dritte fand w?hrend der weltweiten Hochkonjunktur in der zweiten H?lfte der sechziger Jahre statt, und die vierte, noch immer anhaltende Welle setzte Anfang der achtziger Jahre in den USA ein, von wo aus sie sich nach Europa rasch ausweitete.作者: 跳脫衣舞的人 時間: 2025-3-23 09:57
rung dar, der sich Führungskr?fte regelm??ig stellen müssen. Mit dieser Problemstellung will sich diese Arbeit befassen – es soll der Frage nachgegangen werden, worin die zentralen Faktoren für eine nachhaltig erfolgreiche und strategiegerechte Umsetzung von Ausgründungen liegen bzw. woran die Integ作者: calamity 時間: 2025-3-23 17:27
Jon Doveyzeichnet werden. Vielmehr werden die Begriffe anhand von denjenigen Merkmalen definiert, die in Wissenschaft und Praxis besonders h?ufig mit dem Controlling beziehungsweise dem strategischen Controlling in Verbindung gebracht werden und die noch nicht mit anderen Begriffen belegt sind. So soll die g作者: Frequency-Range 時間: 2025-3-23 19:08 作者: 制度 時間: 2025-3-24 00:17
Kate Nash Ruf nach neuen Ans?tzen immer lauter werden. Doch bevor im Rahmen dieser Arbeit n?her untersucht wird, mit welchen Management- und Organisationskonzepten das Problem angegangen werden kann, soil dieses Kapitel dazu dienen, zunachst kurz die Begriffe Komplexit?t, Dynamik und Unsicherheit zu erl?uter作者: 沒有準備 時間: 2025-3-24 02:29 作者: 最小 時間: 2025-3-24 09:13
Catherine Summerhayesriedenheit sicherzustellen; dies erfolgt im Rahmen des Leistungserstellungsprozesses im Unternehmen. Der Leistungserstellungsprozess ist somit die Kernt?tigkeit des Unternehmens. Um die Unternehmensziele zu unterstützen, sind die Management- und Supportprozesse so zu gestalten und zu optimieren, das作者: CAMEO 時間: 2025-3-24 11:53 作者: 殖民地 時間: 2025-3-24 15:59 作者: Bother 時間: 2025-3-24 19:04 作者: Insufficient 時間: 2025-3-25 02:58 作者: Militia 時間: 2025-3-25 05:31
rne Managementkonzepte werden auf die Bauunternehmen abgebildet.?Die strategischen und die operativen Unternehmensprozesse bilden dabei den Schlüssel für die notwendigen Ver?nderungen in der Baubranche. Vielen Abbildungen machen den Inhalt des Buchs leicht verst?ndlich. Beispiele als praktische Vorl作者: 售穴 時間: 2025-3-25 08:16 作者: 極微小 時間: 2025-3-25 13:02 作者: Habituate 時間: 2025-3-25 16:36 作者: omnibus 時間: 2025-3-25 22:08
Matt Soar operativen Unternehmensprozesse bilden dabei den Schlüssel für die notwendigen Ver?nderungen in der Baubranche. Vielen Abbildungen machen den Inhalt des Buchs leicht verst?ndlich. Beispiele als praktische Vorl978-3-540-33612-9作者: Aqueous-Humor 時間: 2025-3-26 01:55
Annabelle Honess Roe operativen Unternehmensprozesse bilden dabei den Schlüssel für die notwendigen Ver?nderungen in der Baubranche. Vielen Abbildungen machen den Inhalt des Buchs leicht verst?ndlich. Beispiele als praktische Vorl978-3-540-33612-9作者: ALIAS 時間: 2025-3-26 06:11
Bj?rn S?renssen operativen Unternehmensprozesse bilden dabei den Schlüssel für die notwendigen Ver?nderungen in der Baubranche. Vielen Abbildungen machen den Inhalt des Buchs leicht verst?ndlich. Beispiele als praktische Vorl978-3-540-33612-9作者: 有毒 時間: 2025-3-26 10:29 作者: 鋪子 時間: 2025-3-26 16:25
Book 2014Providing a unique collection of perspectives on the persistence of documentary as a vital and dynamic media form within a digital world, New Documentary Ecologies traces this form through new opportunities of creating media, new platforms of distribution and new ways for audiences to engage with the real.作者: 修飾 時間: 2025-3-26 18:03
https://doi.org/10.1057/9781137310491film; media; World Wide Web; media research作者: 噴出 時間: 2025-3-27 00:12
978-1-349-45666-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2014作者: ARK 時間: 2025-3-27 03:13 作者: 暖昧關系 時間: 2025-3-27 08:51 作者: arboretum 時間: 2025-3-27 10:15
w Documentary Ecologies traces this form through new opportunities of creating media, new platforms of distribution and new ways for audiences to engage with the real.978-1-349-45666-6978-1-137-31049-1作者: 梯田 時間: 2025-3-27 14:35
Introductionternet documentary.. The documentary impulse has a long history; practitioners are, it seems, still driven to preserve, show, report, explain, persuade and advocate. But it is also an impulse that is constantly seeking new avenues, new ways of capturing the social-historical, or ‘treating’ actuality. and new ways of connecting with an audience.作者: fulmination 時間: 2025-3-27 18:43
Strategies of Participation: The Who, What and When of Collaborative Documentariesntent (UGC). to populate the content of the documentary. Prosumers ‘treat the world as a place for creation, not for consumption’ (Tapscott and Williams 2008, p. 127); They don’t just browse, they want to collaborate.作者: Conclave 時間: 2025-3-27 23:20 作者: stressors 時間: 2025-3-28 05:11 作者: 座右銘 時間: 2025-3-28 09:04
An Interview with Ingrid Kopp, Director of Digital Initiatives Tribeca Film Instituteorytelling. Working for the independent film network ., she began to explore social media as a way of supporting traditional filmmaking. Over time, she began to appreciate the web as a medium. Ingrid is currently Director of Digital Initiatives at the Tribeca Film Institute (TFI) to support innovative digital documentary production.作者: gimmick 時間: 2025-3-28 11:31 作者: Ligament 時間: 2025-3-28 18:22
The Evolution of Animated Documentaryisibility has been aided by mainstream cinematic feature film releases such as . (Ari Folman 2008) and . (Brett Morgen 2007) and the trailblazing use of digital animation in the BBC’s 1999 prehistoric natural history series ..作者: 要控制 時間: 2025-3-28 19:36
Shoot, Edit, Share: Cultural Software and User-Generated Documentary Practice There is a need to map the emergence and development of such tools, as they serve, shape and constrain the development of those forms of cultural production that are commonly labelled user-generated content (UGC).作者: 對待 時間: 2025-3-29 01:15
Introduction Facebook, aging hippies gather to reminisce, share memories and in the process ‘make a documentary’ about their experiences on the beaches of Goa.. Inspired by a collection of stories collected in high-rise buildings, people from around the world send in their own images and stories to add to an In作者: 尖叫 時間: 2025-3-29 07:08 作者: 等級的上升 時間: 2025-3-29 07:55 作者: 瑣事 時間: 2025-3-29 12:12
Clicking on the World: Documentary Representation and Interactivity think of film and television documentary audiences as engaged in the act of watching and interpreting documentary texts, emerging forms of documentary created for computers, tablets, phones and iTV seem to engage the audience in profoundly different ways. No longer . spectators, audiences are invit作者: 移動 時間: 2025-3-29 15:33 作者: 磨碎 時間: 2025-3-29 20:17 作者: Forsake 時間: 2025-3-30 00:22 作者: 津貼 時間: 2025-3-30 07:32 作者: 矛盾 時間: 2025-3-30 10:16
Strategies of Participation: The Who, What and When of Collaborative Documentariese been tempted to invite their audiences into what was previously considered their very own walled garden: the production of the documentary itself. One way to transform what was previously called an audience to what has been called . in the world of collaborative media is to allow User Generated Co作者: 放大 時間: 2025-3-30 13:50
An Interview with Jigar Mehta, Director of Operations, audiences. In 2011 he was awarded a Knight Journalism Fellowship at Stanford University to explore possibilities in collaborative journalism. While at Stanford, events in Egypt captured his attention and he began to think about how the blogs, images, tweets and status updates being created by Egypt作者: ensemble 時間: 2025-3-30 18:15
Making (with) the Korsakow Systemeating non-linear and/or interactive narratives for and/or on the web. Each has been used to create web-based documentaries. All claim to be easy to use, with drag-and-drop interfaces, and no programming required. This expanding range of accessible ‘new media’ authoring tools. falls into a category 作者: Polydipsia 時間: 2025-3-30 20:51
The Evolution of Animated Documentarycumentary were made prior to the 1990s, and some may argue that animated documentaries have been around since the earliest days of cinema, but it is only over the past two decades that animated documentary has claimed a place, albeit a relatively low profile one, in the documentary canon. While most
