標(biāo)題: Titlebook: New Directions in Music and Human-Computer Interaction; Simon Holland,Tom Mudd,Marcelo M. Wanderley Book 2019 Springer Nature Switzerland [打印本頁] 作者: Hemochromatosis 時間: 2025-3-21 19:14
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作者: tolerance 時間: 2025-3-21 22:34 作者: fiction 時間: 2025-3-22 03:21
Book 2019ives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and 作者: 浪費(fèi)物質(zhì) 時間: 2025-3-22 07:19
A Design Workbench for Interactive Music SystemsCI researchers with a better foundation for the design of tools for a class of “extreme” users who are accustomed to devoting decades of practice towards the development of expertise with their instruments. We conclude with a discussion of design guidelines for Interactive Music Systems.作者: anagen 時間: 2025-3-22 12:11 作者: Forehead-Lift 時間: 2025-3-22 13:20 作者: 精美食品 時間: 2025-3-22 20:26 作者: STANT 時間: 2025-3-22 23:22
Book 2019xplores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation..作者: ALE 時間: 2025-3-23 04:56
Understanding Music Interaction, and Why It Matters,ntroductory chapter reviews the relationship between music and human-computer interaction and outlines research themes and issues that emerge from the collected work of researchers and practitioners in this book.作者: Fallibility 時間: 2025-3-23 06:07
Material-Oriented Musical Interactionsigital musical instruments, and to human-computer interaction more broadly, reflecting on the relationships between designers and their technologies, and on how the design and development process can be viewed as nested inside its own chain of technological and social influences.作者: 職業(yè)拳擊手 時間: 2025-3-23 12:18
Embodied Musical Interaction. I propose how the three “paradigms” of HCI and three design accounts from the interaction design literature can serve as a lens through which to consider types of music HCI. I use this conceptual framework to discuss three different musical projects—Haptic Wave, Form Follows Sound, and BioMuse.作者: 贊成你 時間: 2025-3-23 16:46 作者: Needlework 時間: 2025-3-23 18:55
Detecting and Adapting to Users’ Cognitive and Affective State to Develop Intelligent Musical Interf technological basis for work of this kind are discussed. Relevant existing work is considered. The design and evaluation of two systems of this kind for musical learning and musical creativity implemented by the authors is presented and critiqued.作者: 不安 時間: 2025-3-23 22:50
Musical Instruments for Novices: Comparing NIME, HCI and Crowdfunding Approaches differences between each of the academic communities. The paper concludes with general reflections on the identity and purpose of instruments for novice musicians, with suggestions for future exploration.作者: FLAT 時間: 2025-3-24 06:19 作者: Microaneurysm 時間: 2025-3-24 06:54 作者: 恩惠 時間: 2025-3-24 14:43 作者: Arboreal 時間: 2025-3-24 15:15 作者: languor 時間: 2025-3-24 20:59
The Poetry of Strange Connections: An Interview with Bill VerplankBill Verplank is an interaction designer educated at Stanford and MIT in Mechanical Engineering (Design and Man-Machine Systems). He did user testing at Xerox (“Star”), interaction design at IDTWO (now IDEO), research at Interval. He has taught design at MIT, Stanford (ME, Music, CS), ACM-SIGCHI, NIME, IDII (Ivrea), CIID (Copenhagen).作者: Charade 時間: 2025-3-25 01:43
XronoMorph: Investigating Paths Through Rhythmic Spacewould often be hard to create in alternative software applications or with traditional musical notation. In this chapter, I explain the algorithmic principles used to generate the loops and how these principles have been parameterized and visualized to facilitate the exploration of paths within these two rhythmic spaces.作者: aesthetician 時間: 2025-3-25 07:18
Simon Holland,Tom Mudd,Marcelo M. WanderleyIdentifies the latest directions and developments in music interaction and HCI.Balances original research with reflections from leading researchers and practitioners.Brings together interdisciplinary 作者: 去掉 時間: 2025-3-25 11:33 作者: 慷慨不好 時間: 2025-3-25 12:51
A Design Workbench for Interactive Music SystemsDWAY project between Inria, France and McGill University, Canada. The goal of MIDWAY is to construct a “musical interaction design workbench” to facilitate the exploration and development of new interactive technologies for musical creation and performance by bringing together useful models, tools, 作者: 鐵砧 時間: 2025-3-25 18:39 作者: 比賽用背帶 時間: 2025-3-25 23:18 作者: 染色體 時間: 2025-3-26 01:13 作者: Anemia 時間: 2025-3-26 07:47
HCI, Music and Art: An Interview with Wendy Mackayn. She is a former chair of CHI. Her research interests include multi-disciplinary, participatory design methods, tangible computing, interactive paper, and situated interaction. In this interview, Mackay discusses working with artists, designers and scientists to build tools for highly creative peo作者: Airtight 時間: 2025-3-26 10:32 作者: EXCEL 時間: 2025-3-26 16:12 作者: Morbid 時間: 2025-3-26 18:11 作者: 停止償付 時間: 2025-3-26 23:32 作者: CARE 時間: 2025-3-27 02:46 作者: accordance 時間: 2025-3-27 08:36
Music, Design and Ethnography: An Interview with Steve Benfordative and cultural applications of computing, from interactive art to mainstream entertainment, with a particular focus on new interaction techniques. He has over twenty years experience of collaborating with artists to create, tour and study interactive performances. Steve’s research has fuelled th作者: 挑剔為人 時間: 2025-3-27 11:01
Applying Game Mechanics to Networked Music HCI Systemsand how these relate to musical creativity and performance. We offer an overview of various perspectives towards game mechanics and rule systems with examples from video games and musical practices. We then describe audiovisual software that we developed in order to study the integration of game-lik作者: 公社 時間: 2025-3-27 16:30
Mediated Musical Interactions in Virtual Environments in physical space driving actor motion and gesture in virtual spaces pass through a layer of influence dictated by the environment—as well as by any additional actors or processes existing within that environment—before being mapped to parameters of sonic and musical creation and control. Such medi作者: confederacy 時間: 2025-3-27 20:11
Machine Learning, Music and Creativity: An Interview with Rebecca Fiebrinke practice. As a computer scientist and musician, much of her work focuses on applications of machine learning to music, addressing research questions such as: ‘How can machine learning algorithms help people to create new musical instruments and interactions?’ and ‘How does machine learning change 作者: Lignans 時間: 2025-3-28 00:13 作者: 不在灌木叢中 時間: 2025-3-28 05:11 作者: ATP861 時間: 2025-3-28 07:06
Ethan Hein,Sumanth Srinivasany is the inability to produce adequate amount of milk to fulfill the nutritional needs of newborn. The lactation performance in nursing mothers depends on genetic variations, environmental factors and dietary composition. Prolactin is the hormone responsible for development of mammary glands and mil作者: Mystic 時間: 2025-3-28 13:01 作者: MINT 時間: 2025-3-28 15:15 作者: 極端的正確性 時間: 2025-3-28 20:57 作者: enterprise 時間: 2025-3-29 02:03
da? ich meine Leidenschaft für meine . verloren habe. Ich habe das bedauert, aber die Tatsache bleibt bestehen… Wird sie wiederkommen? Ich wei? es nicht. Ich fühle mich tot in diesem Augenblick; ein sechzigj?hriger Greis kann nicht abgestumpfter sein.?. Auch das Liebesleben spendete keinen Trost. Me作者: Hay-Fever 時間: 2025-3-29 05:14 作者: 繁榮中國 時間: 2025-3-29 10:12
Rob Hamiltonince 1986. It has been my pleasure, as Director, to be associated with Professor Denaro, first as a Sessional Consultant in diseases of the spine and finally, after his promotion to the permanent staff, as Associate Professor. Professor Denaro began his postgraduate program of spe- cialization, and 作者: Constitution 時間: 2025-3-29 13:19
Simon Holland,Rebecca Fiebrink 20, 36]. Operative druckentlastende Shuntverfahren werden haupts?chlich bei Leberzirrhosepatienten mit rezidivierenden Varizenblutungen nach mehrfacher und technisch suffizienter Sklerosierung im metabolischen Stadium Child A und B angewandt [11, 12, 20]. Für Patienten in schlechtem Allgemeinzustan作者: Admire 時間: 2025-3-29 16:16
TMAP Design Cards for Technology-Mediated Audience Participation in Live Musicpporting interaction design and evaluation in this challenging area. We discuss the conception and development of the TMAP design cards in some detail, and present an empirical study to evaluate their practical usefulness. Particular attention is paid to the ability of the cards to support finding i作者: blister 時間: 2025-3-29 21:23 作者: 喚起 時間: 2025-3-30 03:11 作者: TOXIN 時間: 2025-3-30 05:48
2195-9056 ated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation..978-3-319-92069-6Series ISSN 2195-9056 Series E-ISSN 2195-9064 作者: Substitution 時間: 2025-3-30 10:30
Simon Holland,Tom Mudd,Katie Wilkie-McKenna,Andrew McPherson,Marcelo M. Wanderley作者: CLASH 時間: 2025-3-30 16:27 作者: 口訣 時間: 2025-3-30 20:19
Beste F. Yuksel,Kurt B. Oleson,Remco Chang,Robert J. K. Jacob作者: 擴(kuò)大 時間: 2025-3-30 23:05 作者: 青石板 時間: 2025-3-31 04:08 作者: Collar 時間: 2025-3-31 07:29
