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標(biāo)題: Titlebook: Microsystem Design; Stephen D. Senturia Textbook 2001 Springer Science+Business Media New York 2001 Sensor.Software.Transducer.electronics [打印本頁]

作者: emanate    時(shí)間: 2025-3-21 19:07
書目名稱Microsystem Design影響因子(影響力)




書目名稱Microsystem Design影響因子(影響力)學(xué)科排名




書目名稱Microsystem Design網(wǎng)絡(luò)公開度




書目名稱Microsystem Design網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Microsystem Design被引頻次




書目名稱Microsystem Design被引頻次學(xué)科排名




書目名稱Microsystem Design年度引用




書目名稱Microsystem Design年度引用學(xué)科排名




書目名稱Microsystem Design讀者反饋




書目名稱Microsystem Design讀者反饋學(xué)科排名





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ent during the COVID-19 pandemic when the cancellation of music festivals removed a large seasonal component of musicians’ annual income. We argue that the insights explored through this genre-specific example will offer general lessons for the UK music industries as they look towards a post-pandemi
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rviews with key actors in the live music sector (e.g. club owners, politicians, live music associations). Our findings indicate that music venues are confronted with an existential crisis that exceeds their economic pressures, including facing the loss of informal support networks within the sector
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ow their work was being treated vis-à-vis self-employed income support and fears about their futures and (2) status-based existential anxiety relating to a loss of meaning in their lives. This duality has been encapsulated as losing work and losing purpose (Littlewood, . 2020). The chapter concludes
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ost of other movements. Slowly, the “best of all possible worlds” of the 1950s began to seem like a straitjacket, as apparently separate sources of frustration, alienation, and nonconformity converged. Inspired by the stubbornness and daring of African Americans, all the excluded or belittled outsid
作者: Daily-Value    時(shí)間: 2025-3-23 09:36
rtrayed in the popular culture of the 1930s and 1940s—the ideal woman was now either a maternal housewife or an exaggerated, voluptuous “sex bomb” like Marilyn Monroe. Left out of the housewife-and-mother ideal were the millions of women too poor or too independent to fit in.
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nized and applied under capitalism. Thus, rather than viewing labour in an essentialist fashion — common to and independent of all modes of production — I view it as a product of a specific social formation, one in which labour is abstracted from the complex network of social, cultural, political, a
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nized and applied under capitalism. Thus, rather than viewing labour in an essentialist fashion — common to and independent of all modes of production — I view it as a product of a specific social formation, one in which labour is abstracted from the complex network of social, cultural, political, a
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作者: 神經(jīng)    時(shí)間: 2025-3-24 00:30
ing labour, as exchange is a social process in its own right. In section (iii) I explore an alternative account of exchange, which seeks neither to reduce it to the subjectivity of labour (. Marx) nor to the subjectivity of consumers (. neoclassical economics), but rather views exchange as an . proc
作者: 攝取    時(shí)間: 2025-3-24 02:23
Textbook 2001ed sensors. The idea was to reduce cost and perhaps put the sensors and circuits together on the same chip. By the late-60s, integrated MOS-photodiode arrays had been developed for visible imaging, and silicon etching was being used to create thin diaphragms that could convert pressure into an elect
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978-1-4757-7458-0Springer Science+Business Media New York 2001
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Microfabricationny of the steps used in modem MEMS device process sequences and permits discussion of some of the trade-offs between process and device performance that will arise throughout the rest of this book. In the following chapter, we discuss how combinations of these process steps are combined to make complete process flows.
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be applied to many governments using state ownership to keep key industries in public hands.’ As discussed in Chapter 1, the role of the state or of the government is one of the seven pillars of capitalism. The government has always a role to play in a capitalist system and no country’s economy is
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ing of musicians have been prevalent in popular media over the course of the coronavirus pandemic. Much of the recent research into how musicians have coped emotionally during COVID-19 has been driven by the professional and charitable sectors. This chapter—building on work by Brunt and Nelligan (.
作者: 明確    時(shí)間: 2025-3-26 05:09
of 1964–1965, when at last Congress acted to outlaw the major forms of discrimination based on race (or religion, or sex, or ethnicity) and to guarantee black voting rights. It was the only mass movement of the decade, the only one that received sustained media attention, and the only radical movem
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the relationship between self-constitution and labour in their work. My aim in this is to correct an assumption embedded in critical theory from the outset — namely, the assumption that human labour is an ‘instrumental’ activity devoid of normative content. To this extent, critical theory tends to a
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作者: Lacerate    時(shí)間: 2025-3-27 09:07
Microfabricationny of the steps used in modem MEMS device process sequences and permits discussion of some of the trade-offs between process and device performance that will arise throughout the rest of this book. In the following chapter, we discuss how combinations of these process steps are combined to make comp
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ndary to an underlying neoplasm. Some of these paraneoplastic encephalitides express serum antibodies, but these were not thought to be pathogenic but instead have a T-cell-mediated pathophysiology. Over the last two decades, several pathogenic antibodies against neuronal surface antigens have been




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