標(biāo)題: Titlebook: Method Acting Reconsidered; Theory, Practice, Fu David Krasner Book 2000 Palgrave Macmillan, a division of Nature America Inc. 2000 Jacques [打印本頁(yè)] 作者: SCOWL 時(shí)間: 2025-3-21 19:29
書(shū)目名稱Method Acting Reconsidered影響因子(影響力)
作者: Definitive 時(shí)間: 2025-3-21 22:04 作者: 摸索 時(shí)間: 2025-3-22 03:01
Just Be Yourselfe the actors self as the . of performance” and that for them the self is “an autonomous foundation for acting.” He contributes a counterclaim that maintains that the actor’s self is not the foundation for acting, but instead “the actorly self” is “produced by the performance it supposedly grounds.”作者: Ingrained 時(shí)間: 2025-3-22 04:40
Redefining Actingpossible to reject the fundamental tenets of Meisner-based work, it is difficult to comprehend how principles this radical and transformational (once adopted) could be inconsistently applied to dramatic material. So, as the physics professor might say, if gravity works, it works all the time.作者: 為敵 時(shí)間: 2025-3-22 10:09 作者: entitle 時(shí)間: 2025-3-22 15:05 作者: patella 時(shí)間: 2025-3-22 21:07
The Heart as Centerhy are they coughing? Am I that horrible? There! Someone coughed, or rustled a program!” Unfortunately, this poisonous rumination occurs while the actor is delivering a soliloquy or monologue or living an intimate moment onstage. “You can’t imagine the orror of knowing you’re acting badly,” muses Nina in Act IV of Anton Chekhov’s ..作者: 出血 時(shí)間: 2025-3-22 22:50
I Hate Strasbergpurposes in part by clearing up prevailing misrepresentations. By exploring a balanced view of the Method as well as other theories of performance, we will bring actor training into clearer perspective. The chapters in this book, I believe, will make this possible.作者: TRACE 時(shí)間: 2025-3-23 05:22 作者: 黃油沒(méi)有 時(shí)間: 2025-3-23 08:15 作者: 悅耳 時(shí)間: 2025-3-23 13:00
The Reality of Doing as a signifier to a signified. As theatre semiotician Keir Elam writes: “What converts objects, people and action into signs on stage … is the removal of the performance from praxis. This may seem self-evident and commonplace, but upon this simple act of severance rests the whole power of theatrical semiosis, indeed its very existence.”作者: 不知疲倦 時(shí)間: 2025-3-23 17:19 作者: 膽大 時(shí)間: 2025-3-23 18:27
Mining My Own Business forehead and two curved lines around her mouth that seemed to put her sensuous lips in parentheses, who held some sort of salon twice a week in which actors were forced to do all sorts of strange, irrelevant things in pursuit of depth in their stage work. That’s all I know.作者: separate 時(shí)間: 2025-3-24 00:45
The Method and the Computational Theory of Mind of actors, acting teachers, theorists, and even the master teachers themselves. They have been challenged by the rise of postmodern theories; mistrust of Freudian views of psychology and humanist-modernist views of identity; critiques of realism, representation, and mimesis; and the impact of performance modes resistant to psychological realism.作者: 最后一個(gè) 時(shí)間: 2025-3-24 05:21 作者: custody 時(shí)間: 2025-3-24 07:02
together some of the most well-known theater scholars and acting teachers to look at the Method. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.978-0-312-22309-0978-1-349-62271-9作者: 量被毀壞 時(shí)間: 2025-3-24 10:46
978-0-312-22309-0Palgrave Macmillan, a division of Nature America Inc. 2000作者: BACLE 時(shí)間: 2025-3-24 17:51 作者: Scintigraphy 時(shí)間: 2025-3-24 19:53 作者: 細(xì)菌等 時(shí)間: 2025-3-25 02:08
https://doi.org/10.1007/978-1-349-62271-9Jacques Derrida; realism; stage; theatre; Tradition作者: 錯(cuò) 時(shí)間: 2025-3-25 07:22
Reconciling the Past and the Present aligned with the prevailing power structure. Acting methods as political choices, however, are generally not addressed within the average acting classroom. The focus in classrooms generally remains on developing a product rather than on investigating the politics of a process.作者: 預(yù)兆好 時(shí)間: 2025-3-25 11:10 作者: 圓錐 時(shí)間: 2025-3-25 14:22 作者: Arthr- 時(shí)間: 2025-3-25 19:34
Deb MargolinLearn how to be successful with Tableau from the team that started the original training program as the founding Tableau Education Partner!. "A must read for anyone interested in Tableau. Clear explanations, practical advice and beautiful examples!".Elissa Fink – Chief Marketing Officer, Tableau Software.作者: incarcerate 時(shí)間: 2025-3-25 23:02 作者: 協(xié)迫 時(shí)間: 2025-3-26 00:36 作者: 反饋 時(shí)間: 2025-3-26 04:40 作者: 謙卑 時(shí)間: 2025-3-26 09:36 作者: 匍匐 時(shí)間: 2025-3-26 14:01 作者: fastness 時(shí)間: 2025-3-26 17:11
Marla Carlsonableau from the team that started the original training program as the founding Tableau Education Partner!. "A must read for anyone interested in Tableau. Clear explanations, practical advice and beautiful examples!".Elissa Fink – Chief Marketing Officer, Tableau Software.作者: anniversary 時(shí)間: 2025-3-27 00:56
Louise M. Stinespringableau from the team that started the original training program as the founding Tableau Education Partner!. "A must read for anyone interested in Tableau. Clear explanations, practical advice and beautiful examples!".Elissa Fink – Chief Marketing Officer, Tableau Software.作者: 調(diào)整校對(duì) 時(shí)間: 2025-3-27 03:49 作者: 他日關(guān)稅重重 時(shí)間: 2025-3-27 08:19 作者: 油氈 時(shí)間: 2025-3-27 11:20
Brant L. Popeableau from the team that started the original training program as the founding Tableau Education Partner!. "A must read for anyone interested in Tableau. Clear explanations, practical advice and beautiful examples!".Elissa Fink – Chief Marketing Officer, Tableau Software.作者: 分期付款 時(shí)間: 2025-3-27 17:15 作者: MUTED 時(shí)間: 2025-3-27 21:51 作者: 鋼筆尖 時(shí)間: 2025-3-28 01:54 作者: debase 時(shí)間: 2025-3-28 02:12
s in the coefficients α. and γ., which play a key role in defining the long-run growth outcome in equation [3.10] (and its limit, equation [3.8]). This will be shown to transform the model of cumulative causation developed in Chapter 3 into a more generally hysteretic model of long-run growth and de作者: Isthmus 時(shí)間: 2025-3-28 07:05
Rhonda Blairs in the coefficients α. and γ., which play a key role in defining the long-run growth outcome in equation [3.10] (and its limit, equation [3.8]). This will be shown to transform the model of cumulative causation developed in Chapter 3 into a more generally hysteretic model of long-run growth and de作者: 天賦 時(shí)間: 2025-3-28 12:14
Paul S. Kassels in the coefficients α. and γ., which play a key role in defining the long-run growth outcome in equation [3.10] (and its limit, equation [3.8]). This will be shown to transform the model of cumulative causation developed in Chapter 3 into a more generally hysteretic model of long-run growth and de作者: 親屬 時(shí)間: 2025-3-28 15:19
built-in physics engine?.Who This Book Is For.Beginners looking to develop cross-platform mobile/web games with cocos2d-js, developers with intermediate skills on cocos2d-js looking for the reference.?.978-1-4842-2552-3978-1-4842-2553-0作者: 功多汁水 時(shí)間: 2025-3-28 22:35 作者: Boycott 時(shí)間: 2025-3-29 00:09 作者: 鞏固 時(shí)間: 2025-3-29 05:57 作者: 潔凈 時(shí)間: 2025-3-29 07:25 作者: Endearing 時(shí)間: 2025-3-29 11:54
Acting and Answerabilityelp of Bakhtinian concepts, I propose a reexamination of the Methods foundations in Stanislavsky as well as Sanford Meisner’s American derivative. I argue that although Method acting can serve to perpetuate the status quo, it also holds the potential to produce change: of emotion, as transformed by 作者: Ardent 時(shí)間: 2025-3-29 16:53 作者: Allodynia 時(shí)間: 2025-3-29 21:03
Reconciling the Past and the Present,. especially as these factors exist in the margins.. Through such praxes, feminists strengthen their political goals while simultaneously challenging the homogenous superstructure of male hegemony. Along these lines, the classroom is often perceived as a marginal space for women because of the supe作者: 寬大 時(shí)間: 2025-3-30 00:52 作者: FICE 時(shí)間: 2025-3-30 04:17 作者: hypnogram 時(shí)間: 2025-3-30 11:19
Redefining Actingmed to have studied “a little Meisner.” This superficial spin on the Meisner technique causes me to wonder how a physics professor would respond to an applicant who boasted of studying “a little gravity.” Perhaps for some, Meisner training is like a special spice that a chef has on his shelf, and wh作者: notification 時(shí)間: 2025-3-30 12:24
Significant Actionsingle formulation seemed satisfactory for very long.”. Therefore, when reevaluating his System, we ought to consider not only what he stated (and often later contradicted) but what he ultimately intended to achieve. Early in his work, Stanislavsky explained that his goal was to develop a system of 作者: 多節(jié) 時(shí)間: 2025-3-30 20:23
Burdens of Representation actor. It is affected by the composition of the audience and by the personal and social facts of the actor s life. I don’t believe that Method acting adequately addresses the actor/audience relationship. To the degree that it doesn’t, the Method is incomplete as a means for training actors to perfo作者: 危險(xiǎn) 時(shí)間: 2025-3-31 00:02
Practicing the Paradoxude psychoanalysis, I submit that the Method encourages actors to understand their experiences, both in life and in the studio, as particular theatrical metaphors that create their characters’ behavior onstage. Creativity is metaphoric. Finding connections is the essence of creativity. The Method’s 作者: Cumbersome 時(shí)間: 2025-3-31 02:44
The Heart as Centere head!” In rehearsal, audition, and performance, these inner and outer voices clang and echo in the actor’s consciousness. Eventually they become: “Why are they coughing? Am I that horrible? There! Someone coughed, or rustled a program!” Unfortunately, this poisonous rumination occurs while the act
