標(biāo)題: Titlebook: Memory and Intermediality in Artists’ Moving Image; Sarah Durcan Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusiv [打印本頁(yè)] 作者: 武士精神 時(shí)間: 2025-3-21 18:17
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作者: 毛細(xì)血管 時(shí)間: 2025-3-21 20:51
Experimental Film and Artists’ Moving Imagehttp://image.papertrans.cn/m/image/630491.jpg作者: uveitis 時(shí)間: 2025-3-22 03:52 作者: 土坯 時(shí)間: 2025-3-22 05:48
Memory and Intermediality in Artists’ Moving Image978-3-030-47396-9Series ISSN 2523-7527 Series E-ISSN 2523-7535 作者: Nonporous 時(shí)間: 2025-3-22 10:09
https://doi.org/10.1007/978-3-030-47396-9Artists’ moving image; film/media aesthetics; intermediality; screen culture; post-digital; memory作者: BLOT 時(shí)間: 2025-3-22 14:10
Memory and Intermediality in Artists’ Moving Image作者: 疲憊的老馬 時(shí)間: 2025-3-22 18:32
2523-7527 cQueen, Runa Islam, Mark Leckey and Elizabeth Price?are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media..978-3-030-47398-3978-3-030-47396-9Series ISSN 2523-7527 Series E-ISSN 2523-7535 作者: 吹氣 時(shí)間: 2025-3-22 21:16
The text includes measure theoretic preliminaries, from which the authors own course typically includes selected coverage.?..This is a heavily reworked and considerably shortened version of the first edition of978-3-319-52206-7978-3-319-52207-4Series ISSN 1431-875X Series E-ISSN 2197-4136 作者: 閃光東本 時(shí)間: 2025-3-23 03:46 作者: 腐敗 時(shí)間: 2025-3-23 08:07
Sarah DurcanThe text includes measure theoretic preliminaries, from which the authors own course typically includes selected coverage.?..This is a heavily reworked and considerably shortened version of the first edition of978-3-319-52206-7978-3-319-52207-4Series ISSN 1431-875X Series E-ISSN 2197-4136 作者: Ornithologist 時(shí)間: 2025-3-23 10:52 作者: constitutional 時(shí)間: 2025-3-23 14:34
Sarah DurcanThe text includes measure theoretic preliminaries, from which the authors own course typically includes selected coverage.?..This is a heavily reworked and considerably shortened version of the first edition of978-3-319-52206-7978-3-319-52207-4Series ISSN 1431-875X Series E-ISSN 2197-4136 作者: OATH 時(shí)間: 2025-3-23 18:14 作者: lipids 時(shí)間: 2025-3-24 02:02
Sarah DurcanThe text includes measure theoretic preliminaries, from which the authors own course typically includes selected coverage.?..This is a heavily reworked and considerably shortened version of the first edition of978-3-319-52206-7978-3-319-52207-4Series ISSN 1431-875X Series E-ISSN 2197-4136 作者: COWER 時(shí)間: 2025-3-24 04:21
Sarah DurcanThe text includes measure theoretic preliminaries, from which the authors own course typically includes selected coverage.?..This is a heavily reworked and considerably shortened version of the first edition of978-3-319-52206-7978-3-319-52207-4Series ISSN 1431-875X Series E-ISSN 2197-4136 作者: 省略 時(shí)間: 2025-3-24 09:41
The text includes measure theoretic preliminaries, from which the authors own course typically includes selected coverage.?..This is a heavily reworked and considerably shortened version of the first edition of978-3-319-52206-7978-3-319-52207-4Series ISSN 1431-875X Series E-ISSN 2197-4136 作者: white-matter 時(shí)間: 2025-3-24 11:18
Book 2021ve, the ‘echo-chamber’, documentary fiction and mediatized memories. Stan Douglas,?Steve McQueen, Runa Islam, Mark Leckey and Elizabeth Price?are of a generation that has lived through the transition from analogue to digital. Their emphasis on the nuances of intermediality indicates the extent to which we remember through media..作者: 下級(jí) 時(shí)間: 2025-3-24 17:38
Sarah Durcang are both presented. Martingale coverage includes coverage of censored data martingales. The text includes measure theoretic preliminaries, from which the authors own course typically includes selected coverage.?..This is a heavily reworked and considerably shortened version of the first edition of作者: LARK 時(shí)間: 2025-3-24 19:18
Introduction,ks of memory culture that inform the discussion of these practices in the 1990s and 2000s. Intermediality is defined as a dynamic and evolving set of relationships between media and their cultural associations. The currency of the term ‘moving image’ is examined in relation to the previous histories作者: ingenue 時(shí)間: 2025-3-25 02:55
Memory and Intermediality,ys the role of the moving image as a media of memory and establishes the key concepts of Deleuze’s Bergsonian cinema and the virtual force of memory which inform the theorization of artists’ moving image in five overlapping mnemonic modes: ‘critical nostalgia’, ‘database narrative’, ‘echo-chamber’, 作者: 聯(lián)想記憶 時(shí)間: 2025-3-25 04:58 作者: Bmd955 時(shí)間: 2025-3-25 09:42 作者: 連累 時(shí)間: 2025-3-25 13:16
The Echo-Chamber,nt-gardes of the 1920s. Both artists’ work draws on cinephilia as they replay and return to film form from the past of cinema and avant-garde practices. This chapter argues that their work synthesizes the fragmented traditions of artists’ film and video and takes up the ‘unfinished business’ of avan作者: Gentry 時(shí)間: 2025-3-25 17:23 作者: 悅耳 時(shí)間: 2025-3-25 21:59
Mediatized Memories, media are involved in the construction of memory and secondly the memory of media formats themselves. In an analysis of moving image installations by Mark Leckey, Lucy Raven, Jaki Irvine, James Richards and Elizabeth Price, the intersection between individual and collective memory and the effect of作者: 有雜色 時(shí)間: 2025-3-26 03:28
,Conclusion: ‘Inconsolable Memory’,d artworks give material substance to the virtuality of memory. Secondly, memory is shown to operate in relation to forgetting and the navigation of disavowed ‘hauntings’ of memory. Thirdly, the ethico-political dimension of memory becomes evident in the documentary fiction mode, where ‘real fiction作者: acrimony 時(shí)間: 2025-3-26 05:24 作者: 直覺(jué)好 時(shí)間: 2025-3-26 08:39 作者: HAWK 時(shí)間: 2025-3-26 16:15
Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st作者: 令人心醉 時(shí)間: 2025-3-26 18:39
Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st作者: Foregery 時(shí)間: 2025-3-26 22:41
Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st作者: moratorium 時(shí)間: 2025-3-27 03:28 作者: 尊重 時(shí)間: 2025-3-27 06:47 作者: 承認(rèn) 時(shí)間: 2025-3-27 12:31
Sarah Durcanapt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st作者: 能得到 時(shí)間: 2025-3-27 14:12 作者: 方便 時(shí)間: 2025-3-27 19:18
apt that measure-theoretic background to the special needs o.This 2nd edition textbook.?.offers a rigorous introduction to measure theoretic probability with particular attention to topics of interest to mathematical statisticians—a textbook for courses in probability for students in mathematical st作者: 壓迫 時(shí)間: 2025-3-28 00:43 作者: Constitution 時(shí)間: 2025-3-28 05:33
Book 2021to the transformations of digitalization as hybrid intermedial combinations of analogue film, video and digital video emerge from mid 1990s onwards. While film has always been closely associated with the process of memory, this book investigates new models of memory in artists’ remediation of film w作者: 惡名聲 時(shí)間: 2025-3-28 10:09
,Conclusion: ‘Inconsolable Memory’,isavowed ‘hauntings’ of memory. Thirdly, the ethico-political dimension of memory becomes evident in the documentary fiction mode, where ‘real fictions’ contend with a ‘post-truth’ era of ‘a(chǎn)lternative facts’. Finally, this study marks a paradigmatic shift from film as the dominant media of memory to new forms of mediatized memory.作者: cravat 時(shí)間: 2025-3-28 11:07 作者: squander 時(shí)間: 2025-3-28 16:09
Critical Nostalgia,ality of nostalgia where the interlacing of the past with the present is realized through an intermedial aesthetic. The chapter concludes with an appraisal of the curatorial turn to the ‘cinematic’ in contemporary art.作者: photophobia 時(shí)間: 2025-3-28 19:10
