派博傳思國際中心

標題: Titlebook: Medieval Afterlives in Popular Culture; Gail Ashton,Daniel T. Kline Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 c [打印本頁]

作者: risky-drinking    時間: 2025-3-21 19:50
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作者: parallelism    時間: 2025-3-21 23:09
Medieval Afterlives in Popular Culture978-1-137-10517-2Series ISSN 2945-5936 Series E-ISSN 2945-5944
作者: 消耗    時間: 2025-3-22 02:25

作者: scotoma    時間: 2025-3-22 06:51
https://doi.org/10.1057/9781137105172culture; fiction; history; Medieval Literature; Middle Ages; Renaissance; rhetoric
作者: 淡紫色花    時間: 2025-3-22 09:29

作者: flex336    時間: 2025-3-22 15:44
The New Middle Ageshttp://image.papertrans.cn/m/image/629741.jpg
作者: auxiliary    時間: 2025-3-22 17:09
Robin Hood, Frenched,n playwright Eric Durnez’s 2002 play, ., one of the characters, the adolescent Albert Jardin, remembers the evening during which his parents announced their decision to get a divorce:
作者: conformity    時間: 2025-3-22 22:35
then point to highlights and regions of particular progress in the last two years. The process γγ → η → γγ has been measured for the first time as well as the cross section for γγ → p.p.. The latter rules out a resonance interpretation for α (γγ → p°p°). Progress has been made in understanding the f
作者: 恫嚇    時間: 2025-3-23 02:27

作者: 青少年    時間: 2025-3-23 09:03
Candace Barringtonthen point to highlights and regions of particular progress in the last two years. The process γγ → η → γγ has been measured for the first time as well as the cross section for γγ → p.p.. The latter rules out a resonance interpretation for α (γγ → p°p°). Progress has been made in understanding the f
作者: 符合你規(guī)定    時間: 2025-3-23 12:01

作者: 纖細    時間: 2025-3-23 15:57
Steve EllisRA, LEP, SLC and HERA from the view points of luminosity, acceptance and energy range. A more detailed study is then presented of a 0° tagging system in the proton beam line of HERA. Bremsstrahlung background and the separation of two photon production and diffractive electroproduction events are br
作者: myriad    時間: 2025-3-23 21:27
Louise D’ArcensRA, LEP, SLC and HERA from the view points of luminosity, acceptance and energy range. A more detailed study is then presented of a 0° tagging system in the proton beam line of HERA. Bremsstrahlung background and the separation of two photon production and diffractive electroproduction events are br
作者: 設(shè)想    時間: 2025-3-23 23:59

作者: fertilizer    時間: 2025-3-24 05:27
The YouTube Prioress: Anti-Semitism and Twenty-First Century Participatory Culture,ure for children, and the fit does not become much easier for their notions of what teens should read. Besides Chaucer’s undeniably alien English verse, the content of the tales poses a problem for presenting them to young readers. Many of his tales are forthrightly indecorous, featuring adultery, t
作者: evaculate    時間: 2025-3-24 06:50

作者: 議程    時間: 2025-3-24 14:06
,Virginia Woolf’s Middle Ages,ity which at that time exercises her deeply, and on how her response to the Middle Ages, and to one of its writers in particular, Dante, relates to this concern. In a prospective history of literature originally entitled ., which Woolf worked on in the last months of her life, the opening two unfini
作者: Ascribe    時間: 2025-3-24 16:13
,Dario Fo’s , and the Left-Modernist Reclamation of Medieval Popular Culture, word “popular” over which scholars have wrestled,. there has been one that has taken a longitudinal approach, perceiving “popular culture” to be the authentic expression and repository of “the people,” . or ., who have been understood as an historical category. According to the practitioners of thi
作者: trigger    時間: 2025-3-24 21:32

作者: 知道    時間: 2025-3-25 00:59
Medievalism and Periodization in , and ,: Environment, Class, Miracle,itle demonstrates that the author’s concern is exclusively with the representation of medieval Europe). and the sophisticated body of scholarship devoted to medievalist film in more recent years almost invariably define the topic in terms of a medieval setting. David W. Marshall, for example, direct
作者: 頑固    時間: 2025-3-25 06:35
,Time Travel, Pulp Fictions, and Changing Attitudes Toward the Middle Ages: Why You Can’t Get Renaischange because we still have a stake in the Renaissance model of the world that created the superior attitude. Several years ago, I argued that American popular images of the Middle Ages were a kind of temporal Orientalism: in fiction, film, news reporting, advertising, and political cant, the perio
作者: Organization    時間: 2025-3-25 10:54

作者: Conjuction    時間: 2025-3-25 14:08
Confession, Contrition, and the Rhetoric of Tears: Medievalism and Reality Television,lly have a TV Personality.” Isaac Mizrahi, the show’s host and lead judge, turned to her in surprise and said, “Wait, you don’t have a TV personality? You cry every five minutes.”. Equally pointedly, Judge Lisa Ann Walter, on Oxygen television’s original season of ., exclaimed in the final episode,
作者: 清楚    時間: 2025-3-25 17:21
,Brief Encounters: Arthur’s Epic Journey in Antoine Fuqua’s , (2005),of epic exercised a powerful influence on the medieval imaginary, and none more so than Virgil. Virgil’s ., along with Dares Phrygius’s narrative on the fall of Troy, entered into the foundation myths of several medieval kingdoms, presenting Aeneas, through Brutus, as an ancestor of Arthur, himself
作者: Ballerina    時間: 2025-3-25 21:05
,“My Other World”: Historical Reflections and Refractions in Modern Arthurian Fantasy,notes, “one can hardly call to mind a fantasy work in any genre or media without calling up the medieval (and usually the Arthurian).”. Yet, the relationship between “the medieval” and “the Arthurian” is complex. Many authors have attempted to write Arthur as historical fiction, setting their work i
作者: 跑過    時間: 2025-3-26 00:30

作者: 微粒    時間: 2025-3-26 04:47
The Medieval Entertainment Channel: The , Quartet,erything is available everywhere at once, what we formerly thought of as a unidirectional (that is, chronological) arrow of influence and allusion has morphed into a matrix of multiplying and constantly reorganizing relations and affinities. Princess Fiona (Cameron Diaz), by day beautiful, human, an
作者: BIDE    時間: 2025-3-26 08:48
Acephalic History: A Bataillian Reading of ,French “.” tell Arthur that their lord will not join his quest for the Holy Grail because Guy’s “already got one.”. In the following scene (scene 10), the film breaks form in the manner of a History Channel special—“Pictures for Schools”—to present a distinguished elderly man, “A Very Famous Historian,” to explain breathlessly that:
作者: candle    時間: 2025-3-26 13:28
2945-5936 e authors illuminate both medieval and contemporary popular culture in surprising and productive ways while interrogating the many ways in which metamedievalism reinterprets and reconceptualises the medieval.978-1-349-34085-9978-1-137-10517-2Series ISSN 2945-5936 Series E-ISSN 2945-5944
作者: 甜得發(fā)膩    時間: 2025-3-26 17:53

作者: notification    時間: 2025-3-26 22:46
The YouTube Prioress: Anti-Semitism and Twenty-First Century Participatory Culture,alues incongruent with many contemporary values. How should young readers be introduced to such characters as Griselda or Constance, who suffer greatly rather than disobey their husbands? And how do we explain Virginia, who is beheaded by her father to prevent her rape by an unscrupulous judge?
作者: VEST    時間: 2025-3-27 02:01

作者: MUTED    時間: 2025-3-27 08:40

作者: 怪物    時間: 2025-3-27 12:38
The Medieval Entertainment Channel: The , Quartet,ting, her medieval sisters. Fiona and the Loathly Lady live in what Mikhail Bakhtin calls “great time”: in which cultural productions break through the boundaries of their historical moment, and, I would add, swirl around in a kaleidoscope of new, never to be repeated, patterns.
作者: backdrop    時間: 2025-3-27 15:33

作者: disrupt    時間: 2025-3-27 17:48
,H. P. Lovecraft’s “Unnamable” Middle Ages, them” (. 4:143).. Lovecraft’s current pop-cultural reputation might please the author, then; Lovecraft is commonly seen as a scientific and materialist thinker, fascinated with the “deep time” of prehuman eras or the extraterrestrial influence of alien gods, with no linkage whatsoever to the Middle Ages.
作者: AVOW    時間: 2025-3-27 23:00
,Dario Fo’s , and the Left-Modernist Reclamation of Medieval Popular Culture,arately argued, its emergence in the nineteenth century is inextricably bound up with the philological, literary, and material recovery of medieval culture. David Hall argues that the perception of an “unofficial” medieval culture had preceded the nineteenth century, but the late eighteenth and nine
作者: Accolade    時間: 2025-3-28 04:08
Medievalism and Periodization in , and ,: Environment, Class, Miracle,ism and Orientalism, in “the medieval Orient.”. Laurie A. Finke and Martin B. Shichtman, on the other hand, resist the notion that such films constitute a genre in themselves, and consider two possible ways in which medievalist cinema may draw on different “generic frameworks”: one way is for films
作者: thrombosis    時間: 2025-3-28 08:04
,Time Travel, Pulp Fictions, and Changing Attitudes Toward the Middle Ages: Why You Can’t Get Renaisr thought before 1980; on the other side (the daydreams), the greening of community and the Disneyfication of King Arthur. Images of violence and dirt far outnumbered images of honor and greenery, however, and clean, clear air was rarely called medieval; fictional treatment of the period always dwel
作者: 原告    時間: 2025-3-28 10:45
Confession, Contrition, and the Rhetoric of Tears: Medievalism and Reality Television,of the rewards, or at least, expectations of reality show behavior, even for a judge, an ostensibly impartial observer. Unlike courtroom judges who provide objective interpretations of the law, reality show judges seem to function as surrogates for the audience, providing a model of affective weepin
作者: 借喻    時間: 2025-3-28 14:58
,Brief Encounters: Arthur’s Epic Journey in Antoine Fuqua’s , (2005),ility to put the greater good before personal happiness), but also his katabatic journey to the underworld and back.. In this encounter, Aeneas confronts his own past in order to face the future and to discover his own identity and his role within it.
作者: CRACK    時間: 2025-3-28 19:54

作者: Desert    時間: 2025-3-29 00:37
vents from five experiments. The Q. limit accessible has grown from 15 GeV. to about 200 GeV.. A proper unfolding method which converts the measured event distribution into a structure function F. (x, Q.) has been presented.
作者: MEEK    時間: 2025-3-29 05:44
Gail Ashton,Daniel T. Klinevents from five experiments. The Q. limit accessible has grown from 15 GeV. to about 200 GeV.. A proper unfolding method which converts the measured event distribution into a structure function F. (x, Q.) has been presented.
作者: 偶然    時間: 2025-3-29 10:44

作者: ectropion    時間: 2025-3-29 14:05
Andrew Lynchvents from five experiments. The Q. limit accessible has grown from 15 GeV. to about 200 GeV.. A proper unfolding method which converts the measured event distribution into a structure function F. (x, Q.) has been presented.
作者: 諂媚于性    時間: 2025-3-29 19:09

作者: 下船    時間: 2025-3-29 22:13

作者: 動機    時間: 2025-3-30 03:50
Genetics of Flower Development,he genetic basis of all floral variations including floral symmetry. The genetic basis of termination of the floral meristem is also explained. Finally, the chapter discusses evolution of flower and floral organs from a genetic perspective.
作者: Palpable    時間: 2025-3-30 06:54

作者: 從屬    時間: 2025-3-30 11:20
Torben Mothes,Olaf Fischerd to the main section number, e.g. I, 1.1, 1.2, ... , 1.1.1, 1.1.2, and so on. A comprehensive subject index is supplied together with a glossary. The aim of the latter is to provide, if possible, short defmitions which sometimes may prove sufficient. As to the use of the glossary, see the comment p
作者: 夜晚    時間: 2025-3-30 12:33

作者: 安慰    時間: 2025-3-30 17:00

作者: 一個攪動不安    時間: 2025-3-30 21:59

作者: 裂口    時間: 2025-3-31 03:07

作者: 黃油沒有    時間: 2025-3-31 06:15





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