標(biāo)題: Titlebook: Media Art and the Urban Environment; Engendering Public E Francis T. Marchese Book 2015 Springer International Publishing Switzerland 2015 [打印本頁] 作者: relapse 時間: 2025-3-21 18:56
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書目名稱Media Art and the Urban Environment讀者反饋
書目名稱Media Art and the Urban Environment讀者反饋學(xué)科排名
作者: MAOIS 時間: 2025-3-22 00:18 作者: 離開真充足 時間: 2025-3-22 04:02 作者: 傀儡 時間: 2025-3-22 08:04 作者: Expurgate 時間: 2025-3-22 08:55
https://doi.org/10.1007/978-3-319-15153-3Digital Art; Ecological Art; New Media Art; Smart Cities; Urban Ecology作者: 危險 時間: 2025-3-22 14:08
Alone Together in the Dark: Horror-Based Artworks and Fan Participation in Urban and Extra-Urban Splike ghosts and zombies. This chapter outlines several projects in which horror fans and others perform live or on camera. Urban and rural locations, populated by local actors, are sites for conversation about monstrous, environmental, and social transformation.作者: 仲裁者 時間: 2025-3-22 20:20 作者: Comedienne 時間: 2025-3-23 00:36 作者: AVOW 時間: 2025-3-23 04:32
Maria Michailso the sharing of personal stories. One of these projects, a five-year oral history endeavor based at Concordia University in Montreal, Canada, titled ., required me, in both interview and interactive theatrical settings, to engage with participants who were often complete strangers to me prior to my作者: 平靜生活 時間: 2025-3-23 07:36
Tega Brain,Jodi Newcombey research examined the construction and evolution of individual and local memories of twentieth-century violence in Bosnia-Herzegovina and how the state’s frequent manipulation of its official histories impacted them. I wanted to not only learn how history is experienced on the ground, but also und作者: 打算 時間: 2025-3-23 11:53 作者: chandel 時間: 2025-3-23 17:04 作者: Offset 時間: 2025-3-23 20:38
Jillian McDonalduman rights violations committed during the last 34 years of apartheid rule. While the TRC is rarely viewed as an oral history project, I argue that these testimonies, or public interviews, “count” as oral history; seeing them through this lens enables a richer understanding of the TRC and oral hist作者: Cerumen 時間: 2025-3-23 23:11
Pedro Marra,Carmen Aroztegui Masserale—but still fewer, there is reason to believe, of whom less has been known, even by the majority of those persons who have adopted her compositions.” His reference is to Anne Steele (she never married, despite Holland’s use of “Mrs.”), whose poetry, he adds, “veiled under an assumed name [Theodosia作者: 哄騙 時間: 2025-3-24 05:20
Alice Arnold of nonconformist (primarily Baptist) women writers originated in the West Country of England in the early 1700s and eventually stretched to Bristol, Southampton, London, and Leicester. The first generation was led by the diarist Anne Cator Steele (1689–1760), wife of William Steele III (1685– 1769)作者: bromide 時間: 2025-3-24 08:13
Annette Weintraubtrition.. That book also considered how these meanings map onto collective apologies, which added many layers of complexity to the discussion. Research for my forthcoming book on the role of apologies in legal contexts introduced additional complications. In both individual and collective harms, a p作者: justify 時間: 2025-3-24 13:54
Ulrik Ekmaned to all these terms, discrediting their meaning as modes of social action. We encounter negative conceptions of such actions, described as ‘only’ and ‘merely symbolic’ or ‘just’ a ‘ceremonial rehearsal’, lacking any political significance. The same holds true for the perception of rites and ritual作者: Estrogen 時間: 2025-3-24 15:55 作者: OVER 時間: 2025-3-24 22:16
Francis T. Marcheseed to all these terms, discrediting their meaning as modes of social action. We encounter negative conceptions of such actions, described as ‘only’ and ‘merely symbolic’ or ‘just’ a ‘ceremonial rehearsal’, lacking any political significance. The same holds true for the perception of rites and ritual作者: ethereal 時間: 2025-3-25 01:25
Vaughn Whitney Garlanded to all these terms, discrediting their meaning as modes of social action. We encounter negative conceptions of such actions, described as ‘only’ and ‘merely symbolic’ or ‘just’ a ‘ceremonial rehearsal’, lacking any political significance. The same holds true for the perception of rites and ritual作者: pester 時間: 2025-3-25 06:01
Brian A. Browntrition.. That book also considered how these meanings map onto collective apologies, which added many layers of complexity to the discussion. Research for my forthcoming book on the role of apologies in legal contexts introduced additional complications. In both individual and collective harms, a p作者: 得意牛 時間: 2025-3-25 10:11
Toward an Ecological Urbanism: Public Engagement in Contemporary Art Practice,oader bioregions. The author reflects on the interdependency of urban infrastructure on living systems and their services, focusing on artworks that align with this ethic and weaving them within three areas considered imperatives toward an ecological urbanism. The projects vary in their approaches t作者: HILAR 時間: 2025-3-25 12:40 作者: Parameter 時間: 2025-3-25 17:05 作者: voluble 時間: 2025-3-25 20:29
Uncultivated: An Evolutionary Drama in the Urban Environment,ommercial public displays (billboards, transit posters, etc.), a website, and community events. Commonly known as “weeds,” the project encourages an empathetic view of these reviled plants and the natural environment we share in common while reflecting upon the changing biodiversity of urban landsca作者: CRASS 時間: 2025-3-26 01:19
Alone Together in the Dark: Horror-Based Artworks and Fan Participation in Urban and Extra-Urban Splike ghosts and zombies. This chapter outlines several projects in which horror fans and others perform live or on camera. Urban and rural locations, populated by local actors, are sites for conversation about monstrous, environmental, and social transformation.作者: 毛細(xì)血管 時間: 2025-3-26 05:38
Mobile Maps of Chameleonic Cities: Urban Cartographies and Methodological Procedures and Experiencephysical space of this city changes constantly, and it is the site of conflicts with the government and among the population. Understanding the constant process of change is essential to performing appropriate ethnographic fieldwork. However, difficulties may occur when dealing with the temporal dim作者: 狂亂 時間: 2025-3-26 11:01 作者: CANE 時間: 2025-3-26 13:12 作者: daredevil 時間: 2025-3-26 20:47
Design as Topology: U-City,ontemporary global urbanity in the form of u-cities, smart cities, or intelligent cities emerging with the second phase of network societies that increasingly develop mixed reality environments with context-aware out-of-the-box computing as well as the sociocultural and experiential horizon of a vir作者: antecedence 時間: 2025-3-26 21:43 作者: Forehead-Lift 時間: 2025-3-27 03:41
The Art of Urban Engagement, to consider and experience their local communities in alternate ways that may lead to new approaches by citizens for sustaining and enhancing their living conditions. This chapter reviews a breadth of digital-based work including graffiti, cartography, and security.作者: aptitude 時間: 2025-3-27 06:16 作者: apiary 時間: 2025-3-27 10:36
Digitized Street Art,, is ultimately dependent on digital technologies to document, disseminate, and reproduce these inherently ephemeral artworks. Whether altered or destroyed by another artist or tagger, “buffed out” by overzealous municipal authorities, or simply decayed by the elements, street art is fundamentally e作者: CRAMP 時間: 2025-3-27 14:21 作者: 左右連貫 時間: 2025-3-27 20:53
1876-0899 mmunity art projects and public digital media installations; presents perspectives from a diverse range of practicing artists, architects, urban planners and critical theorists.978-3-319-35696-9978-3-319-15153-3Series ISSN 1876-0899 Series E-ISSN 1876-0880 作者: Neonatal 時間: 2025-3-27 22:36 作者: 無能的人 時間: 2025-3-28 03:10 作者: 殘忍 時間: 2025-3-28 10:19
Grisha Coleman,Daragh Byrnejects, it would be my interest in exploring how marginalized, disenfranchised, and oppressed individuals overcome adversity in the Canadian context. In pursuing this interest, however, I have also stumbled upon a rather intriguing methodological discovery: how I absorbed and responded to each narrat作者: 舔食 時間: 2025-3-28 13:38
Lynn Cazabonterested in how the back-to-the-land community transformed the political, cultural, and economic landscapes of the region. In the 1970s, logging was the primary industry and the area suffered high unemployment due to the precariousness of mill closures. By the end of the 1980s, tourism became one of作者: 走調(diào) 時間: 2025-3-28 15:07 作者: 威脅你 時間: 2025-3-28 21:17 作者: 牲畜欄 時間: 2025-3-29 00:32
Alice Arnold79. The younger Steele’s reputation as a poet, though eclipsed by (and later confused with) that of Anne Steele, was sufficient to sustain her own coterie of literary friends, including Mary Scott (later Taylor) (1751–93) of Milborne Port; Somerset, author of the poems . (1774) and . (1788); Jane At作者: Cumulus 時間: 2025-3-29 05:46
Annette Weintraubout, she wants to be respected and recognised as wronged, she wants the wrongdoer to feel badly, she wants to know this isn’t going to happen again to her or anyone else and she wants the wrongdoer to take practical responsibility for redressing her injury. This chapter will identify a few of the qu作者: VAN 時間: 2025-3-29 07:45 作者: 可卡 時間: 2025-3-29 14:48 作者: 錯事 時間: 2025-3-29 16:01
Francis T. Marcheserception is that a ‘ritual apology is insincere and therefore meaningless’.. Thus, in public opinion, as well as in the literature on public apologies, observers and social scientists tend to reduce the concept of ‘ritual’ to an insignificant, residual category.作者: 螢火蟲 時間: 2025-3-29 22:23
Vaughn Whitney Garlandrception is that a ‘ritual apology is insincere and therefore meaningless’.. Thus, in public opinion, as well as in the literature on public apologies, observers and social scientists tend to reduce the concept of ‘ritual’ to an insignificant, residual category.作者: 煩人 時間: 2025-3-30 03:50
Brian A. Brownout, she wants to be respected and recognised as wronged, she wants the wrongdoer to feel badly, she wants to know this isn’t going to happen again to her or anyone else and she wants the wrongdoer to take practical responsibility for redressing her injury. This chapter will identify a few of the qu作者: 旋轉(zhuǎn)一周 時間: 2025-3-30 07:25
Erratum to: Chapter 14 Solar Cycle 24: 15 Nightly Projections,作者: 使糾纏 時間: 2025-3-30 09:30
Book 2015n; discusses the engagement of urban residents with street art, including collaborative community art projects and public digital media installations; presents perspectives from a diverse range of practicing artists, architects, urban planners and critical theorists.作者: 鍵琴 時間: 2025-3-30 13:35 作者: syring 時間: 2025-3-30 16:49
Electric Signs,onsumerism, and public space), Sign Wars (this section looks at the political fight in Los Angeles between the outdoor advertising industry, politicians, and community activists who oppose more outdoor commercial signage; it also explores ideas about visual culture and the urban environment), Pale D作者: 多山 時間: 2025-3-30 20:55
Design as Topology: U-City, in which multiplicities of environmental, technical, and human interactants tend toward gathering and dispersing in a single mixed reality street transport scenario. The need for “intelligent” ad hoc connection, routing, and disconnection of multitudes of humans, technical systems, and environmenta
