標題: Titlebook: Media Archaeology and Intermedial Performance; Deep Time of the The Nele Wynants Book 2019 The Editor(s) (if applicable) and The Author(s), [打印本頁] 作者: Diverticulum 時間: 2025-3-21 16:29
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作者: 織物 時間: 2025-3-21 23:37
Nele Wynantshe command of John W. Gardner, whom he appointed to head the Department of Health, Education, and Welfare (HEW) in 1965. The military commitment in Vietnam was already under the oversight of Robert S. McNamara, who had served President Kennedy as secretary of defense since 1961.作者: Forage飼料 時間: 2025-3-22 03:32
. The book, after all, has not really been about therapeutic culture — at least not in the ways engaged with by sociologists to date. Yet it is exactly because these previous accounts have failed to engage adequately with ‘lay’ accounts of ‘keeping on the road’ — and the ways in which such accounts 作者: habitat 時間: 2025-3-22 05:53
Erkki Huhtamots through addressing three concerns: first, the nature of inner conversations — particularly the relationship between the emotional and cognitive dimensions of such talk, the role of others in self-talk, and what it means for one’s inner conversation to be ‘fractured’; second, the significance of w作者: 思鄉(xiāng)病 時間: 2025-3-22 09:26
Frank Kessler,Sabine Lenkhe significance at times of encounters with consequential strangers (Blau and Fingerman, 2009), some people are much more practised in the art of listening than others. In focusing on who is doing the listening, the chapter seeks to balance a preoccupation with the cultural imperative of disclosure 作者: 慷慨不好 時間: 2025-3-22 15:32 作者: 間諜活動 時間: 2025-3-22 19:13 作者: GET 時間: 2025-3-22 22:37
first actual developer was Dan Grahek, and his work was premiered at the 1991 meeting of the Oral History Association (OHA) in Salt Lake City. A dinosaur by today’s standards, that standalone station may have been the first time a digital presentation was given at OHA.作者: 前奏曲 時間: 2025-3-23 02:01 作者: Infantry 時間: 2025-3-23 07:42 作者: 出沒 時間: 2025-3-23 13:08
Kristof van Baarles group is the “material with which it deals”: the recorded voice, the interview. We have staunchly defended oral history’s relevance and reliability through the decades, yet, with few exceptions, the orality/aurality that defined our material was consistently stripped away in the textual act of arc作者: addict 時間: 2025-3-23 17:03 作者: 嚴厲譴責 時間: 2025-3-23 21:48
Rudi Knoopser of the heads of grandee households and to increase their dependency on his largesse.. For that reason, the heads of grandee households undertook various steps to augment their income: tax farming, private investments in agriculture and industry, commercial and real estate dealings, money lending,作者: 含糊其辭 時間: 2025-3-24 00:36 作者: 恃強凌弱的人 時間: 2025-3-24 05:53
Book 2019her than treating archaeological remains as representative tokens of a fragmented past that need tobe preserved, the authors stress the return of the past in the present, but in a different, performative guise.作者: 敵手 時間: 2025-3-24 10:22
2946-3092 ment of an active relationship between past and present. Rather than treating archaeological remains as representative tokens of a fragmented past that need tobe preserved, the authors stress the return of the past in the present, but in a different, performative guise.978-3-319-99576-2Series ISSN 2946-3092 Series E-ISSN 2946-3106 作者: 最高點 時間: 2025-3-24 12:42 作者: ENNUI 時間: 2025-3-24 15:06
Mechanisms in the Mist: A Media Archaeological Excavation of the Mechanical Theatercenographic inspiration for popular touring spectacles like peepshows, puppet shows, and .. A particularly interesting case was a spectacle known by many names, such as ., ., or Theatre of the Arts. Its formation took place in the eighteenth century, but its true era of prominence was the nineteenth作者: 形容詞 時間: 2025-3-24 20:32 作者: 善辯 時間: 2025-3-25 01:32 作者: 惡臭 時間: 2025-3-25 06:58
Deep Space or the Re-invention of Scenography: Jozef Wouters on alle des Machines in Paris. Servandoni used the infrastructure to conduct elaborate research on the theatricality of scenography, considering space itself as an autonomous theatrical sign. The work and ideas of Servandoni were a direct source of inspiration for . (2015), a theatre project conducted 作者: invulnerable 時間: 2025-3-25 08:03 作者: paradigm 時間: 2025-3-25 12:24 作者: choroid 時間: 2025-3-25 15:50
Capturing Bodies as Objects: Stereography and the Diorama at Work in Kris Verdonck’s of ., an installation by Belgian artist Kris Verdonck. The function of stereography, Muybridge’s chronophotography, and the diorama in the political and economic apparatuses of the nineteenth century allows for a deeper understanding of .’ critical and political use of new media. This media-archaeol作者: enormous 時間: 2025-3-25 22:50 作者: APNEA 時間: 2025-3-26 03:50
Cinema’s Savoyards: Performativity and the Legacy of the Magic Lanternth key figures of avant-garde cinema. Considering the . of the magic lantern as a template for cinema, we can retrace in their work an unexpected legacy of the . or itinerant magic lanternists. Particularly its verbal and performative aspects are being adopted by filmmakers who want to focus more on作者: 托人看管 時間: 2025-3-26 06:41
The Art of Anamorphosis: Subverting Representational Conventions and Challenging the Observering representational conventions and questioning the observer. A study of cylindrical anamorphosis’s deep time signals how other ways of representation and of looking, and another status of the observer were alternative possibilities that did not become part of mainstream media. The analysis of Knoo作者: SENT 時間: 2025-3-26 10:52
Mediated Visions of Life: An Archaeology of Microscopic Theatreyful enquiry. In the early nineteenth century, with the invention of the projection microscope—a magic lantern combined with a microscope—microscopy developed fully as a public spectacle well suited to show business. The projection microscope brought minuscule presences, invisible to the naked eye, 作者: trigger 時間: 2025-3-26 14:15 作者: CAB 時間: 2025-3-26 20:19 作者: 彈藥 時間: 2025-3-26 22:27
Nele Wynantsarry the body of his slain predecessor from Dallas back to the capital of a stunned and grieving nation. Johnson inherited a military commitment in Vietnam that Presidents Eisenhower and Kennedy had undertaken, a commitment he was convinced was necessary to contain communist aggression not only in S作者: 怎樣才咆哮 時間: 2025-3-27 01:55
ps, one teeters much of the time on the verge of writing a sociology of everything. Some readers might feel that this balancing act has not been successful. Others might be questioning the focus on everyday emotional lives at this time and asking whether sociology has not got better things to do in 作者: ALLAY 時間: 2025-3-27 06:32 作者: Aviary 時間: 2025-3-27 10:42 作者: Pepsin 時間: 2025-3-27 15:52
Katharina Reinbe a result of the methodological difficulty involved: akin to seizing a spinning top to understand how it works (James, 1890, p.244, cited Archer, 2010, p.5). Yet we do need to find out more about reflexivity, about how we make our way in the world and, specifically, the role of emotions in this. T作者: 咯咯笑 時間: 2025-3-27 19:00
Karel Vanhaesebrouck,Jozef Woutersps, one teeters much of the time on the verge of writing a sociology of everything. Some readers might feel that this balancing act has not been successful. Others might be questioning the focus on everyday emotional lives at this time and asking whether sociology has not got better things to do in 作者: HARD 時間: 2025-3-28 00:53 作者: aspersion 時間: 2025-3-28 02:53 作者: embolus 時間: 2025-3-28 07:57
Kurt Vanhouttenkle in the eye of the pioneering parents who would make it a universal portal to information. At the University of Alaska Fairbanks (UAF), we stumbled onto digital technology for oral history under the false assumption that it would save us money and personnel in the long run, since retrieval, acce作者: 骯臟 時間: 2025-3-28 13:58
Kristof van Baarleords may be idiosyncratically phrased, but all the more expressive for that. They breathe life into history.”. Like many others, I was drawn to oral history by the power, emotion, and the content conveyed in the recorded voice, the expression of first hand memories tangled up in the engagement of an作者: excrete 時間: 2025-3-28 15:01
Kara Reillyave revolutionized countless aspects of the work of oral history—from creation, to preservation, to use—and raised a multitude of discussions among oral historians on the impact of new technologies on oral history practice. What is also needed is a discourse on the nature of oral history in the mids作者: 新陳代謝 時間: 2025-3-28 19:51
Rudi Knoopse and consolidating their economic activities. The head of the grandee household had to bear the burden of the many and variegated expenses that arose from the necessity to present expensive gifts to the sultan and senior members of the Ottoman elite, from payments for appointments to covering the c作者: 諂媚于性 時間: 2025-3-28 23:26 作者: 易于交談 時間: 2025-3-29 03:05 作者: 凝乳 時間: 2025-3-29 10:18 作者: 天賦 時間: 2025-3-29 15:11
“,”: Stage Craft, Film Tricks, and the they function as a central element of the genre. In the final part of the chapter, Kessler and Lenk present two examples, one from a stage . and one from a film, to illustrate the productivity of their media archaeological perspective.作者: 過去分詞 時間: 2025-3-29 15:33 作者: 河流 時間: 2025-3-29 23:10 作者: 扔掉掐死你 時間: 2025-3-30 00:01 作者: gratify 時間: 2025-3-30 04:53
The Art of Anamorphosis: Subverting Representational Conventions and Challenging the Observerps’s media installation . (2014) shows how a confrontation with the digital and the moving image magnifies these inherent qualities of cylindrical anamorphosis to subvert representational conventions and challenge the role of the observer, and illustrates how these traits reverberate in the media culture of our time.作者: Ophthalmologist 時間: 2025-3-30 11:36
Mechanisms in the Mist: A Media Archaeological Excavation of the Mechanical Theaterral form, probing its relationship to the legitimate theater and to parallel optical spectacles, such as dioramas and magic lantern shows, from which it appropriated features, and situates them within a genealogy of media cultures.作者: VOK 時間: 2025-3-30 13:34
Vanishing Technology: Transparency of Media in Stage Magicany grand illusion. As a media dispositif, the magician’s stage thus reflects its own media usage. By focusing on the iconic stage illusion “Vanishing Lady” this chapter analyses this central quality of conjuring with regard to other selected examples from its Golden Age.
