標題: Titlebook: Meaning-Making in the Contemporary Congregational Song Genre; Daniel Thornton Book 2021 The Editor(s) (if applicable) and The Author(s), u [打印本頁] 作者: DUCT 時間: 2025-3-21 17:50
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作者: TAG 時間: 2025-3-21 21:51
Daniel Thorntonuropean Monetary Union (EMU). It is my contention that there are serious problems involved in such a move, particularly an . one. To proceed towards EMU without a thorough analysis of these problems is to risk its failure. Whether one opposes or supports EMU, one can agree that a botched attempt at 作者: 固執(zhí)點好 時間: 2025-3-22 00:46
Daniel Thorntonuropean Monetary Union (EMU). It is my contention that there are serious problems involved in such a move, particularly an . one. To proceed towards EMU without a thorough analysis of these problems is to risk its failure. Whether one opposes or supports EMU, one can agree that a botched attempt at 作者: 可以任性 時間: 2025-3-22 07:38 作者: overwrought 時間: 2025-3-22 12:32 作者: ALB 時間: 2025-3-22 16:54
Daniel Thornton 1968 and in 1970 the Catholic Church protested against the repression, but without actually endorsing the intellectuals’ or the workers’ demands. The most significant change in the development of the Polish opposition in the 1970s has been the broadening of its social base, fostered by the creation作者: GRAVE 時間: 2025-3-22 19:16
Book 2021y veterans.? Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide uniqueinsight into the current global CCS genre, and into its possible futures..作者: 縮短 時間: 2025-3-22 22:16
sight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide uniqueinsight into the current global CCS genre, and into its possible futures..978-3-030-55611-2978-3-030-55609-9作者: 使?jié)M足 時間: 2025-3-23 03:24 作者: 人造 時間: 2025-3-23 08:29 作者: 飛來飛去真休 時間: 2025-3-23 09:52 作者: 射手座 時間: 2025-3-23 17:10
Contemporary Congregational Songs,Christian Copyright Licensing International’s biannual Church Copyright License and SongSelect reports and on YouTube views. A rationale is provided regarding how these most sung songs are representative of the global CCS genre.作者: nettle 時間: 2025-3-23 21:26
The Contemporary Congregational Song Industry (Poietic Analysis Pt 1),the world of CCS production. These anecdotes feature the backstories to the creation of “In Christ Alone”, “Amazing Grace (My Chains Are Gone)”, and “10,000 Reasons”. They explore some of the influences on the evolution of the genre and the changing financial landscape for CCS creators.作者: 畏縮 時間: 2025-3-23 22:36 作者: epicardium 時間: 2025-3-24 04:38
Book 2021ch engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians.? ..Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these so作者: ADAGE 時間: 2025-3-24 08:25 作者: mitral-valve 時間: 2025-3-24 13:47
The Old and New Guard: Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analheir various roles and responsibilities in all areas of their life and how those impact their writing. The chapter finishes by bringing the perspectives of the poietic analysis together to highlight some of the tensions between industry and ministry, and summarise the meaning-making processes within the production milieu.作者: lesion 時間: 2025-3-24 14:59
How Christians Feel About the Songs They Sing: Corporately (Esthesic Analysis Pt 2),h services, including service and sermon durations. The conclusion brings together the researcher’s survey findings and those of the NCLS to articulate some of the meaning-making processes Christians engage in relating to CCS.作者: 定點 時間: 2025-3-24 21:23
Just Another Pop Song? The Music (Trace Analysis Pt 1),ignatures, and structural elements are also explored. The features of the corpus are defined and considered in light of what they mean for the genre. CCS hold in tension elements of secular popular music and those of vernacular music in a way that makes them uniquely definable among other genres.作者: receptors 時間: 2025-3-25 01:12 作者: 憲法沒有 時間: 2025-3-25 06:22
Some Individual Examples: Australia (Trace Analysis Pt 3),lements from the approach to composition, to the individual styles of the writers, to the production techniques. Furthermore, the most viewed YouTube versions have their own features and backstories, and they contribute to the meaning-making for these songs.作者: oncologist 時間: 2025-3-25 08:33
Some Individual Examples: UK and USA (Trace Analysis Pt 4), song, “How Great Thou Art”. Finally, “Revelation Song” one of the few most sung CCS composed solely by a female songwriter is analysed. This song and its mediated versions have numerous unique qualities that bring a nuanced understanding of the global CCS genre.作者: Phenothiazines 時間: 2025-3-25 15:13 作者: armistice 時間: 2025-3-25 19:25 作者: 大笑 時間: 2025-3-26 00:03 作者: Cholesterol 時間: 2025-3-26 02:40
Daniel Thorntonifesto itself, and subsequent writings by at least one of its authors (Parkin, 1976) make it clear that they envisage themselves as planning, not for some distant time in the future, but for the present. Their scheme is one that they would have implemented immediately in 1975, and presumably one tha作者: Subdue 時間: 2025-3-26 07:38
Daniel Thorntonifesto itself, and subsequent writings by at least one of its authors (Parkin, 1976) make it clear that they envisage themselves as planning, not for some distant time in the future, but for the present. Their scheme is one that they would have implemented immediately in 1975, and presumably one tha作者: Conflict 時間: 2025-3-26 11:43 作者: Ligament 時間: 2025-3-26 13:38
Daniel Thorntonnts’ dekire to retain an independent form of agriculture in contrast to the communist leaders’ determination (more pronounced in some cases than in others) to achieve the social transformation of the countryside in a collectivist direction. It is now a decade and a half since this collectivisation p作者: Generalize 時間: 2025-3-26 16:59
Daniel Thorntonain forces: the intellectuals and students, the workers, and the powerful Roman Catholic Church. The common origin of their renewed independent activity goes back to 1956, but all three have followed separate itineraries until 1968. The period 1968–78 has been marked by the evolution of these three 作者: 無底 時間: 2025-3-26 21:59
Contemporary Congregational Songs Genre Formation and Scrutiny, genre. An overview of the history of CCS follows, alongside a selective review of its associated scholarship. This leads to a discussion and justification of the chosen methodology, music semiology, for this monograph, and its interdisciplinary partners, including popular music studies, vernacular 作者: isotope 時間: 2025-3-27 02:49
Contemporary Congregational Songs,is given to addressing the particularly problematic term, ‘Praise and Worship’. The chapter then proceeds to qualify each of the three words (contemporary, congregational, and songs) in the chosen term for the genre, arguing that while it has limitations, it is still currently the most helpful term 作者: shrill 時間: 2025-3-27 06:13 作者: Encumber 時間: 2025-3-27 12:29
So the Songwriters Say (Poietic Analysis Pt 2),ose interviews provide much of the content for this chapter and the next. It establishes the diversity among the interviewees by age, background, denominational association, and country while justifying their place in the CCS canon. The USA, the UK, and Australia are the only countries represented i作者: 克制 時間: 2025-3-27 15:24 作者: Abduct 時間: 2025-3-27 18:56
How Christians Feel About the Songs They Sing: Individually (Esthesic Analysis Pt 1),etation of CCS by their audience/co-performers. The data utilised in this section comes from an online survey conducted by the researcher among 214 Australian Christians. The chapter begins by describing the survey method and parameters around the collection of vocal recordings and written responses作者: Ligament 時間: 2025-3-27 22:39 作者: MUTED 時間: 2025-3-28 05:41 作者: 移植 時間: 2025-3-28 09:09
Just Another Pop Song? The Lyrics (Trace Analysis Pt 2),ig picture analysis such as average word count and the four categories for CCS: Praise/Thanksgiving, Prophetic/Declarative, Worship, and Petition/Prayer. It explores the theological content of CCS, key themes, the way songs address God, and the choice of individual or communal perspective for the si作者: photophobia 時間: 2025-3-28 13:51 作者: 偽證 時間: 2025-3-28 15:22
Some Individual Examples: UK and USA (Trace Analysis Pt 4),he USA. “10,000 Reasons”, “Here I Am to Worship”, and “In Christ Alone” represent different UK composers from different contexts and in different stages of their output. “How Great Is Our God”, one of the most popular CCS of the last two decades, is analysed, including a discussion of the associated作者: Mortar 時間: 2025-3-28 19:49 作者: Diatribe 時間: 2025-3-29 01:06 作者: Tailor 時間: 2025-3-29 04:48
http://image.papertrans.cn/m/image/628013.jpg作者: 上漲 時間: 2025-3-29 08:26 作者: TIGER 時間: 2025-3-29 14:16 作者: AXIS 時間: 2025-3-29 17:39 作者: Lethargic 時間: 2025-3-29 23:39 作者: 殺蟲劑 時間: 2025-3-30 00:47
Orbital Counting of Curves on Algebraic Surfaces and Sphere Packings,an algebraic surface. Borrowing some results in the theory of orbit counting, we study the asymptotic of the growth of degrees of elements in the orbit of a curve on an algebraic surface with respect to a geometrically finite group of its automorphisms.
