標(biāo)題: Titlebook: Mathematics and Music; A Diderot Mathematic Gerard Assayag,Hans Georg Feichtinger,Jose Francis Book 2002 Springer-Verlag Berlin Heidelberg [打印本頁] 作者: Falter 時(shí)間: 2025-3-21 17:58
書目名稱Mathematics and Music影響因子(影響力)
書目名稱Mathematics and Music影響因子(影響力)學(xué)科排名
書目名稱Mathematics and Music網(wǎng)絡(luò)公開度
書目名稱Mathematics and Music網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Mathematics and Music被引頻次
書目名稱Mathematics and Music被引頻次學(xué)科排名
書目名稱Mathematics and Music年度引用
書目名稱Mathematics and Music年度引用學(xué)科排名
書目名稱Mathematics and Music讀者反饋
書目名稱Mathematics and Music讀者反饋學(xué)科排名
作者: tattle 時(shí)間: 2025-3-21 23:57
Book 2002the name of Pythagoras but also with a significant number of other mathematicians, like Leibniz, for instance. Mathematical models can be found for almost all levels of musical activities from composition to sound production by traditional instruments or by digital means. Modern music theory has bee作者: 實(shí)施生效 時(shí)間: 2025-3-22 03:14
Book 2002. It contains a large variety of articles, covering the historical aspects, the influence of logic and mathematical thought in composition, perception and understanding of music and the computational aspects of musical sound processing. The authors illustrate the rich and deep interactions that exist between Mathematics and Music.作者: 先行 時(shí)間: 2025-3-22 08:14
The Topos Geometry of Musical Logic,topos-theoretic geometrization of musical logic implies a progressively geometric flavour of all rational interactions with music, in particular when implemented on graphical interfaces of computer environments.作者: BRIBE 時(shí)間: 2025-3-22 10:27
The Formalization of Logic and the Issue of Meaning,fferent matter from our present knowledge of logic. Then, I shall define the periods I have chosen to show how these questions were dealt with historically. I shall go on to analyse how the relationship of logical calculus to the question of its meaning was viewed during these different periods.作者: tangle 時(shí)間: 2025-3-22 16:20
Universal Prediction Applied to Stylistic Music Generation,niversal prediction algorithm that can be applied to an arbitrary sequence regardless of its model. Operations such as improvisation or assistance to composition can be realised on the resulting representation.作者: 運(yùn)動(dòng)性 時(shí)間: 2025-3-22 20:35 作者: ingrate 時(shí)間: 2025-3-23 00:57
,Lagrange, “Working Mathematician” on Music Considered as a Source for Science,pose of such an account written in 1813, was less to explain the scientific achievements of a man, than to portray what a great scientist should be.. Delambre then goes as far as telling us a socially bad story about Lagrange. And it concerns Lagrange’s taste for music, or better said his misuse of music.作者: expansive 時(shí)間: 2025-3-23 04:46
Musical Analysis Using Mathematical Proceedings in the XXth Century,ionship hidden in music or in sound. Their basic assumption was the direct link between the use of ratio 3/2 or a limited number of simple intervals in the ground bass and a possible rational explanation of music.作者: 偽證 時(shí)間: 2025-3-23 06:49
Expressing Coherence of Musical Perception in Formal Logic,uth within a framework of spatio-temporal representations and perception-based musical information processing. The framework provides a way for defining a semantics for the coherence of musical perception.作者: Deceit 時(shí)間: 2025-3-23 12:58 作者: 不感興趣 時(shí)間: 2025-3-23 17:13
Computational Models for Musical Sound Sources, a major issue. We will review some of the most important computational models that are being used in musical sound production, and we will see that models based on the physics of actual or virtual objects can meet most of the requirements, thus allowing the user to rely on high-level descriptions of the sounding entities.作者: enterprise 時(shí)間: 2025-3-23 18:06 作者: EXTOL 時(shí)間: 2025-3-24 01:35 作者: circumvent 時(shí)間: 2025-3-24 05:45
978-3-642-07836-1Springer-Verlag Berlin Heidelberg 2002作者: sulcus 時(shí)間: 2025-3-24 09:19 作者: Explicate 時(shí)間: 2025-3-24 13:09 作者: Interlocking 時(shí)間: 2025-3-24 18:24 作者: affect 時(shí)間: 2025-3-24 20:22 作者: 來自于 時(shí)間: 2025-3-25 01:27 作者: 圣歌 時(shí)間: 2025-3-25 03:49 作者: Microgram 時(shí)間: 2025-3-25 11:10
The Musical Communication Chain and its Modeling,ll not make justice to its amazing richness. However, this cannot prevent us from trying to explain and formalize some aspects. In this way we also contribute to its understanding and develop new tools to create and enjoy new musical artwork. This in turn can be seen as a form of further enrichment of that marvelous complexity.作者: 開始從未 時(shí)間: 2025-3-25 14:58 作者: Interferons 時(shí)間: 2025-3-25 17:57
Jean Dhombresto a set of phenomena associated with the dynamical evo- lution of quantum systems of the simplest kind that involve rigorous mathematical structures associated with infinitely many degrees of freedom. The dynamics of such a system is represented by a one-parameter group of automorphisms of a non- c作者: Habituate 時(shí)間: 2025-3-25 21:50
Wilfrid Hodges,Robin J. Wilsonto a set of phenomena associated with the dynamical evo- lution of quantum systems of the simplest kind that involve rigorous mathematical structures associated with infinitely many degrees of freedom. The dynamics of such a system is represented by a one-parameter group of automorphisms of a non- c作者: 尊敬 時(shí)間: 2025-3-26 02:36 作者: 大洪水 時(shí)間: 2025-3-26 05:06 作者: COWER 時(shí)間: 2025-3-26 10:44 作者: heirloom 時(shí)間: 2025-3-26 14:11 作者: 有組織 時(shí)間: 2025-3-26 18:19 作者: 演講 時(shí)間: 2025-3-27 00:12
Marc Leman authors develop a completely new spectral theory..The funda.This book presents a functional calculus for n-tuples of not necessarily commuting linear operators. In particular, a functional calculus for quaternionic linear operators is developed. These calculi are based on a new theory of 作者: hidebound 時(shí)間: 2025-3-27 04:51
Guerino Mazzola authors develop a completely new spectral theory..The funda.This book presents a functional calculus for n-tuples of not necessarily commuting linear operators. In particular, a functional calculus for quaternionic linear operators is developed. These calculi are based on a new theory of 作者: Mundane 時(shí)間: 2025-3-27 07:59
Jean-Claude Risset authors develop a completely new spectral theory..The funda.This book presents a functional calculus for n-tuples of not necessarily commuting linear operators. In particular, a functional calculus for quaternionic linear operators is developed. These calculi are based on a new theory of 作者: 有發(fā)明天才 時(shí)間: 2025-3-27 09:53
Erich Neuwirth authors develop a completely new spectral theory..The funda.This book presents a functional calculus for n-tuples of not necessarily commuting linear operators. In particular, a functional calculus for quaternionic linear operators is developed. These calculi are based on a new theory of 作者: conspicuous 時(shí)間: 2025-3-27 17:38 作者: 有角 時(shí)間: 2025-3-27 20:00 作者: 泰然自若 時(shí)間: 2025-3-28 01:36
Proportions in Ancient and Medieval Music, Music, based on proportional relationships which embody Number, is an audible symbol of a God-given ontological order. This mode of thought influenced the aesthetics of the Ancients and had a crucial impact on the rationalization of musical composition in the late Middle Ages..作者: rheumatology 時(shí)間: 2025-3-28 04:09
The Use of Mechanical Devices and Numerical Algorithms in the 18th Century for the Equal Temperamenit. Every musical . has its own precise frequency; a musical instrument (especially one with a keyboard) can produce a finite set of discrete notes: what frequencies must an instrument maker choose so that the instrument can be both used and enjoyed by its player? The maker of the instrument runs in作者: Formidable 時(shí)間: 2025-3-28 07:00 作者: finite 時(shí)間: 2025-3-28 14:18
The Formalization of Logic and the Issue of Meaning,uctory paper by Fran?ois Nicolas, some parallelism is not lacking between musical logic and formalised logic, in terms of their ontological foundations and symbolical calculations. Thus, my purpose is to focus on the questions linked to the separation of a blind formal calculus from its possible int作者: Flavouring 時(shí)間: 2025-3-28 14:56
Musical Analysis Using Mathematical Proceedings in the XXth Century, or philosophers such as Mersenne, Descartes, Rameau, D’Alembert, Euler were essentially concerned with the problem of finding out the numerical relationship hidden in music or in sound. Their basic assumption was the direct link between the use of ratio 3/2 or a limited number of simple intervals i作者: 果仁 時(shí)間: 2025-3-28 21:22
Universal Prediction Applied to Stylistic Music Generation,have appeared in the literature. These models do not provide an intentional description of some musical theory but rather use statistical techniques to capture regularities that are typical of certain music experience. A standard procedure in this approach is to assume a particular model for the dat作者: Commodious 時(shí)間: 2025-3-29 00:01
Ethnomusicology, Ethnomathematics. The Logic Underlying Orally Transmitted Artistic Practices,n. This domain consists in the study of mathematical ideas shared by orally transmitted cultures. Such ideas are related to number, logic and spatial configurations [9,11]. My purpose is to show how ethnomusicology could turn musical materials in this direction. Music will be considered here as a me作者: 寵愛 時(shí)間: 2025-3-29 05:32
Expressing Coherence of Musical Perception in Formal Logic,s in the formal language to an underlying interpretation in terms of musical images and image transformations. Such an interpretation characterizes truth within a framework of spatio-temporal representations and perception-based musical information processing. The framework provides a way for defini作者: cornucopia 時(shí)間: 2025-3-29 08:10
The Topos Geometry of Musical Logic,functorial algebraic geometry and Lawvere’s topos theory of logic. We give an account of these theoretical connections, discuss and illustrate their formalization and implementation on music software. Three issues are particularly interesting in this context: First, the crucial insight of Grothendie作者: 弄皺 時(shí)間: 2025-3-29 14:12
Computing Musical Sound,has also played a significant scientific role. Musical notation seems to have inspired the use of cartesian coordinates..But the intervention of numbers within the human senses should not be taken for granted. In the Antiquity, while the pythagorician conception viewed harmony as ruled by numbers, A作者: Accessible 時(shí)間: 2025-3-29 18:01 作者: gait-cycle 時(shí)間: 2025-3-29 23:14
The Musical Communication Chain and its Modeling,ll not make justice to its amazing richness. However, this cannot prevent us from trying to explain and formalize some aspects. In this way we also contribute to its understanding and develop new tools to create and enjoy new musical artwork. This in turn can be seen as a form of further enrichment 作者: LAP 時(shí)間: 2025-3-30 00:11
Computational Models for Musical Sound Sources,even though their performance and quality is rarely satisfactory. For the specific needs of music production and multimedia art, sound models are needed which are versatile, responsive to user’s expectations, and having high audio quality. Moreover, for human-machine interaction model flexibility is作者: 葡萄糖 時(shí)間: 2025-3-30 07:38
Computing Musical Sound,culating numbers specifying sound waves. Beyond composing with sounds, synthesis permits to compose the sound itself, opening new resources for musicians. Digital sound has been popularized by compact discs, synthesizers, samplers, and also by the activity of institutions such as IRCAM. Mathematics 作者: 衰弱的心 時(shí)間: 2025-3-30 11:37
Jean Dhombres connections is discussed at length in Chapter 1. The rest of the book elaborates on what the author sees as the impor- tant aspects of what has been learned about Eo-semigroups during the past978-1-4419-1803-1978-0-387-21524-2Series ISSN 1439-7382 Series E-ISSN 2196-9922 作者: 禁止,切斷 時(shí)間: 2025-3-30 14:57 作者: 樂章 時(shí)間: 2025-3-30 20:36 作者: 細(xì)絲 時(shí)間: 2025-3-30 22:29
Marie-José Durand-Richard connections is discussed at length in Chapter 1. The rest of the book elaborates on what the author sees as the impor- tant aspects of what has been learned about Eo-semigroups during the past978-1-4419-1803-1978-0-387-21524-2Series ISSN 1439-7382 Series E-ISSN 2196-9922 作者: 遍及 時(shí)間: 2025-3-31 04:20 作者: LEER 時(shí)間: 2025-3-31 07:39
ied to understand, to begin with the first Weyl algebra and the quantum plane. The book reflects these developments as I worked them out in reallife and in my lectures. In Chapter 11, we study the left spectrum and irreducible representations of a whole lot of rings which are of interest for modern 作者: 多產(chǎn)子 時(shí)間: 2025-3-31 12:53
Shlomo Dubnov,Gérard Assayag such causal dynamical systems reduces to the problem of under- standing Eo-semigroups. The nature of these connections is discussed at length in Chapter 1. The rest of the book elaborates on what the author sees as the impor- tant aspects of what has been learned about Eo-semigroups during the past作者: innovation 時(shí)間: 2025-3-31 16:23
