派博傳思國(guó)際中心

標(biāo)題: Titlebook: Martin Amis: Postmodernism and Beyond; Gavin Keulks (Associate Professor of English) Book 2006 Palgrave Macmillan, a division of Macmillan [打印本頁(yè)]

作者: Body-Mass-Index    時(shí)間: 2025-3-21 16:08
書目名稱Martin Amis: Postmodernism and Beyond影響因子(影響力)




書目名稱Martin Amis: Postmodernism and Beyond影響因子(影響力)學(xué)科排名




書目名稱Martin Amis: Postmodernism and Beyond網(wǎng)絡(luò)公開度




書目名稱Martin Amis: Postmodernism and Beyond網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Martin Amis: Postmodernism and Beyond被引頻次




書目名稱Martin Amis: Postmodernism and Beyond被引頻次學(xué)科排名




書目名稱Martin Amis: Postmodernism and Beyond年度引用




書目名稱Martin Amis: Postmodernism and Beyond年度引用學(xué)科排名




書目名稱Martin Amis: Postmodernism and Beyond讀者反饋




書目名稱Martin Amis: Postmodernism and Beyond讀者反饋學(xué)科排名





作者: 信徒    時(shí)間: 2025-3-21 22:07
Gavin Keulksechniken, noch bereitet es den Leser darauf vor, Mathematik ernsthaft anzuwenden. Die einzigen mathematischen Voraussetzungen sind: hinreichende Kenntnisse in der Arithmetik von Brüchen und Dezimalzahlen, in elementarer ebener Geometrie, in den Anfangsgründen algebraischer Verfahren und in der Trigo
作者: Choreography    時(shí)間: 2025-3-22 01:08
Neil Brookssis zehn ist. Die Hindus erweiterten dieses System jedoch nicht, um Teile eines Ganzen durch Dezimalbrüche darzustellen. Weil es die Muslime waren, die dies als Erste taten, waren sie die ersten Menschen, die Zahlen so darstellten, wie wir es tun. V?llig zu Recht hei?t dieses System indo-arabisch.
作者: 蔓藤圖飾    時(shí)間: 2025-3-22 06:31

作者: 修改    時(shí)間: 2025-3-22 09:46

作者: GROUP    時(shí)間: 2025-3-22 16:12

作者: 半身雕像    時(shí)間: 2025-3-22 17:58

作者: 紅腫    時(shí)間: 2025-3-22 23:39

作者: Default    時(shí)間: 2025-3-23 03:05
,The Passion of John Self: Allegory, Economy, and Expenditure in Martin Amis’s , says John Self, . narrator-protagonist. “Dollar bills, pound notes, they’re suicide notes. . is a suicide note” (116). To entertain both of these possibilities simultaneously requires seeing the text as involved in a performative folding: “money” will speak about “money,” about, that is, itself. Th
作者: Oligarchy    時(shí)間: 2025-3-23 08:05
Martin Amis and Late-twentieth-century Working-class Masculinity: , and ,ct individuals or groups. In this essay I intend to critique the class perspective inherent in the protagonists of these novels, Amis’s crowning achievements of the 1980s. In so doing I do not intend to summarize their plots, indicate overall textual characteristics, or annotate major themes and mot
作者: Gossamer    時(shí)間: 2025-3-23 12:41

作者: 不能仁慈    時(shí)間: 2025-3-23 16:29

作者: dermatomyositis    時(shí)間: 2025-3-23 18:02
Under the Dark Sun of Melancholia: Writing and Loss in ,d distinctively postmodernist,” “disjointed and fragmentary, disunified and mediated, entropic and dynamic” (Keulks, 193). More than . or ., however, . should also be defined as large-scale agony fiction in the sense that private, pitiful anxiety is both ruthlessly satirized and heeded for its parad
作者: GIBE    時(shí)間: 2025-3-24 00:29

作者: entail    時(shí)間: 2025-3-24 04:27
,A Reluctant Leavisite: Martin Amis’s “Higher Journalism”,t of D.H. Lawrence, and elitist posturing. In his two articles under the pseudonym of “Bruno Holbrook,” for instance, Amis presents a tongue-in-cheek alternative to Leavis’s dour rhetorical stance and intellectual snobbery. Moreover, Leavis at times appears in Amis’s nonfiction as a kind of synecdoc
作者: anticipate    時(shí)間: 2025-3-24 06:37
,Money Makes the Man: Gender and Sexuality in Martin Amis’s ,of the text that focuses on the unstable borders of identity and desire, this essay demonstrates that . subverts the ideology of its bigoted protagonist by deconstructing the heteropatriarchal concepts “woman” and “man” and creating what Judith Butler terms “gender trouble.”
作者: 無(wú)法治愈    時(shí)間: 2025-3-24 10:51

作者: 悲痛    時(shí)間: 2025-3-24 16:48

作者: DEI    時(shí)間: 2025-3-24 22:49

作者: LVAD360    時(shí)間: 2025-3-25 01:18
Introduction, whose life has veered into celebrity, such evaluations have not always been civil or reciprocally welcomed. However, they have always been lively, always been edifying, and they continue to confirm Amis’s status as one of England’s most important living writers.
作者: 完成    時(shí)間: 2025-3-25 07:04

作者: 樂章    時(shí)間: 2025-3-25 08:11

作者: 共和國(guó)    時(shí)間: 2025-3-25 11:44

作者: occult    時(shí)間: 2025-3-25 19:21
,The Passion of John Self: Allegory, Economy, and Expenditure in Martin Amis’s ,ich will inevitably echo Derrida’s speculations about Baudelaire’s title “Counterfeit Money” in .. On one hand, these titles may be read referentially (as part of their texts): like the main body, the title is . money. Conversely, they may be read as extrinsic to the text, naming it figuratively and
作者: debris    時(shí)間: 2025-3-25 21:56

作者: 狼群    時(shí)間: 2025-3-26 01:10
Martin Amis and Late-twentieth-century Working-class Masculinity: , and , masculine authenticity. For a man to speak about his gender in a critical self-conscious manner already indicates that he has failed to live up to the patriarchal ideal and that, consequently, his masculinity is ‘in trouble’” (viii). In both . (1984) and . (1989), Martin Amis intensifies the satiri
作者: Promotion    時(shí)間: 2025-3-26 08:08
The Female Form, Sublimation, and Nicola Six,e from pornography and erotic underwear to rape, as well as his portrayal of female characters as the passive victims of male violence. . (1989) raises both these issues, featuring a female murder victim or “murderee,” Nicola Six, who stars in her own pornographic films and uses an extensive collect
作者: vector    時(shí)間: 2025-3-26 09:34

作者: 衍生    時(shí)間: 2025-3-26 12:40
Under the Dark Sun of Melancholia: Writing and Loss in ,rs an “informal trilogy” (Fuller, 124), including . and ., Martin Amis writes once more as the “malcontent” (Mars-Jones, 156), the melancholy observer intent on outstaring fear and chaos. More than in ., his subject in . is “the tiredness of time lived” (10), the fear and loathing induced by the rel
作者: monogamy    時(shí)間: 2025-3-26 19:16

作者: Defiance    時(shí)間: 2025-3-26 21:53
,J.G. Ballard’s “Inner Space” and the Early Fiction of Martin Amis, name, and he answers “I’m Martin,” confiding that he hates his real name: “I’m called John Self. But who isn’t?” (97). One lie leads to another — Self then claims to be a fiction writer — and to a comic misunderstanding. The prostitute turns out to be a graduate student in English literature: “They
作者: 邪惡的你    時(shí)間: 2025-3-27 03:30

作者: dendrites    時(shí)間: 2025-3-27 08:10
,Nonfiction by Martin Amis, 1971–2005,ws written for the .; three unsigned essays written for the .; and 14 pieces written under a pseudonym. The latter include 12 of the 26 “Science Fiction” review columns Amis wrote for the . using the pseudonym “Henry Tilney” (a character in Jane Austen’s .), and the two essays he wrote for the . und
作者: gene-therapy    時(shí)間: 2025-3-27 12:55

作者: canonical    時(shí)間: 2025-3-27 17:15

作者: deficiency    時(shí)間: 2025-3-27 19:32

作者: chemoprevention    時(shí)間: 2025-3-27 22:39
Richard ToddGeometrie sind, ist unsere Arithmetik ein Teil des Verm?chtnisses der muslimischen Welt, auch wenn es indische Mathematiker waren, vermutlich einige Jahrhunderte vor dem Aufstieg der islamischen Kultur, die damit begannen, ein Zahlensystem mit folgenden zwei Eigenschaften zu verwenden: .Diese beiden
作者: 狂熱語(yǔ)言    時(shí)間: 2025-3-28 02:07

作者: Conclave    時(shí)間: 2025-3-28 09:48
Susan BrookStrecken abbildet. Man gebraucht Zeichen mit aufgesetzten Pfeilen oder, im Druck, fette Buchstaben. Als Beispiele m?gen erw?hnt sein: eine Verrückung ., Geschwindigkeit ., Beschleunigung ., Kraft ., Drehmoment ., elektrische Feldst?rke ., magnetische Kraftflu?dichte .. Vektoren, die physikalisch gle
作者: 廢止    時(shí)間: 2025-3-28 11:22

作者: 北京人起源    時(shí)間: 2025-3-28 16:52
W(h)ither Postmodernism: Late Amis,Toward the end of . (1995), Richard Tull ponders a series of questions that have come to mirror Amis’s own in the years following that novel’s publication. Lamenting the enervation of literary form, Tull ruminates about the structural inversions of genre:
作者: doxazosin    時(shí)間: 2025-3-28 21:58

作者: ARCHE    時(shí)間: 2025-3-28 23:19

作者: 干涉    時(shí)間: 2025-3-29 03:22

作者: ANN    時(shí)間: 2025-3-29 09:32

作者: 失望昨天    時(shí)間: 2025-3-29 14:55
Yoshitaka Umeno,Atsushi Kuboauf den jungen Mann zunichte gemacht hatten. Wernicke, der sie noch viele Jahre nach ihrer Erkrankung in ihrer Berufsarbeit beobachtete, schildert sie als eine gebildete, feinfühlige Dame von zarten Ehr- und Pflichtbegriffen, von innerlich sehr erregbarem Affektleben, in ihrem Liebesverh?ltnis bis z
作者: Inordinate    時(shí)間: 2025-3-29 17:32

作者: 蘑菇    時(shí)間: 2025-3-29 23:06
Wei-Che Hsieh,Danith H. Lyt that constitutes a valuable reference for researchers and design engineers and helps to appraise the potential of application of multibody dynamics to a wide range of scientific and engineering areas of relev978-90-481-6851-4978-1-4020-3393-3Series ISSN 1871-3033 Series E-ISSN 2543-0203
作者: senile-dementia    時(shí)間: 2025-3-30 03:58

作者: 營(yíng)養(yǎng)    時(shí)間: 2025-3-30 06:49
https://doi.org/10.1007/978-1-4615-4685-6Alzheimer; Glutamat; Nervous System; attention; neurons; phenotype; tissue; transcription
作者: 弄污    時(shí)間: 2025-3-30 09:49
Empirische Ergebnisse,n hierzu nicht zuverl?ssig genug sind (vgl. Kapitel 2.3.3). Am Ende der Unterkapitel werden jeweils die wichtigsten Ergebnisse noch einmal zusammengefasst und teilweise geprüft, inwiefern sie mit den in Kapitel 1 vorgestellten Theorien erkl?rbar sind.




歡迎光臨 派博傳思國(guó)際中心 (http://www.pjsxioz.cn/) Powered by Discuz! X3.5
昌江| 乐亭县| 阳高县| 乌审旗| 蓝山县| 兰坪| 大埔县| 灯塔市| 三门县| 马鞍山市| 独山县| 广德县| 当涂县| 开化县| 行唐县| 乌恰县| 红安县| 鲁山县| 岱山县| 大足县| 日喀则市| 五指山市| 原平市| 田阳县| 锦州市| 定南县| 昭苏县| 松原市| 台东市| 鄂托克旗| 高安市| 东乡县| 汤阴县| 甘洛县| 阿坝| 福贡县| 从江县| 开远市| 灵璧县| 湛江市| 德兴市|