標(biāo)題: Titlebook: Mapping Critical Dance Studies in India; Urmimala Sarkar Munsi Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive [打印本頁] 作者: 引起極大興趣 時(shí)間: 2025-3-21 20:01
書目名稱Mapping Critical Dance Studies in India影響因子(影響力)
書目名稱Mapping Critical Dance Studies in India影響因子(影響力)學(xué)科排名
書目名稱Mapping Critical Dance Studies in India網(wǎng)絡(luò)公開度
書目名稱Mapping Critical Dance Studies in India網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Mapping Critical Dance Studies in India被引頻次
書目名稱Mapping Critical Dance Studies in India被引頻次學(xué)科排名
書目名稱Mapping Critical Dance Studies in India年度引用
書目名稱Mapping Critical Dance Studies in India年度引用學(xué)科排名
書目名稱Mapping Critical Dance Studies in India讀者反饋
書目名稱Mapping Critical Dance Studies in India讀者反饋學(xué)科排名
作者: commodity 時(shí)間: 2025-3-21 22:09 作者: gratify 時(shí)間: 2025-3-22 00:58 作者: dominant 時(shí)間: 2025-3-22 06:04
Urmimala Sarkar Munsiountervail the displacement and segregation of low-budget households. Therefore, this chapter will investigate German building land strategies in terms of their content structure, their orientation in regard to the entire city, and their effect on the land value. Besides, administrative experts are.作者: 感情 時(shí)間: 2025-3-22 08:46
Urmimala Sarkar Munsifically whether the conflict resulted in changes to the historic property. I suggest that flexibility and changes in the historic environment correspond with a more effective policy. In the context of this research, heritage regulation is considered effective when it has the ability to facilitate ch作者: Conduit 時(shí)間: 2025-3-22 14:10
Urmimala Sarkar Munsifically whether the conflict resulted in changes to the historic property. I suggest that flexibility and changes in the historic environment correspond with a more effective policy. In the context of this research, heritage regulation is considered effective when it has the ability to facilitate ch作者: coagulation 時(shí)間: 2025-3-22 18:08 作者: 事物的方面 時(shí)間: 2025-3-23 01:16 作者: lattice 時(shí)間: 2025-3-23 03:03 作者: 挑剔為人 時(shí)間: 2025-3-23 07:36 作者: morale 時(shí)間: 2025-3-23 12:57 作者: Carcinoma 時(shí)間: 2025-3-23 17:29
Introduction: All That is Dance,ed to designate all types of dance from and in India—through a geopolitical understanding of this almost bounded and hence identifiable collection of dances. Such an umbrella term erases the unique identities of dance and embodied practices from particular communities, for whom such specific communi作者: Barrister 時(shí)間: 2025-3-23 19:32
Bodies that Dance: Critical Frames of Reference,training. I am told I expressed the desire to enter a dance school when I was three years old. A year later I was taken to a dance school, where I was greeted by the sounds of ghungroo (the ankle bells). I remember shivering in anticipation of being able to move with those bells jingling around my a作者: meretricious 時(shí)間: 2025-3-24 01:11 作者: 嘴唇可修剪 時(shí)間: 2025-3-24 04:59
The Modern and the Contemporary in the Context of Dance in India,hy—either in-situ or from some distant locations. Without aspiring to describe all forms that identified themselves as dance from India, it is a survival tactic here to choose to create a space for “all that is dance” in and from the present times.作者: hidebound 時(shí)間: 2025-3-24 08:33 作者: 公共汽車 時(shí)間: 2025-3-24 13:02 作者: Malfunction 時(shí)間: 2025-3-24 15:06 作者: 民間傳說 時(shí)間: 2025-3-24 21:45 作者: Canvas 時(shí)間: 2025-3-25 03:07
Urmimala Sarkar Munsit the ability of regulation to achieve its outcomes. Nonetheless, one can still look at regulation and evaluate its effectiveness through a variety of methods. In this study, we examine heritage regulation in Oregon (USA), Israel, and England and compare its effectiveness by examining built-heritage作者: Delirium 時(shí)間: 2025-3-25 07:24
Urmimala Sarkar Munsit the ability of regulation to achieve its outcomes. Nonetheless, one can still look at regulation and evaluate its effectiveness through a variety of methods. In this study, we examine heritage regulation in Oregon (USA), Israel, and England and compare its effectiveness by examining built-heritage作者: ORBIT 時(shí)間: 2025-3-25 09:08 作者: 協(xié)迫 時(shí)間: 2025-3-25 12:44
Urmimala Sarkar Munsiy law is foremost state law. Only in certain areas fragments of “European” (i.e., European Union) property law can be found. The European Union only has limited competences to legislate, and if it legislates in the field of property law, member states try to limit this by invoking Article 345 of the作者: 陶器 時(shí)間: 2025-3-25 19:03 作者: 外表讀作 時(shí)間: 2025-3-25 23:51 作者: 防水 時(shí)間: 2025-3-26 00:46 作者: 帶傷害 時(shí)間: 2025-3-26 05:29
Introduction: All That is Dance,cative practices work as markers of identity, tools for generating solidarity, and a shared sense of belonging. It also challenges the idea of microspecialities of local and embodied knowledge systems as rhizomic structures within and across regions in the country.作者: 恩惠 時(shí)間: 2025-3-26 11:12
,Understanding Categorization—The ‘Tribal,’ the ‘Folk’, and the ‘Classical’ Dance Forms,er in possibilities than the classical forms. In the context of the recognition of classical forms as superior in presentational possibilities, skills, and public appeal, there are ample evidence of hierarchization in the way these two forms are treated differently within the cultural policies in the country.作者: filial 時(shí)間: 2025-3-26 14:43
The Modern and the Contemporary in the Context of Dance in India,hy—either in-situ or from some distant locations. Without aspiring to describe all forms that identified themselves as dance from India, it is a survival tactic here to choose to create a space for “all that is dance” in and from the present times.作者: arbiter 時(shí)間: 2025-3-26 18:37
To Be Continued: Thoughts on Dance as Response, Responsibility, and Resistance, Indian context. While the spectre of the fast-changing scenario of contemporary dance scenes in the world remains as a reflective presence, the basic focus remains on the ways in which dance in India has become more and more defined by its presentational possibilities as a proscenium art, often obsessively dependent on its aesthetic fixities.作者: 珍奇 時(shí)間: 2025-3-27 00:37 作者: 離開 時(shí)間: 2025-3-27 02:10 作者: Endemic 時(shí)間: 2025-3-27 06:10
https://doi.org/10.1007/978-981-99-7359-0Dance Practices in India; Dance in the Global South; Performance Studies; Interdisciplinary Arts and Ae作者: 鎮(zhèn)壓 時(shí)間: 2025-3-27 10:24 作者: chemical-peel 時(shí)間: 2025-3-27 16:45 作者: 楓樹 時(shí)間: 2025-3-27 18:08 作者: Neonatal 時(shí)間: 2025-3-27 22:52
