標(biāo)題: Titlebook: Managing Culture; Reflecting On Exchan Victoria Durrer,Raphaela Henze Book 2020 The Editor(s) (if applicable) and The Author(s), under excl [打印本頁(yè)] 作者: 我贊成 時(shí)間: 2025-3-21 17:49
書(shū)目名稱(chēng)Managing Culture影響因子(影響力)
作者: FLAT 時(shí)間: 2025-3-21 21:24
Victoria Durrer,Raphaela HenzeConsiders the intersection of international exchanges with the ways in which we work and experience cultural diversity, (in)equality and inclusion within nations.Articulates the relationship between p作者: 桉樹(shù) 時(shí)間: 2025-3-22 00:59
Sociology of the Artshttp://image.papertrans.cn/m/image/622974.jpg作者: NOMAD 時(shí)間: 2025-3-22 04:41 作者: Resign 時(shí)間: 2025-3-22 11:19 作者: 產(chǎn)生 時(shí)間: 2025-3-22 13:09 作者: RENIN 時(shí)間: 2025-3-22 19:11 作者: ingrate 時(shí)間: 2025-3-22 23:42 作者: 賄賂 時(shí)間: 2025-3-23 04:11 作者: 有助于 時(shí)間: 2025-3-23 07:44 作者: Initial 時(shí)間: 2025-3-23 10:16 作者: 外科醫(yī)生 時(shí)間: 2025-3-23 15:26
Book 2020eration of education and practice as socialisation processes with global, political and social implications will be an invaluable resource to academics, practitioners and students engaging in arts and cultural management, cultural policy, cultural sociology, global and postcolonial studies..作者: V洗浴 時(shí)間: 2025-3-23 20:34
Introduction,utlined in this introduction to the edited volume .. This chapter calls for greater attention to be paid to the personal and social nature of arts and cultural management practice and the education and training that has come to professionalise and legitimise that practice, particularly in the contex作者: sphincter 時(shí)間: 2025-3-23 23:32
Culture and International Development: Managing Participatory Voices and Value Chains in the Artsent practices have now brought culture to the fore of development. This essay analyses two important aspects of the culture and international development: (1) notions of human well-being that are fundamental to both involving people in development efforts and in thinking of how they may participate 作者: stroke 時(shí)間: 2025-3-24 03:51
More Than Just Lost in Translation: The Ethnocentrism of Our Frames of Reference and the Underestimat will explore language in several ways: as regards one’s native tongue in which arts management practice is conducted, as an expression of the human mind that lies at the essence of our work, and as the terminology of the profession (especially as is used in international contexts). It involves a c作者: BOGUS 時(shí)間: 2025-3-24 07:57
Value as Fiction: An Anthropological Perspectivexamines the culturally relative and inherently subjective nature of value, arguing that this is contra?prevailing perspectives that view value as set and quantifiable. The chapter introduces the term ‘cracked art world’, which is proffered as an analytical tool for making sense of value’s inherent s作者: chemical-peel 時(shí)間: 2025-3-24 12:33 作者: 輕觸 時(shí)間: 2025-3-24 17:13
The ‘West’ versus ‘the Rest’? Festival Curators as Gatekeepers for Sociocultural Diversityty of performances from contemporary theatre, dance, music or visual arts are presented. Sociocultural diversity in these festivals refers preferentially to artists and audiences with different sociocultural backgrounds and different art forms, yet in ways that further marginalize their work as well作者: Psa617 時(shí)間: 2025-3-24 22:25 作者: Monotonous 時(shí)間: 2025-3-25 00:42 作者: 下級(jí) 時(shí)間: 2025-3-25 06:08
Cultural Management Training Within Cultural Diplomacy Agendas in the MENA RegionIt addresses the topic of application of ‘western’ cultural management knowledge in the Global South, specifically in MENA countries. Foreign actors are offering cultural management format programmes on neoliberal Western experiences. As a tool of soft power, they are mainly used for changing the im作者: Fortify 時(shí)間: 2025-3-25 10:13
‘Silence is Golden’: Cultural Collision in the Classroom at a leading British university to investigate how ‘cultural diversity’ was understood and experienced by staff and students on a creative industries programme. Semi-structured interviews were conducted with students and staff, and the data revealed a range of tensions around cultural difference, s作者: painkillers 時(shí)間: 2025-3-25 13:17
Intercultural Exchange: A Personal Perspective from the Outsider Insidein the academic context. It raises questions about the role of the academic—what and how they contribute (sometimes unwittingly) to the discourse and to intercultural awareness; the purpose and impact of exchanges on individuals within an unequal North-South relationship; and the long-term aspiratio作者: Antecedent 時(shí)間: 2025-3-25 15:52 作者: Perceive 時(shí)間: 2025-3-25 20:23
Managing Cultural Rights: The Project of the 2017 Taiwan National Cultural Congress and Culture Whit practitioners, and the public have taken part in the managing, mismanaging, and upward-managing process of the project ‘2017 National Cultural Congress and Culture White Paper’ (2017 NCCWP). The authors suggest that a co-designed democratic mechanism, together with the empowering strategies, and co作者: glomeruli 時(shí)間: 2025-3-26 02:01
Rethinking Cultural Relations and Exchange in the Critical Zoner Earth’s current ecological crisis within the interdisciplinary context of the Critical Zone. From this perspective, they examine relevant theory and practical aspects of international relations, arts and cultural management, and cultural policy to explore the possibilities and limitations of each 作者: BLA 時(shí)間: 2025-3-26 08:17
Lisa Gauppteile miteinander verbunden werden. Diese Verbindungen k?nnen stoffschlüssig erfolgen. Darunter sind die unl?sbaren Schwei?-, L?t- und Klebeverbindungen zu verstehen. Bedingt l?sbar sind die reibschlüssigen Verbindungen, bei denen die Kr?fte per Reibung übertragen werden. Zu den leicht l?sbaren Verb作者: 較早 時(shí)間: 2025-3-26 10:16
Ruhi Jhunjhunwala,Amy Walkerteile miteinander verbunden werden. Diese Verbindungen k?nnen stoffschlüssig erfolgen. Darunter sind die unl?sbaren Schwei?-, L?t- und Klebeverbindungen zu verstehen. Bedingt l?sbar sind die reibschlüssigen Verbindungen, bei denen die Kr?fte per Reibung übertragen werden. Zu den leicht l?sbaren Verb作者: extemporaneous 時(shí)間: 2025-3-26 16:14
Affective Arrangements: Managing Czech Art, Marginality and Cultural Difference ‘a(chǎn)rt world’ and ‘a(chǎn)ffective arrangement’ to show that the art centre has provided a dynamic social and material setting in which discourses of freedom and democracy have been propagated and reinforced.作者: certitude 時(shí)間: 2025-3-26 20:48 作者: 小樣他閑聊 時(shí)間: 2025-3-26 22:07 作者: 雜色 時(shí)間: 2025-3-27 04:42
A Call for Reflexivity: Implications of the Internationalisation Agenda for Arts Management Programmconcludes by suggesting ways to facilitate greater reflexivity in teaching and learning practice as well as to enhance greater study of the processes and implications of the internationalisation of arts and cultural management education.作者: 使服水土 時(shí)間: 2025-3-27 08:57
‘Silence is Golden’: Cultural Collision in the Classroomawareness and competence. Cultural diversity was recognised and positively encouraged, yet its inherent complexities were not fully understood. This chapter calls for the development of a collective intercultural competence, better recognition of the teaching and learning challenges that result from internationalisation, and institutional support.作者: outrage 時(shí)間: 2025-3-27 12:13
Navigating Between Arts Management and Cultural Agency: Latin America’s Contribution to a New Approa agents from Latin America and Puerto Rico, a new model of incorporating cultural policy as a driver of cultural agency is proposed, integrating a cultural mission with local development and sustainable development goals.作者: xanthelasma 時(shí)間: 2025-3-27 16:42
Rethinking Cultural Relations and Exchange in the Critical Zoneion, through arts and cultural management programmes, is then positioned as a significant leverage point intervention to change systems in order to achieve a sustainable cosmopolitan and inclusive human society.作者: 學(xué)術(shù)討論會(huì) 時(shí)間: 2025-3-27 21:46
Value as Fiction: An Anthropological Perspectiveitical examination, cracked art worlds can serve to reify inequalities and thus reinforce dominant values while ignoring or silencing marginal ones. The chapter closes by suggesting ways in which these concepts might be usefully incorporated by arts and cultural managers engaged in intercultural dialogue and exchange.作者: 裂縫 時(shí)間: 2025-3-27 23:07 作者: morale 時(shí)間: 2025-3-28 02:46 作者: 高深莫測(cè) 時(shí)間: 2025-3-28 09:38 作者: 過(guò)時(shí) 時(shí)間: 2025-3-28 13:34
Book 2020on and internationalisation have facilitated new forms for exchange between individuals, professions, groups, localities and nations in arts and cultural management. Such exchanges take place through the devising, programming, exhibition, staging, marketing, and administration of project activities.作者: 假設(shè) 時(shí)間: 2025-3-28 14:38
2569-1414 lusion within nations.Articulates the relationship between p.This book provides new insights into the relationship of the field of arts and cultural management and cultural rights on a global scale..Globalisation and internationalisation have facilitated new forms for exchange between individuals, p作者: BILE 時(shí)間: 2025-3-28 19:55
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