標(biāo)題: Titlebook: Male Subjectivity and Poetic Form in "New American" Poetry; Andrew Mossin Book 2010 Palgrave Macmillan, a division of Nature America Inc. [打印本頁] 作者: deep-sleep 時(shí)間: 2025-3-21 19:00
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書目名稱Male Subjectivity and Poetic Form in "New American" Poetry讀者反饋學(xué)科排名
作者: Neuropeptides 時(shí)間: 2025-3-21 22:33 作者: Water-Brash 時(shí)間: 2025-3-22 04:02
Andrew MossinF wit some years ago to crack: ‘Well, he’s dead and we’re in the long run’. Though Keynes’s remark is well known, its context is not. It occurs in his 1923 Tract on Monetary Reform in which he is cheeking his old teacher, Alfred Marshall. For he continued: ‘Economists set themselves too easy, too us作者: 自傳 時(shí)間: 2025-3-22 07:16
Andrew MossinF wit some years ago to crack: ‘Well, he’s dead and we’re in the long run’. Though Keynes’s remark is well known, its context is not. It occurs in his 1923 Tract on Monetary Reform in which he is cheeking his old teacher, Alfred Marshall. For he continued: ‘Economists set themselves too easy, too us作者: FORGO 時(shí)間: 2025-3-22 11:49 作者: 敵手 時(shí)間: 2025-3-22 14:34
Andrew Mossin-Keynesian economics had taken off to achieve significant international recognition and success, notably his early collaborative work with Alfred Eichner and Malcolm Sawyer. Over this quarter century, since the early years at the Thames Polytechnic (now the University of Greenwich), we have seen his作者: Basilar-Artery 時(shí)間: 2025-3-22 18:02 作者: EXUDE 時(shí)間: 2025-3-23 00:10
Andrew Mossinhave failed to improve business conditions, leaving the national rate of unemployment at high levels. In the meantime, the government deficit increased and consequently the balance of the government bond accumulated enormously. This experience cast doubt on the effectiveness of fiscal policy intende作者: Folklore 時(shí)間: 2025-3-23 02:00 作者: 玷污 時(shí)間: 2025-3-23 08:07 作者: 勾引 時(shí)間: 2025-3-23 10:08
,“In Thicket”: Charles Olson, Poetic Career, and the Crisis of Cold War Masculinity,n of the poet. It’s a narrative that’s been made familiar to most of us through biographies of poets, where the arc from visionary ephebe to master seems to occur in isolation from other cultural, institutional, publishing, and ideological frameworks. Lawrence Lipking, in his . (1981), a study of ho作者: 擺動(dòng) 時(shí)間: 2025-3-23 16:14 作者: allergen 時(shí)間: 2025-3-23 19:09 作者: Obligatory 時(shí)間: 2025-3-24 00:10 作者: flimsy 時(shí)間: 2025-3-24 02:56
,“Collapsed Aura”: Nathaniel Mackey, Robert Duncan, and the Poetics of Discrepant Subjectivity in “Sdiscourses, in the work of Nathaniel Mackey seriality’s jagged edges are employed to address those wandering, preternaturally exiled others of historical and cultural consciousness, what Mackey has described in his introduction to his 2002 collection of poems . (2006) as “a lost tribe of sorts, a ba作者: tattle 時(shí)間: 2025-3-24 08:54 作者: 天真 時(shí)間: 2025-3-24 13:21
Book 2010Focusing in particular on pairings of writers within the larger grouping of poets, this book suggests how literary partnerships became pivotal to American poets in the wake of Donald Allen‘s ‘New American Poetry‘ anthology.作者: paradigm 時(shí)間: 2025-3-24 18:13 作者: Cumbersome 時(shí)間: 2025-3-24 20:34 作者: 獸群 時(shí)間: 2025-3-24 23:47
Male Subjectivity and Poetic Form in "New American" Poetry978-0-230-10680-2Series ISSN 2634-6052 Series E-ISSN 2634-6060 作者: 無政府主義者 時(shí)間: 2025-3-25 04:17 作者: LAIR 時(shí)間: 2025-3-25 09:05 作者: 叫喊 時(shí)間: 2025-3-25 14:04
Andrew Mossinssociation, at the International Conference on Macroeconomic Analysis, at the International Institute of Public Finance, and at the International Atlantic Economic Conference. Other parts were presented at the 978-3-642-09279-4978-3-540-73633-2作者: forthy 時(shí)間: 2025-3-25 16:34 作者: BLAND 時(shí)間: 2025-3-25 20:24
Andrew Mossinto analysis of, and policy for short-run happenings. But, just before he died, in his last article in the Economic Journal, in speeches to the House of Lords and at his Political Economy Club at Cambridge (by then presided over by Dennis Robertson), he bemoaned the fact that the pendulum had swung t作者: Ebct207 時(shí)間: 2025-3-26 02:17 作者: 青春期 時(shí)間: 2025-3-26 07:34 作者: Oligarchy 時(shí)間: 2025-3-26 08:46 作者: 全等 時(shí)間: 2025-3-26 16:43
Andrew Mossind to pursue the logic of his own argument: “if ? 1 is taken from you and given to me and I choose to increase my consumption of precisely the same goods as those of which you are compelled to diminish yours, there is no transfer problem.” (See Keynes 1929, p. 2.) Later analysis, notably Samuelson (1作者: freight 時(shí)間: 2025-3-26 18:35
Andrew Mossinf the stagnation of Japan and other countries, however, has revealed that the multiplier effect was not so large as believed in the past. Moreover, frequent use of fiscal policy undermined government fiscal discipline, giving rise to inefficient resource allocation in Japan as well as in many other 作者: Munificent 時(shí)間: 2025-3-26 22:37 作者: Glucose 時(shí)間: 2025-3-27 03:01
Male Subjectivity and Poetic Form in "New American" Poetry作者: CRUC 時(shí)間: 2025-3-27 06:55 作者: 責(zé)怪 時(shí)間: 2025-3-27 11:31
Recovering the Public World: Robin Blaser, Hannah Arendt, and the Discourses of Self and Other in ,gh the act of speech-making. It’s a critical difference, one that involves two very different versions of subjectivity and agency: Duncan’s privileging the poet’s role in the process of poetic making, arguing for the centrality of the poet’s choices in matters of form and language; Blaser’s keeping 作者: Accede 時(shí)間: 2025-3-27 16:57 作者: 抒情短詩 時(shí)間: 2025-3-27 20:27 作者: BRIBE 時(shí)間: 2025-3-28 00:53
,“Homosexual Advertising”: Gay Subjectivity, Modernist Form, and Robert Duncan’s ,into poetic making. Interpretation that follows the acts of the text predisposes us to a ceremonial affliction: we grasp at the contexts that no longer exist except as memorabilia of a text’s signification. The man or woman who was there is forever absent: a sign of someone we come back to, again.作者: Assault 時(shí)間: 2025-3-28 03:25 作者: BRIBE 時(shí)間: 2025-3-28 06:22
10樓作者: 圓錐 時(shí)間: 2025-3-28 11:42
10樓作者: BLANC 時(shí)間: 2025-3-28 15:15
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