標(biāo)題: Titlebook: Male Anxiety and Psychopathology in Film; Comedy Italian Style Andrea Bini Book 2015 Palgrave Macmillan, a division of Nature America Inc. [打印本頁(yè)] 作者: Agoraphobia 時(shí)間: 2025-3-21 17:27
書目名稱Male Anxiety and Psychopathology in Film影響因子(影響力)
書目名稱Male Anxiety and Psychopathology in Film影響因子(影響力)學(xué)科排名
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書目名稱Male Anxiety and Psychopathology in Film網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Male Anxiety and Psychopathology in Film被引頻次學(xué)科排名
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書目名稱Male Anxiety and Psychopathology in Film年度引用學(xué)科排名
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書目名稱Male Anxiety and Psychopathology in Film讀者反饋學(xué)科排名
作者: anthesis 時(shí)間: 2025-3-22 00:18 作者: Insulin 時(shí)間: 2025-3-22 01:03
Italian and Italian American Studieshttp://image.papertrans.cn/m/image/621904.jpg作者: Crepitus 時(shí)間: 2025-3-22 05:07
The Characters of Comedy Italian Style,nsequences of the traumatic decline of the father figure in postwar Italy, replaced by the (seemingly) egalitarian role of the brotherhood characteristic of modern, democratic societies. In fact, as Juliet Flower MacCannell writes, it is our hyperdemocratic era that realizes the modern promise of freedom where the ego follows its desires:作者: Acquired 時(shí)間: 2025-3-22 08:53 作者: ADOPT 時(shí)間: 2025-3-22 16:36 作者: condescend 時(shí)間: 2025-3-22 17:21 作者: 文藝 時(shí)間: 2025-3-22 23:35
Introduction,s its name suggests, pink neorealism featured neorealist portraits of postwar destitution as background for traditional romance stories. In the same years, however, other and much less popular movies starring the young actor Alberto Sordi introduced a completely different type of comedy. Among them,作者: chuckle 時(shí)間: 2025-3-23 04:10
The Narrative Pattern of Italian Film Comedy,a successful national or foreign movie and then exploit it to the point of complete saturation. A good example is the spaghetti Western, which became extremely popular in the wake of Sergio Leone’s 1964 success . (.), only to disappear within about a decade. One of the main reasons for this phenomen作者: Altitude 時(shí)間: 2025-3-23 07:22
Postwar Comedy, its inception in the sound era under Fascism. To complete the negative, or ., of my study, I will now track down the different threads and subgenres of Italian . during the postwar years, until the advent of . As we saw, film scholars generally agree that, just as birds are ex-dinosaurs that became作者: 驚呼 時(shí)間: 2025-3-23 11:36
The Birth of Comedy Italian Style,nal. Pink neorealism epitomized this as it reintroduced the classical plot based on romance and generational clash, whereas the conflict between individual desires and social duties finds a conservative resolution. The comedies directed by Monicelli (but also Fellini) are characterized by a juxtapos作者: cognizant 時(shí)間: 2025-3-23 14:42
Humor Italian Style,rrative that dominated the Italian box office until the late 1950s. In opposition to the working-class ethic of neorealist comedy, comedy Italian style narrates the advent of a consumerist lifestyle in the urban middle class after the postwar collapse of the national symbolic edifice. In this view, 作者: Minuet 時(shí)間: 2025-3-23 18:32 作者: Ballerina 時(shí)間: 2025-3-23 23:49 作者: 裝入膠囊 時(shí)間: 2025-3-24 04:44 作者: 無(wú)可爭(zhēng)辯 時(shí)間: 2025-3-24 07:46
2635-2931 narrating the identity crisis of many Italian men. Exploring the birth, growth, and decline of this genre, Bini shows this notable style was the search for a new role in the shattered postwar middle class.978-1-137-51584-1Series ISSN 2635-2931 Series E-ISSN 2635-294X 作者: FLACK 時(shí)間: 2025-3-24 12:05 作者: 阻塞 時(shí)間: 2025-3-24 17:27
The Narrative Pattern of Italian Film Comedy,urvived every crisis in the movie industry but also became increasingly important, and it is now the only popular form of Italian film (all the other genres disappeared or moved to television). This can be explained by the Italians’ well-known passion for comedy. Long before the birth of film, comed作者: 無(wú)法解釋 時(shí)間: 2025-3-24 21:24
The Birth of Comedy Italian Style,t—whence Monicelli’s penchant for picaresque stories that will become one of his trademarks; ., on the other hand, is characterized by negative middle-class characters struggling to conform. Hence despite its pessimism, . remains within the genre expectations of postwar neorealist comedy (positive d作者: 平息 時(shí)間: 2025-3-25 00:27
Humor Italian Style,he decline of patriarchal authority and the birth of the democratic “society of brothers,” the actual “boom,” before being a real event, was a revolution in the Italian social imaginary that posited individual desire as the only source of symbolic gratification. Hence the country could find itself h作者: 淘氣 時(shí)間: 2025-3-25 04:34 作者: Derogate 時(shí)間: 2025-3-25 09:58
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