標(biāo)題: Titlebook: Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism; Michael J. Blouin Book 2016 The Editor(s) (if applicable) and The Au [打印本頁(yè)] 作者: 表范圍 時(shí)間: 2025-3-21 19:16
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作者: Carcinogenesis 時(shí)間: 2025-3-21 21:09
Michael J. Blouinwith Ruth all over again. They suggested that this time Irene should change the sequence of their names recounted to Ruth.And so she did. But once more Ruth only invited Joanne for her birthday party. The whole process was repeated several times, still with Joanne being the only person chosen from t作者: 輕浮思想 時(shí)間: 2025-3-22 00:25 作者: CLAIM 時(shí)間: 2025-3-22 06:39
Michael J. Blouinwith Ruth all over again. They suggested that this time Irene should change the sequence of their names recounted to Ruth.And so she did. But once more Ruth only invited Joanne for her birthday party. The whole process was repeated several times, still with Joanne being the only person chosen from t作者: 前兆 時(shí)間: 2025-3-22 09:43 作者: Wernickes-area 時(shí)間: 2025-3-22 16:00 作者: 敬禮 時(shí)間: 2025-3-22 18:31 作者: 摻假 時(shí)間: 2025-3-22 21:29
Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism作者: Carcinogenesis 時(shí)間: 2025-3-23 04:20
Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism978-1-137-53164-3作者: 掃興 時(shí)間: 2025-3-23 07:52 作者: 完全 時(shí)間: 2025-3-23 13:09 作者: 剝皮 時(shí)間: 2025-3-23 14:29
Michael J. Blouinge the sequence of their names recounted to Ruth.And so she did. But once more Ruth only invited Joanne for her birthday party. The whole process was repeated several times, still with Joanne being the only person chosen from t978-94-6209-131-3作者: 歡樂東方 時(shí)間: 2025-3-23 18:53 作者: Additive 時(shí)間: 2025-3-24 00:15 作者: 外表讀作 時(shí)間: 2025-3-24 06:26
Book 2016ical thinking actually fuels the crises. .Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism. explores the ways in which the visual economies of Hollywood fantasy compliment this particular political economy..作者: 竊喜 時(shí)間: 2025-3-24 09:19 作者: 愛哭 時(shí)間: 2025-3-24 14:36
American Horror, Global Commons, and ,,table elements to expose itself deliberately, in Fredric Jameson’s terms, as a tired formula.. By so doing, the film laments the confines of neoliberalism while evoking a weekend with different risks and rewards.作者: Talkative 時(shí)間: 2025-3-24 15:34
Book 2016le Burt Wonderstone., cultivate neoliberal subjectivities. These films promise dramatic change, but they too often deliver more of the same. Although proponents maintain the illusion that the militant enforcement of freemarket economics will resolve racism, climate change, and imperialism, their mag作者: Pessary 時(shí)間: 2025-3-24 21:38
l resolve racism, climate change, and imperialism, their magical thinking actually fuels the crises. .Magical Thinking, Fantastic Film, and the Illusions of Neoliberalism. explores the ways in which the visual economies of Hollywood fantasy compliment this particular political economy..978-1-349-95899-3978-1-137-53164-3作者: florid 時(shí)間: 2025-3-24 23:20
Biopolitics and Movies About Magic,ser. This second group of films heightens the spectator’s awareness of their role in biopolitical production. In their examinations of the relationship between magicians and audience members, these films illustrate a revelatory shift in neoliberal thought: from spectacle as an external method of control to spectacle as an embodied process.作者: OREX 時(shí)間: 2025-3-25 06:39
Cinematic Enchantment and the Magic of the Market,. Mainstream fantastic films, by formulating impossible things as possible and endowing the cinematic object with theological import, serve as ideal vehicles for conditioning a spectator’s relationship to the perceived magic of an unfettered market.作者: SCORE 時(shí)間: 2025-3-25 07:30
, and Neoliberal Racism,onstructs of race and horror should enter into dialogue. Horror films offer a set of tropes—madness, monstrosity, and so forth—to express the contours of race in the social imaginary. The tropology of race at least partially explains the persistent relevance of the genre in a society plagued by racial inequity..作者: DNR215 時(shí)間: 2025-3-25 15:07 作者: CRAMP 時(shí)間: 2025-3-25 18:31
r. Mummy Sylvia was going to give a big party to celebrate Ruth’s birthday and a number of guests were to be invited, amongst them the classroom staff. At this point, Irene started asking Ruth whether she wanted to invite Duncan. Ruth signed no. Irene repeated verbally Ruth’s sign. No, then, shall w作者: 類人猿 時(shí)間: 2025-3-25 22:01 作者: indigenous 時(shí)間: 2025-3-26 00:53
Michael J. Blouinr. Mummy Sylvia was going to give a big party to celebrate Ruth’s birthday and a number of guests were to be invited, amongst them the classroom staff. At this point, Irene started asking Ruth whether she wanted to invite Duncan. Ruth signed no. Irene repeated verbally Ruth’s sign. No, then, shall w作者: uncertain 時(shí)間: 2025-3-26 07:38 作者: 誘惑 時(shí)間: 2025-3-26 10:34
Michael J. Blouinund the giving of invitations for her birthday party while she was feeding her. Mummy Sylvia was going to give a big party to celebrate Ruth’s birthday and a number of guests were to be invited, amongst them the classroom staff. At this point, Irene started asking Ruth whether she wanted to invite D作者: 地名表 時(shí)間: 2025-3-26 13:28 作者: Irrepressible 時(shí)間: 2025-3-26 18:33 作者: 追蹤 時(shí)間: 2025-3-26 23:59 作者: 高原 時(shí)間: 2025-3-27 02:18
Michael J. Blouinewed. The systems involving living polymers, a term introduced by this writer, are discussed in greater detail because the existence of various ionic species participating in polymerization was clearly revealed by their studies. Indeed, a large part of this review is concerned with the methods used 作者: JIBE 時(shí)間: 2025-3-27 09:03 作者: 花束 時(shí)間: 2025-3-27 11:37
Introduction: Neoliberal Fantasies,d finally awaken from a rather troubled sleep. Campaign slogans, including “Yes We Can” and “Change We Can Believe In,” left the impression that life in the USA was about to start anew. There was a sense that the financial meltdown that preceded Obama’s inauguration, though deeply painful, might now作者: crease 時(shí)間: 2025-3-27 16:43
(Neo)liberalism and the Banal Apocalypse,l. Shelley’s text, widely read as her second-best literary effort (next to her 1818 novel, .), launches the genre and establishes many of its recognizable tropes. McCarthy’s Pulitzer Prize winning novel restages these tropes in the most recognizable contemporary inquiry into the crisis of lastness. 作者: RUPT 時(shí)間: 2025-3-27 18:23 作者: 招人嫉妒 時(shí)間: 2025-3-28 00:50
, and Neoliberal Racism, code for figuration” (Anolik, 2). Given the historically horrific treatment of minorities within the USA, it appears unavoidable that the fictional constructs of race and horror should enter into dialogue. Horror films offer a set of tropes—madness, monstrosity, and so forth—to express the contours作者: 多產(chǎn)子 時(shí)間: 2025-3-28 02:05 作者: GRIN 時(shí)間: 2025-3-28 09:06
American Horror, Global Commons, and ,, mixes the conventions of comedy and horror. The plot follows a group of teenagers in an all-too-familiar, and ill-conceived, weekend trip to the wilderness. Events unfold in foreseeable fashion (i.e., at least, until the final act). The sexualized characters are destroyed, the stoner character shar作者: analogous 時(shí)間: 2025-3-28 12:49
Biopolitics and Movies About Magic,and earned big returns at the box office. But . was not a singular phenomenon. This chapter considers a range of recent films that explore the world of magic: . (2006), . (2006), . (2013), and . (2013). These films fall into two distinct categories. In the first category, magic promises to empower s作者: 笨拙處理 時(shí)間: 2025-3-28 14:44
CODA: ,, ,, and The Confused Critic,Affirmations of neoliberalism overlap with perceived breakages. Proponents and critics both stake their claims on unsettled ground. Perhaps, then, instead of consistently engaging with these fantasies on their terms—endless change; creative destruction—I might say a few words in closing on the issue of confusion.作者: 革新 時(shí)間: 2025-3-28 22:13 作者: 極力證明 時(shí)間: 2025-3-29 00:56
https://doi.org/10.1057/978-1-137-53164-3Neoliberalism; The Fantastic; Hollywood; Neoliberal racism; Climate Change; America; American cinema; arts; 作者: 兵團(tuán) 時(shí)間: 2025-3-29 04:19
Michael J. BlouinOne of the first books to scrutinize the ways in which the fashionable radicalism of popular culture supplants the formulation of genuine alternatives in a neoliberal context.Examines how popular fant
