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標(biāo)題: Titlebook: William Golding; James Gindin Book 1988 James Gindin 1988 fiction.gold.history of literature.literature.twentieth century [打印本頁]

作者: 決絕    時間: 2025-3-21 16:42
書目名稱William Golding影響因子(影響力)




書目名稱William Golding影響因子(影響力)學(xué)科排名




書目名稱William Golding網(wǎng)絡(luò)公開度




書目名稱William Golding網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱William Golding被引頻次




書目名稱William Golding被引頻次學(xué)科排名




書目名稱William Golding年度引用




書目名稱William Golding年度引用學(xué)科排名




書目名稱William Golding讀者反饋




書目名稱William Golding讀者反饋學(xué)科排名





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William Golding978-1-349-18987-8Series ISSN 2947-0161 Series E-ISSN 2947-017X
作者: Lice692    時間: 2025-3-22 15:04
2947-0161 Overview: 978-1-349-18987-8Series ISSN 2947-0161 Series E-ISSN 2947-017X
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https://doi.org/10.1007/978-1-349-18987-8fiction; gold; history of literature; literature; twentieth century
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作者: itinerary    時間: 2025-3-23 08:35
James Gindinntury. This was a period of dramatic growth in the involvement of women in various forms of religious life. While Hildegard of Bingen (1098-1179) has become widely known in recent years as one of the most eloquent and original voices of the period, she is often seen as a figure in isolation from her
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James Gindinlvinist Reformation.Explores the prominent role that hearing.This book investigates a host of primary sources documenting the Calvinist Reformation in Geneva, exploring the history and epistemology of religious listening at the crossroads of sensory anthropology and religion, knowledge, and media. I
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作者: mendacity    時間: 2025-3-24 01:08
Introduction, had speculated about where or what the new generation was, wondered how the Second World War might be treated in serious fiction and worried that fatigue or public austerity might have been instrumental in a premature atrophy among the potentially creative. When their fiction reached enthusiastic p
作者: 注視    時間: 2025-3-24 05:43
Background Themes: The Propellants,esis and development of his ideas. In 1970, he acknowledged that he had, in his fiction, always been an ‘ideas man’ rather than a ‘character man’, although he hoped that he might some day combine the two. He saw the concentration on ‘ideas’, like that in Aldous Huxley‘s fiction, as a ‘basic defect’.
作者: 男學(xué)院    時間: 2025-3-24 09:31
The Fictional Explosion: ,,to use sharply defined polarities to generate his ideas, his placement of his first two novels as intellectual responses to particular targets is not surprising. His religious impulse requires a heresy or an evil to excoriate; the pressure of his carefully shaped and internal fiction gains its force
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The Condition of England: , and ,,., published in 1967, can be read as his deliberate attempt to extend his range by using fiction to depict human character with more variety and particularity than he had before, or he might have wanted simply to try something else. The novel also apparently evolved differently from the others. Wher
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作者: 暫時中止    時間: 2025-3-25 02:07
Popular and Critical Reception,hrough time, both kinds of reception are relevant in considering fiction that, like Golding‘s, is simultaneously difficult and involving. Thoughtful and discerning critical judgement can lead to a fuller understanding both of individual novels and of the changes visible over a whole career. The phen
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James Gindin lung exercise. Every day, Fitz takes Koprowski through an exercise regimen of stretching and calisthenics, after which the doctor swims for fifteen or twenty minutes in his lap pool while classical music plays over the splashing. Once a week Fitz gives Koprowski a massage.
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James Gindin written by a monk not long before Hildegard started to record her visions. While this treatise engages in dialogue with a fictional virgin, other writings present women (not just Hildegard) as teaching both women and men. An appendix will provide the first English translation of significant excerpt
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The Metaphor: , and ,,or a narrative that does not involve time, progress and causation. Even long before the recognition that the sailor, Christopher Martin, called ‘Pincher’, the standard nickname for Martins in the Royal Navy (here the Christ-bearer turned into the character who appropriates what belongs to others for
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Popular and Critical Reception,addition, critics are also readers within a particular cultural setting and ordinary readers can be thoughtfully critical. The categories of response, distinguishable at their extremes, often, partially and in practice, impinge on one another.
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