標(biāo)題: Titlebook: London’s Women Artists, 1900-1914; A Talented and Decor Mengting Yu Book 2020 Springer Nature Singapore Pte Ltd. 2020 Talented and Decorati [打印本頁(yè)] 作者: deteriorate 時(shí)間: 2025-3-21 17:19
書(shū)目名稱London’s Women Artists, 1900-1914影響因子(影響力)
書(shū)目名稱London’s Women Artists, 1900-1914影響因子(影響力)學(xué)科排名
書(shū)目名稱London’s Women Artists, 1900-1914網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱London’s Women Artists, 1900-1914網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱London’s Women Artists, 1900-1914被引頻次
書(shū)目名稱London’s Women Artists, 1900-1914被引頻次學(xué)科排名
書(shū)目名稱London’s Women Artists, 1900-1914年度引用
書(shū)目名稱London’s Women Artists, 1900-1914年度引用學(xué)科排名
書(shū)目名稱London’s Women Artists, 1900-1914讀者反饋
書(shū)目名稱London’s Women Artists, 1900-1914讀者反饋學(xué)科排名
作者: 眨眼 時(shí)間: 2025-3-21 21:05
,Women Artists at the Slade School of Fine Art in the Pre-war London, 1910–1914, By identifying at least twenty-six countries of origin of students and by monitoring annual trends, some definable understanding can be arrived at concerning the “internationalism” that was said to pervade in the pre-war years. In a similar manner, this chapter conducts an examination of women scho作者: GAVEL 時(shí)間: 2025-3-22 01:58 作者: 思想流動(dòng) 時(shí)間: 2025-3-22 06:00
,Women Artists and the , Magazine, London 1911–1913, with an array of exhibition catalogues from the National Art Library, a picture of the complexity, intricacy, and significance of these inter-relationships?emerges. A second strand within this chapter focuses on the published graphics by women artists emphasizing not only their links to Fauvism and作者: Baffle 時(shí)間: 2025-3-22 08:49
,Women’s International Art Club: Inclusivity, Diversity and Femininity, 1900–1914,ly. The global network of knowledge among women artists in the era comes as an important facet of this chapter, demonstrating that the WIAC welcomed international women artists exhibitions/societies as part of the regular annual exhibition in London, but also set up branches of the WIAC abroad, and 作者: HERTZ 時(shí)間: 2025-3-22 15:18
Book 2020ation from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical作者: 馬具 時(shí)間: 2025-3-22 20:36 作者: Enrage 時(shí)間: 2025-3-22 23:25
Mengting Yuontrolle erfüllt: nach der Identifikation der besonders kostenrelevanten Komponenten des zu erstellenden Endprodukts werden mittels Clusteranalysen Klassen mit ?hnlichen Komponenten gebildet. Produktklassenbezogene Kalkulationsverfahren etwa auf Basis regressionsanalytischer Kostenfunktionen, histor作者: Classify 時(shí)間: 2025-3-23 02:31 作者: 漂亮 時(shí)間: 2025-3-23 07:10
ection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical978-981-15-5707-1978-981-15-5705-7作者: 使無(wú)效 時(shí)間: 2025-3-23 12:44 作者: 荒唐 時(shí)間: 2025-3-23 15:23
Mengting YuPresents an entirely new historical understanding of women artists’ roles and contributions in academic institutions and key exhibition groups in London during the early 1900s.Examines the nature and 作者: 做作 時(shí)間: 2025-3-23 18:35 作者: Fallibility 時(shí)間: 2025-3-23 23:16
Introduction,Many of the painters who dominated the history of British art at the beginning of the twentieth century had?studied under Frederick Brown (1851–1941) during his professorship at the Slade School of Fine Art.作者: Mercantile 時(shí)間: 2025-3-24 03:16
https://doi.org/10.1007/978-981-15-5705-7Talented and Decorative Group; London’s women artists; London exhibition societies; 20th century Britis作者: 不朽中國(guó) 時(shí)間: 2025-3-24 07:32 作者: 紋章 時(shí)間: 2025-3-24 12:01
,Women Artists at the Slade School of Fine Art in the Pre-war London, 1910–1914,Slade was characterized as a “society” that was far from tranquil and harmonious, perhaps a microcosm of the greater and wider discontent evident in the capital in the pre-war years. By paying attention to the society outside of the college walls, the “gulf” and “crisis” within the walls can be more作者: 粘 時(shí)間: 2025-3-24 18:47
Women Artists and English Exhibiting Societies,y became affiliated with or participated in between 1900 and 1914. The focus is on the New English Art Club (NEAC) with its inextricable link to the Slade by ties of tutorship and the aesthetic legacy of France, the liberal and inclusive Allied Artists’ Association (AAA), and the innovative London G作者: 廣大 時(shí)間: 2025-3-24 19:14 作者: arbovirus 時(shí)間: 2025-3-25 02:08
,Women’s International Art Club: Inclusivity, Diversity and Femininity, 1900–1914,rom newly located archives, this chapter constructs a useful body of knowledge then instigates a reevaluation and repositioning of an important gender-centric art group established by, and for, British women artists. It was suggested by critics of the time that WIAC exhibitions represented the gener作者: 松果 時(shí)間: 2025-3-25 06:49
er Sondermaschine. Ausgehend von der inhaltlichen und strukturellen Kennzeichnung der mit diesem Produktionsprogrammtyp verbundenen Problemfelder erfolgte die Pr?zisierung des Gegenstands sowie der damit verbundenen Anforderungen der konstruktionsbegleitenden Kalkulation. Die Verifikation der Zwecke作者: Intuitive 時(shí)間: 2025-3-25 08:25
Mengting Yuer Sondermaschine. Ausgehend von der inhaltlichen und strukturellen Kennzeichnung der mit diesem Produktionsprogrammtyp verbundenen Problemfelder erfolgte die Pr?zisierung des Gegenstands sowie der damit verbundenen Anforderungen der konstruktionsbegleitenden Kalkulation. Die Verifikation der Zwecke作者: NICHE 時(shí)間: 2025-3-25 12:25 作者: 令人發(fā)膩 時(shí)間: 2025-3-25 18:07
ps in London during the early 1900s.Examines the nature and Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and in作者: BINGE 時(shí)間: 2025-3-25 20:31 作者: 不公開(kāi) 時(shí)間: 2025-3-26 02:53 作者: Mumble 時(shí)間: 2025-3-26 08:13
Anxiety, Stress, and Psychodynamic Reactions, with ambulation, scarring, rejection, sexual problems, and so on..One of the most characteristic features of stress reactions, in general, and TBI, in particular, is that a single event may be impairing. TBI instigates a profound stress reaction, with contribution from both physiological and psycho作者: Foreshadow 時(shí)間: 2025-3-26 09:24 作者: 放肆的你 時(shí)間: 2025-3-26 15:04 作者: epicardium 時(shí)間: 2025-3-26 20:27 作者: DIKE 時(shí)間: 2025-3-26 21:59
Singularly perturbed large-scale systems,family may be exploited to enhance drug specificity. This finding is noteworthy since homologous proteins are known to share a common structure topology and therefore, telling them apart through molecular recognition becomes a particularly arduous problem.作者: GENRE 時(shí)間: 2025-3-27 03:47 作者: affinity 時(shí)間: 2025-3-27 08:57 作者: annexation 時(shí)間: 2025-3-27 12:20 作者: RADE 時(shí)間: 2025-3-27 15:09 作者: 棲息地 時(shí)間: 2025-3-27 20:04 作者: 震驚 時(shí)間: 2025-3-27 23:21
The ‘Imperial’ Life of Natural Languagesages, viewed as embodied entities, demonstrate varied identities due to the interplay of the parameters of militancy, tradeoffs, utility, and display, being the constituents of the so-called Imperial Tetragon of Embodiment. It is claimed that present-day natural language diversity may be treated as
