標(biāo)題: Titlebook: Living as an Author in the Romantic Period; Matthew Sangster Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive li [打印本頁(yè)] 作者: formation 時(shí)間: 2025-3-21 18:42
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作者: 主動(dòng) 時(shí)間: 2025-3-21 20:56
Palgrave Studies in the Enlightenment, Romanticism and Cultures of Printhttp://image.papertrans.cn/l/image/587503.jpg作者: painkillers 時(shí)間: 2025-3-22 03:21 作者: Dysarthria 時(shí)間: 2025-3-22 07:07 作者: conquer 時(shí)間: 2025-3-22 11:59 作者: 反抗者 時(shí)間: 2025-3-22 14:23
Preface: The Life of the Author,f the nineteenth. The vast expansion of the reading public, the availability of cheap print and the post-Romantic ideal of the literary work as high art had combined to make authorship viable as both a relatively respectable profession and a heightened quasi-religious vocation. In contrast to previo作者: 懲罰 時(shí)間: 2025-3-22 17:15
Introduction: What Was an Author in the Romantic Period?,t opens by asserting that Romantic-period auditors seldom drew sharp distinctions between authors’ opinions and what they wrote, with books and individuals commonly conceived as being interchangeable. It then discusses the queasy status of living by the pen, arguing that the spectre of the hack writ作者: LEERY 時(shí)間: 2025-3-22 23:08 作者: 伴隨而來(lái) 時(shí)間: 2025-3-23 04:24 作者: Fecal-Impaction 時(shí)間: 2025-3-23 05:50 作者: impaction 時(shí)間: 2025-3-23 11:29
Chapter Four: The Working Writer,of the Royal Literary Fund to show the serious obstacles that meant that many of those who sought to profit from their writings ended up neglected and destitute. It first considers the difficulties faced by the Fund’s founder, David Williams, and his compatriots as they sought to assist writers of l作者: 哀求 時(shí)間: 2025-3-23 13:51
Chapter Five: The Oligarchs of Literature: Authority and the Quarterly Reviews,ines how the quarterlies propagated their authority, arguing that they dominated conceptions of literature by bringing a carefully selected range of writers and works before the public to be endorsed or censured. The quarterlies’ principal concerns were political, but their literary reviews provided作者: 的事物 時(shí)間: 2025-3-23 19:41
,Chapter Six: Refashioning Authorship’s Purview, and evaluation. It begins by examining Hannah More, arguing that her works played a major and underacknowledged role in shaping British culture and introducing new audiences to narrative discourses. Walter Scott, unquestionably the most popular contemporary writer of the early nineteenth century, m作者: 懲罰 時(shí)間: 2025-3-24 01:20 作者: Acclaim 時(shí)間: 2025-3-24 03:07
gsbündel aller an den Kunden abgesetzten oder absetzbaren Sachgüter- und Dienstleistungen einnimmt. Dabei l?ge der Versuch nahe, die Technische Dokumentation einem bestehenden Instrumentalbereich oder SubInstrument in der Leistungspolitik des Marketing-Mix eindeutig zuzuordnen.. So k?nnte die Dokume作者: 培養(yǎng) 時(shí)間: 2025-3-24 08:31 作者: Neonatal 時(shí)間: 2025-3-24 12:43
Matthew Sangsterbau und Ausbau einer wechselseitigen Beziehung zum Kunden, welche ma?geblich in der Einbindung des Kunden in Unternehmensaktivt?ten besteht. Der Customer Engagement Value stellt dabei einen wichtigen Bestandteil zur Quantifizierung dieses Ansatzes dar. Dabei liefert er ein Vorgehen zur monet?ren Bew作者: acclimate 時(shí)間: 2025-3-24 15:18
Matthew Sangsterungsbezogener Aussagen ist die Ableitung einer theoretischen Bezugsbasis nützlich. Da der Kundenwert als ein Potenzial verstanden werden kann, das sowohl kunden- als auch anbieterseitig bestimmt wird, kommen ressourcenorientierte Theorieans?tze in den Blick. Sie erm?glichen eine Perspektive auf die 作者: 不斷的變動(dòng) 時(shí)間: 2025-3-24 19:40
Matthew Sangsterungsbezogener Aussagen ist die Ableitung einer theoretischen Bezugsbasis nützlich. Da der Kundenwert als ein Potenzial verstanden werden kann, das sowohl kunden- als auch anbieterseitig bestimmt wird, kommen ressourcenorientierte Theorieans?tze in den Blick. Sie erm?glichen eine Perspektive auf die 作者: STERN 時(shí)間: 2025-3-25 00:27 作者: 破譯密碼 時(shí)間: 2025-3-25 03:40 作者: Crepitus 時(shí)間: 2025-3-25 11:02 作者: 畸形 時(shí)間: 2025-3-25 11:59 作者: 自然環(huán)境 時(shí)間: 2025-3-25 18:27 作者: Abnormal 時(shí)間: 2025-3-25 22:57
Matthew SangsterKundenwert ist keine exogene Gr??e, sondern kann durch geschicktes Agieren des Anbieters beeinflusst werden. (2) Er stellt eine im Zeitverlauf ver?nderliche Gr??e dar. (3) Aufgrund von unvollst?ndiger Information ist es unm?glich, den Kundenwert exakt zu quantifizieren. Allenfalls eine n?herungsweis作者: 不確定 時(shí)間: 2025-3-26 02:26
Matthew SangsterKundenwert ist keine exogene Gr??e, sondern kann durch geschicktes Agieren des Anbieters beeinflusst werden. (2) Er stellt eine im Zeitverlauf ver?nderliche Gr??e dar. (3) Aufgrund von unvollst?ndiger Information ist es unm?glich, den Kundenwert exakt zu quantifizieren. Allenfalls eine n?herungsweis作者: CHASM 時(shí)間: 2025-3-26 06:20
ualisierung über die formale Operationalisierung bis hin zu Beispielen für die Einbindung des Customer Engagements in Marketinginitiativen beschreibt. Dabei stellt der Customer Engagement Value ein wertorientiertes Konzept dar, welches als monet?re Kenngr??e mit vier eigenst?ndigen Komponenten formu作者: tooth-decay 時(shí)間: 2025-3-26 09:31 作者: hazard 時(shí)間: 2025-3-26 14:25
Introduction: What Was an Author in the Romantic Period?,period, arguing that the environment of the 1790s saw retreats from the freedoms of the earlier eighteenth century while the post-Waterloo period was one of transformative change for authors, with older systems of social authorship increasingly losing ground to new professional and artistic paradigm作者: certain 時(shí)間: 2025-3-26 16:55 作者: PLAYS 時(shí)間: 2025-3-26 21:36
2634-6516 erging paradigms and technologies catalysed a belated transformation in?how literary writing was consumed and perceived..978-3-030-37049-7978-3-030-37047-3Series ISSN 2634-6516 Series E-ISSN 2634-6524 作者: Expiration 時(shí)間: 2025-3-27 04:51
2634-6516 ocial system, rather than a profession or mode of artistic p.This book explores how authors profited from their writings in the late?eighteenth and early nineteenth centuries, contending that the most tangible?benefits were social, rather than financial or aesthetic. It examines authors’?interaction作者: discord 時(shí)間: 2025-3-27 06:07
Chapter Two: Sociable Alignments,ry Hays as a key example. Subsequently, it looks at the distinct and personal justification for literary self-fashioning that writers constructed in letters, focusing particularly on Leigh Hunt and the Shelleys. Finally, it concludes by considering how female writers participated in the collaborative formation of social systems of legitimation.作者: 宿醉 時(shí)間: 2025-3-27 12:30 作者: 造反,叛亂 時(shí)間: 2025-3-27 14:56
,Chapter Six: Refashioning Authorship’s Purview,judiciously-managed self-presentations to create an oppositional space for alienated genius. This position would prove invaluable both to later writers and to institutions considering how best to promote literature’s contribution.作者: 保守 時(shí)間: 2025-3-27 21:40
Book 2021benefits were social, rather than financial or aesthetic. It examines authors’?interactions with publishers; the challenges of literary sociability; the vexed?construction of enduring careers; the factors that prevented most aspiring?writers (particularly the less privileged) from accruing significa作者: RENAL 時(shí)間: 2025-3-28 01:38
Chapter One: Publishers, Book Production and Profits,a series of Longman editions of James Montgomery’s poem .; and collusion and co-operation in the publishing industry discussed using correspondence from both archives. These analyses combine to demonstrate that for most literary authors, the prospects for deriving direct profits from publishing their works were relatively limited.作者: COWER 時(shí)間: 2025-3-28 02:32 作者: 悲觀 時(shí)間: 2025-3-28 09:21 作者: Parameter 時(shí)間: 2025-3-28 14:20
Coda: Print Proliferation and the Invention of the Artist, in which the increasing distance between authors and new readers created situations where new periodicals and institutions needed to advocate both for their own value and the value of literature. The lives and works of the Romantics proved ideally placed both for exalting artistic practice and for profiting from biographical fascination.作者: 致命 時(shí)間: 2025-3-28 14:53 作者: 實(shí)施生效 時(shí)間: 2025-3-28 19:39
10樓作者: 爭(zhēng)論 時(shí)間: 2025-3-28 22:55
10樓作者: peptic-ulcer 時(shí)間: 2025-3-29 06:21
10樓
