標(biāo)題: Titlebook: Live and Recorded; Music Experience in Yngvar Kjus Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Norway.Digital age.digit [打印本頁] 作者: Gratification 時(shí)間: 2025-3-21 20:05
書目名稱Live and Recorded影響因子(影響力)
書目名稱Live and Recorded影響因子(影響力)學(xué)科排名
書目名稱Live and Recorded網(wǎng)絡(luò)公開度
書目名稱Live and Recorded網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Live and Recorded被引頻次
書目名稱Live and Recorded被引頻次學(xué)科排名
書目名稱Live and Recorded年度引用
書目名稱Live and Recorded年度引用學(xué)科排名
書目名稱Live and Recorded讀者反饋
書目名稱Live and Recorded讀者反饋學(xué)科排名
作者: 郊外 時(shí)間: 2025-3-21 23:13
Yngvar KjusBased on interviews with artists, intermediaries or industry professionals, and audience members.Includes quantitative data on the use of online music services for live concert events.Presents a wide 作者: ASTER 時(shí)間: 2025-3-22 01:37
Pop Music, Culture and Identityhttp://image.papertrans.cn/l/image/587380.jpg作者: MUTED 時(shí)間: 2025-3-22 06:25
978-3-319-88927-6The Editor(s) (if applicable) and The Author(s) 2018作者: 有其法作用 時(shí)間: 2025-3-22 10:39
Live and Recorded978-3-319-70368-8Series ISSN 2634-6613 Series E-ISSN 2634-6621 作者: Recessive 時(shí)間: 2025-3-22 16:30
Setting the Scene,on, which is a vanguard of new digital media. The rise of digital technology in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies作者: 使殘廢 時(shí)間: 2025-3-22 17:38
Music, Media, and Mentalization,he rise of digital technologies has challenged this dichotomy and related notions of the temporal and spatial chasms between the live and the recorded. To begin to unpack the newly evolving relationship between live and recorded music, it promotes the study of musical subjects and their engagement w作者: Flatus 時(shí)間: 2025-3-22 23:01 作者: FOIL 時(shí)間: 2025-3-23 02:43
Immersing in Performances and Recordings,h more speed in more places, thereby joining the experiential pleasures of recorded music with live music events in new ways. On the other hand, concert visitors are using their increasingly advanced mobile media (i.e., cellphones?and tablets) to make their own recordings of live performances and br作者: 大門在匯總 時(shí)間: 2025-3-23 08:59 作者: hemophilia 時(shí)間: 2025-3-23 10:47 作者: depreciate 時(shí)間: 2025-3-23 16:22 作者: invulnerable 時(shí)間: 2025-3-23 22:02
Yngvar Kjusnd der oberen Luft-und Speisewege nimmt stetig zu. Vor allem die Patienten mit Mund-, Rachen-bzw. Kehlkopfkrebs - übrigens mit einer Inzidenz von sieben bis zw?lf auf 100 000 Einwohner pro Jahr in Deutschland die h?ufigsten Kopf-Hals-Malignome bei M?nnern - werden bei einem Altersgipfel zwischen dem作者: 角斗士 時(shí)間: 2025-3-24 02:08 作者: 歡樂中國 時(shí)間: 2025-3-24 05:02
Book 2018egion, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to o作者: 懸崖 時(shí)間: 2025-3-24 08:41 作者: photophobia 時(shí)間: 2025-3-24 13:18
2634-6613 line music services for live concert events.Presents a wide This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and inte作者: 不能妥協(xié) 時(shí)間: 2025-3-24 15:18
Setting the Scene,ogy has therefore facilitated an expanding range of activities and experiences with music. This book introduces the theory of mentalization—the ability to perceive and interpret what others are thinking and feeling—to the analysis of contemporary forms of agency in popular music.作者: venous-leak 時(shí)間: 2025-3-24 22:09 作者: 調(diào)情 時(shí)間: 2025-3-24 23:12 作者: 攤位 時(shí)間: 2025-3-25 05:01
Immersing in Performances and Recordings,ncerts, including prospective modes of pre-event listening and retrospective modes of post-event listening. In so doing, it focuses on the music experience of fans of different genres, including jazz, heavy metal, and electronica.作者: sclera 時(shí)間: 2025-3-25 07:29
Bridging Concerts and Records,ists and audiences. It assesses the power of live and recorded music intermediaries in terms of how people receive and experience music, considering, among other things, the new intersections between the curatorial work conducted by humans and the guidance offered by the machines and algorithms of digital music archives.作者: 尊嚴(yán) 時(shí)間: 2025-3-25 15:01 作者: 思考 時(shí)間: 2025-3-25 16:45
Yngvar Kjuse Gruppe bilden die Speicheldrüsenkarzinome (nach Malignit?tsgrad ansteigend: Muko-epidemoidkarzinom, Azinuszellkarzinom, adenoidzystisches Karzinom, Adenokarzinom, Plattenepithelkarzinom, undifferenziertes Karzinom), sowie die Nasen-bzw. Nasennebenh?hlenkarzinome (Adeno-bzw. Plattenepithelkarzinome作者: 半身雕像 時(shí)間: 2025-3-25 22:29 作者: 離開真充足 時(shí)間: 2025-3-26 00:55
Book 2018expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies..作者: regale 時(shí)間: 2025-3-26 05:09
2634-6613 The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies..978-3-319-88927-6978-3-319-70368-8Series ISSN 2634-6613 Series E-ISSN 2634-6621 作者: Palpable 時(shí)間: 2025-3-26 09:13 作者: 高調(diào) 時(shí)間: 2025-3-26 12:51 作者: 躲債 時(shí)間: 2025-3-26 19:53 作者: Jubilation 時(shí)間: 2025-3-26 23:52 作者: Glycogen 時(shí)間: 2025-3-27 03:54
Possible Deep Geological Repository Site for High-Level Radioactive Waste in the Kingdom of Saudi Arts the requirements of a DGR, such as rare possibilities of earthquakes, floods, stability, depth ranging up to 1000 m, and sedimentary geological formations. This project contributes to the Saudi nuclear power program for the radioactive waste generated from research and industrial nuclear reactors作者: 愛哭 時(shí)間: 2025-3-27 09:17 作者: 改革運(yùn)動(dòng) 時(shí)間: 2025-3-27 10:53 作者: 做事過頭 時(shí)間: 2025-3-27 16:03 作者: BALK 時(shí)間: 2025-3-27 18:56
