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標(biāo)題: Titlebook: Literary Aesthetics of Trauma; Virginia Woolf and J Reina C. Wiel Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited [打印本頁(yè)]

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作者: 吞噬 時(shí)間: 2025-3-21 20:19
Symbolization, Thinking and Working-Through: British Object Relations Theory,mation (Freud), reparation (Klein), potential space (Winnicott), illusion (Milner) and maternal handling (Bollas). Chapter 4 will, in fact, draw on Christopher Bollas’s essay ‘The Aesthetic Moment and the Search for Transformation’ (1978) to enrich its understanding of modernist formalist aesthetics

作者: 樹木心 時(shí)間: 2025-3-22 03:19

作者: 類人猿 時(shí)間: 2025-3-22 08:23

作者: AXIOM 時(shí)間: 2025-3-22 11:15
,Woolf’s Embodied Cognitive Aesthetics: ,ould become . (1931). She distinguishes between conventional prose narrative, which is linear and has a ‘marvellous fact-recording power’, and the composite narrative form she deemed vital for the modern era: part prose, part poetry, giving ‘the outline rather than the detail’ (1927a: 435). This clo

作者: 詞匯記憶方法 時(shí)間: 2025-3-22 14:09
From Form to Feeling: Trauma and Affective Excess in ,hat she perceived in contemporary society. Reading had become ‘a(chǎn) leisure toy’ rather than ‘a(chǎn) cultural occupation’, and by and large, she argued, ‘the idea of art is debased’ (Winterson, 1995: 34, 43). Winterson acknowledges that ‘[o]urs has not been an easy century for art. At times, to talk about i

作者: 無(wú)王時(shí)期, 時(shí)間: 2025-3-22 21:06
,‘The Story of My Life’: Winterson’s Adoption, Art and Autobiography,r a more positive embracing of, the public’s fascination with her personal life — a fascination that she has arguably almost as much encouraged as contested throughout her writing career. The complaint, expressed in several reviews of other female artists and writers (Winterson, 2002b; 2005b; c; 200

作者: oracle 時(shí)間: 2025-3-23 00:03
Italy.The resurgence of neo-fascist and neo-Nazi extremism all over Europe are a reminder of the continuing place of fascism in contemporary European society, despite its political and military defeat in 1945..This thoroughly revised, updated and expanded edition provides a critical and comprehensi

作者: 羊欄 時(shí)間: 2025-3-23 01:56
Reina C. van der Wiel Italy.The resurgence of neo-fascist and neo-Nazi extremism all over Europe are a reminder of the continuing place of fascism in contemporary European society, despite its political and military defeat in 1945..This thoroughly revised, updated and expanded edition provides a critical and comprehensi

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作者: 大罵 時(shí)間: 2025-3-23 14:56

作者: 滔滔不絕地說(shuō) 時(shí)間: 2025-3-23 18:24

作者: Inertia 時(shí)間: 2025-3-23 23:41

作者: 泥土謙卑 時(shí)間: 2025-3-24 02:38

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作者: 種類 時(shí)間: 2025-3-24 13:53
Coda,Should . have been published? That is the question Mark Hussey (2007) poses regarding Virginia Woolf’s final and posthumously published novel. No, he suggests; contrary to Leonard Woolf’s assertion in his note to the first edition that ‘he would not […] have made any large or material alterations in it’ (cited in Kermode, 1992: XXXV),
作者: 進(jìn)取心 時(shí)間: 2025-3-24 17:45

作者: 暫時(shí)休息 時(shí)間: 2025-3-24 19:49
978-1-349-45682-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
作者: anesthesia 時(shí)間: 2025-3-25 01:10
the way that trauma is aesthetically expressed. Modernism‘s emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.978-1-349-45682-6978-1-137-31101-6
作者: 領(lǐng)帶 時(shí)間: 2025-3-25 04:46
the way that trauma is aesthetically expressed. Modernism‘s emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.978-1-349-45682-6978-1-137-31101-6
作者: macular-edema 時(shí)間: 2025-3-25 11:10
,‘The Most Difficult Abstract Piece of Writing’: ‘Time Passes’ as Container,With Bradbury and McFarlane, moreover, I perceive the ‘formal crisis’ of high modernism, its experimentalism, as ‘a(chǎn) crisis of culture’ which ‘often involves an unhappy view of history’ (1976: 26).. The modernist author is not merely experimenting with narrative for the sake of aesthetics, but is ‘under specific, apparently historical strain’:
作者: 陳腐思想 時(shí)間: 2025-3-25 13:58
,Woolf’s Embodied Cognitive Aesthetics: ,ory through its concern with the intricate correlation between perception, cognition and intuition within subjective experience. The future novel, Woolf stipulates, ought to ‘[extend] the scope […] so as to dramatise some of those influences which play so large a part in life, yet have so far escaped the novelist’:
作者: brother 時(shí)間: 2025-3-25 19:08

作者: tinnitus 時(shí)間: 2025-3-25 20:54

作者: 打算 時(shí)間: 2025-3-26 00:31

作者: 情節(jié)劇 時(shí)間: 2025-3-26 05:37
Reina C. van der Wielia, this work offers the first comprehensive overview of a phenomenon that has profoundly shaped recent Italian history..978-3-030-17814-7978-3-030-17812-3Series ISSN 2635-2931 Series E-ISSN 2635-294X
作者: Herd-Immunity 時(shí)間: 2025-3-26 11:52
Reina C. van der Wielia, this work offers the first comprehensive overview of a phenomenon that has profoundly shaped recent Italian history..978-3-030-17814-7978-3-030-17812-3Series ISSN 2635-2931 Series E-ISSN 2635-294X
作者: 火海 時(shí)間: 2025-3-26 16:27

作者: Carminative 時(shí)間: 2025-3-26 18:50
Introduction: Trauma, Psychoanalysis, Literary Form, past’ in a bid ‘to transform Freud’s distinctions between remembering, repeating and working[-through] […] into a model for cultural or political critique’ (2008: 213). Without losing sight of this influential trauma paradigm, . makes this attempt by refashioning Sigmund Freud’s famous dictum into
作者: 痛苦一下 時(shí)間: 2025-3-26 22:38

作者: 軟膏 時(shí)間: 2025-3-27 03:22

作者: Axon895 時(shí)間: 2025-3-27 06:58

作者: Hangar 時(shí)間: 2025-3-27 10:03
,‘The Story of My Life’: Winterson’s Adoption, Art and Autobiography,Actively resisting these circumstances, in her own work Winterson has always ambitiously attempted to combine fact and fiction, ‘experience . experiment’, ‘the observed and the imagined’ (2011: 3) — until ., that is.
作者: 詳細(xì)目錄 時(shí)間: 2025-3-27 17:14
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