標(biāo)題: Titlebook: Liberation, (De)Coloniality, and Liturgical Practices; Flipping the Song Bi Becca Whitla Book 2020 The Editor(s) (if applicable) and The Au [打印本頁(yè)] 作者: 去是公開(kāi) 時(shí)間: 2025-3-21 17:03
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作者: Asperity 時(shí)間: 2025-3-21 23:02 作者: Grating 時(shí)間: 2025-3-22 04:23 作者: Vertical 時(shí)間: 2025-3-22 04:41 作者: 設(shè)施 時(shí)間: 2025-3-22 12:36 作者: 富饒 時(shí)間: 2025-3-22 12:53 作者: 合唱隊(duì) 時(shí)間: 2025-3-22 20:47 作者: 蒼白 時(shí)間: 2025-3-22 22:26 作者: anthropologist 時(shí)間: 2025-3-23 03:26 作者: 打包 時(shí)間: 2025-3-23 08:29 作者: ALERT 時(shí)間: 2025-3-23 10:59
Becca Whitla. Baer zu K?nigsthal bei Nordhausen Ueberschu? des Beitrags zum Allg. Deutsch. Jagdsch.-Verein Seitens des Brennereibesitzers Gisecke zu Nordhausen 5 M., 5. Obf. Haupt zu Harburg a. d. Elbe Strafgeld. vom Harburger Jagdverein pro 1888/89 11,30 M., 6. Apotheker H. Müller do. im Auftrage des dortigen 作者: Ballerina 時(shí)間: 2025-3-23 15:32 作者: 鐵砧 時(shí)間: 2025-3-23 18:04 作者: inquisitive 時(shí)間: 2025-3-23 22:54
Introduction: Flipping the Song Bird,associated with the European colonizing and Christianizing projects of the last 500 years. It sets the analysis of congregational singing of this work in the context of the author’s life and commitments and outlines her use of decolonizing and liberating methodologies. The introduction also outlines作者: medieval 時(shí)間: 2025-3-24 04:04
(Trans)forming Praxis: Initial Rubrics for Liberating Song Leading,s. The chapter seeks to provide preliminary rubrics for liberating congregational singing that are contextual, accountable, and liberating. The analysis of these three examples focuses on congregational song leading using global hymnody. The rest of the book will extend, expand, and problematize the作者: fallible 時(shí)間: 2025-3-24 08:50 作者: 會(huì)議 時(shí)間: 2025-3-24 12:17
The Empire Sings,gregational singing from this inheritance is imbued with coloniality—the all-encompassing residual web of colonizing processes, tendencies, and practices. It exposes the British version of coloniality as including a promulgation of “a” superior British culture and identity which is intrinsically int作者: Discrete 時(shí)間: 2025-3-24 16:13
Singing Back Against Empire (or the Subaltern Sings Back), first deconstructive, the second more constructive, offer rich perspectives to help examine how marginalized peoples sing the hymns of empire as well as their own songs. Homi Bhabha’s concepts of mimicry, hybridity, and Third Space are used to deconstruct coloniality and point toward liberating pot作者: Vaginismus 時(shí)間: 2025-3-24 22:54 作者: Palpitation 時(shí)間: 2025-3-25 00:00
Liberating the Song Bird,resent in congregational singing. The singing of a trade union choir as a locus for doing theology through song elicits germinative principles for a liberating liturgical theology, animated by the Holy Spirit. The choir is shown to embody a sacramental praxis through which the work and grace of the 作者: 敲詐 時(shí)間: 2025-3-25 04:25
A Call to Conversion,construct and embody congregational singing practices as part of a liberating theo-liturgical praxis. The singing of a hotel workers choir, the singing of a dynamic, embodied Latin American song of praise (.), the bilingual, bicultural Christmas celebrations of English and Spanish speaking congregat作者: 缺乏 時(shí)間: 2025-3-25 08:24 作者: NEX 時(shí)間: 2025-3-25 11:51
Becca Whitlagsperiode weiterhin zu beurlaubeu. Selbftverft?ndlich mu? aber die Berl?ugerung bezw. Ertheilung eines folchen den milit?rifchen Jntereffeu eutgegeufteheudeu urlaubs auf dieieuigeu be- foudereu Uusuahmef?lle befchr?nkt bleiben, in denen ein unabweisliches Bed?rfui? auf Erg?uzung der Forstfchutzkr?ft作者: DOLT 時(shí)間: 2025-3-25 19:14 作者: Derogate 時(shí)間: 2025-3-25 21:00
Becca Whitlaessor Schumacher hatte dort eine aus Holz und Moos hergestellte, einen alten F?rster in Lebensgr??e darstellende Figur ausgestellt, welche auf der Brust eine Sammelbüchse trug mit der Aufschrist: ?Wechsle Waidgesell’ hier nicht vom Fleck, eh’ Du geopfert für Sch?nebeck!“ 12. Forst-Aspirant Willecke 作者: 無(wú)脊椎 時(shí)間: 2025-3-26 01:46 作者: dominant 時(shí)間: 2025-3-26 04:25 作者: 統(tǒng)治人類(lèi) 時(shí)間: 2025-3-26 11:22 作者: GROWL 時(shí)間: 2025-3-26 14:39
essor Schumacher hatte dort eine aus Holz und Moos hergestellte, einen alten F?rster in Lebensgr??e darstellende Figur ausgestellt, welche auf der Brust eine Sammelbüchse trug mit der Aufschrist: ?Wechsle Waidgesell’ hier nicht vom Fleck, eh’ Du geopfert für Sch?nebeck!“ 12. Forst-Aspirant Willecke 作者: PAC 時(shí)間: 2025-3-26 18:25 作者: eustachian-tube 時(shí)間: 2025-3-26 21:32 作者: 恃強(qiáng)凌弱 時(shí)間: 2025-3-27 02:01 作者: FLACK 時(shí)間: 2025-3-27 06:49 作者: 表臉 時(shí)間: 2025-3-27 10:03 作者: ANIM 時(shí)間: 2025-3-27 16:55
Liberating the Song Bird,ated by pneumatological proposals from Latino-Canadian theo-ethicist Néstor Medina to undergird this articulation. The proposed liberating liturgical praxis is shown to lead to a change of heart and life for those involved and calls the churches to be open to their own conversion.作者: accordance 時(shí)間: 2025-3-27 18:11 作者: uveitis 時(shí)間: 2025-3-27 23:27
Introduction: Flipping the Song Bird, in the context of the author’s life and commitments and outlines her use of decolonizing and liberating methodologies. The introduction also outlines the chapters and explains the “flipping the song bird” metaphor.作者: 提煉 時(shí)間: 2025-3-28 03:28 作者: 易于 時(shí)間: 2025-3-28 07:47 作者: calamity 時(shí)間: 2025-3-28 12:37
Untangling the Threads of Our Stories,utions. In other words, this chapter argues that a liberationist approach to singing requires an examination of personal, interpersonal, and contextual identification processes, with special attention to our complicity with coloniality.作者: EXTOL 時(shí)間: 2025-3-28 17:51
Singing Back Against Empire (or the Subaltern Sings Back),ential. At the same time, an analysis of the decolonial strategies of “epistemic disobedience” and “other ways of singing” shows that hymns clothed in the garments of European hymnody can be inverted (flipped) by the people who sing them so as to become instruments of resistance and sources of forbearance, strength, and hope.作者: Wernickes-area 時(shí)間: 2025-3-28 21:46
Border Singing,stmas Carol, “The Midwife’s Carol”—we can see how decolonial thinking goes beyond postcolonial frames by asserting the agency of those on the underside. Voices that challenge the dominance of Eurocentric worldviews through other ways of knowing and being in song can be fruitfully read along decolonial lines.
