派博傳思國(guó)際中心

標(biāo)題: Titlebook: Legacies of the Degraded Image in Violent Digital Media; Stuart Marshall Bender Book 2017 The Editor(s) (if applicable) and The Author(s) [打印本頁]

作者: hexagon    時(shí)間: 2025-3-21 19:57
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作者: microscopic    時(shí)間: 2025-3-21 22:22
Book 2017ce. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-st
作者: crease    時(shí)間: 2025-3-22 00:31

作者: MURAL    時(shí)間: 2025-3-22 08:30

作者: 哥哥噴涌而出    時(shí)間: 2025-3-22 12:21

作者: GEAR    時(shí)間: 2025-3-22 16:02

作者: Diastole    時(shí)間: 2025-3-22 17:48

作者: REIGN    時(shí)間: 2025-3-22 21:55

作者: PALSY    時(shí)間: 2025-3-23 02:08

作者: 神圣在玷污    時(shí)間: 2025-3-23 05:37

作者: 任命    時(shí)間: 2025-3-23 11:46

作者: 技術(shù)    時(shí)間: 2025-3-23 16:05

作者: avenge    時(shí)間: 2025-3-23 22:05

作者: Overstate    時(shí)間: 2025-3-24 01:06
nstitutional prohibition of discrimination. Finally, the chapter notes the importance of the protection of Indigenous cultural rights and proposes the inclusion in the constitution of a right on the part of Indigenous people to the exercise of their culture, which would include a clause imposing a p
作者: FIR    時(shí)間: 2025-3-24 05:23

作者: BARGE    時(shí)間: 2025-3-24 06:49
Stuart Marshall Benderhe places in the study area. In addition, based on empirical evidence of recent transactions on sacred places in the country the chapter concludes that compensation can hardly be adequate for sacred sites because of their social and cultural importance functions, although a review of the compensatio
作者: Ccu106    時(shí)間: 2025-3-24 10:43
Stuart Marshall Benderstern community is considered conceptually along with some practical issues in resolution. Each of these may be inferred from their natures. If the occupier is subject to market rentals, then the market will price the tenant’s contribution, regardless of the land ownership. It is suggested that the
作者: abreast    時(shí)間: 2025-3-24 18:35

作者: irritation    時(shí)間: 2025-3-24 22:21
Stuart Marshall Bender modern commercial terms..The recognition of the metaphysical foundation of the respective systems of property goes some distance toward understanding the difficulties involved in the valuation of indigenous interests. The solution probably lies outside the attempt to transfer ownership when the rea
作者: 演講    時(shí)間: 2025-3-25 01:57

作者: Expurgate    時(shí)間: 2025-3-25 04:19
Legacies of the Degraded Image in Violent Digital Media
作者: 小臼    時(shí)間: 2025-3-25 10:53

作者: Exhilarate    時(shí)間: 2025-3-25 14:46

作者: 半導(dǎo)體    時(shí)間: 2025-3-25 18:00
Stuart Marshall Bender the process, the book reveals the limits of the law in dealing with the growing imperative of human rights in the field, and concludes with three basic insights that are of key relevance for improving the law and decision-making with regard to indigenous peoples’ cultural property.?978-3-319-37782-7978-3-319-01655-9
作者: 使堅(jiān)硬    時(shí)間: 2025-3-25 21:31

作者: appall    時(shí)間: 2025-3-26 00:55
the Commonwealth parliament the power to enact legislation relating to people of any race. Given that the concept of race is now generally accepted as being without scientific validity, the chapter proposes that the races power be replaced by a power to enact laws relating to Indigenous people. The
作者: Substance    時(shí)間: 2025-3-26 05:28
Stuart Marshall Benderlected by Indigenous people. A constitutional referendum that would establish the Voice was scheduled to be held as this book went to print. The proposed Voice would be able to make representations to parliament and to the government on legislation and executive actions as it affects Indigenous peop
作者: nephritis    時(shí)間: 2025-3-26 12:04

作者: 東西    時(shí)間: 2025-3-26 14:10
Stuart Marshall Bender title. Their success initiated a reaction from the tenants that was grounded more on the fear of losing extra-legal benefits customarily attached to state leasehold title than concern over the rights of indigenous people. To untangle Western extra-legal customs regarding property rights and the que
作者: gustation    時(shí)間: 2025-3-26 20:48

作者: 我不重要    時(shí)間: 2025-3-26 21:19
Stuart Marshall Bendererial rights that are notionally comparable to other material values. Indigenous people perceive property only partially in these terms and place greater emphasis on origins and obligations of property within an understanding of community that is alien to modern culture..If property is recognized to
作者: Anterior    時(shí)間: 2025-3-27 01:17

作者: Coronary-Spasm    時(shí)間: 2025-3-27 05:23
Stuart Marshall Benderh includes international human rights law, international culThis book analyses the legal aspects of international claims by indigenous peoples for the repatriation of their cultural property, and explores what legal norms and normative orders would be appropriate for resolving these claims. To estab
作者: 鉗子    時(shí)間: 2025-3-27 11:04

作者: nepotism    時(shí)間: 2025-3-27 16:29
,They Shoot Pixels Don’t They? Killing Pixels from , to , and ,, WikiLeaks release of . (2010), actual US Apache helicopter gun camera footage in Iraq in which the crew attack civilians, is compared with the fictional depiction of virtualized combat in the satellite sequence from Hollywood spy-thriller . (1992). Second, videogames—including . and .—are examined
作者: KEGEL    時(shí)間: 2025-3-27 18:20
Performing Murder on Live Television and Social Media,t of the ‘will-to-representation’, involve people conducting criminal acts simultaneously with the purpose of recording and sharing video of themselves in the process. This chapter addresses the impact of the typically low-grade aesthetic inherent to this material. This primary case study is the mur
作者: 砍伐    時(shí)間: 2025-3-27 22:33

作者: entitle    時(shí)間: 2025-3-28 04:03
The Aesthetics of Sousveillance: , (2007),aded visual style to enhance its affective impact. This chapter shows how the film uses poor image media as integral components of its formal strategy to depict the aesthetic of .—or ‘surveillance from below.’ The argument draws upon a cognitivist account of spectators’ cerebral responses to defamil
作者: 大量    時(shí)間: 2025-3-28 08:57
Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma,les (UAVs). The chapter uses ., ., and . as case studies to explore how the mediated image of UAV combat is depicted in this genre. It is shown that the genre tends to depict pilot trauma as a key component of the narrative. One of the sources for potential trauma is identified as related to the med
作者: amnesia    時(shí)間: 2025-3-28 13:39
Conclusion,d image aesthetic in violent digital media. The chapter argues that in contemporary cinema and real-life depictions of violence, low-quality imagery has retained a strong affective power primarily because of its defamiliarizing properties. This concept is applied briefly to three instances of public
作者: delta-waves    時(shí)間: 2025-3-28 15:45

作者: 痛打    時(shí)間: 2025-3-28 20:04
S-STTEP: Standing on a Threshold of Opportunity04, . (S-STTEP) has grown rapidly, bringing together the worlds of educational research and practice through the insider perspective of those simultaneously engaged in both. Now 15?years later, on the brink of publishing the Second International Handbook, it is timely to examine the accumulation of




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