標(biāo)題: Titlebook: Le Fanu‘s Gothic; The Rhetoric of Dark Victor Sage Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited 2004 bibliograp [打印本頁(yè)] 作者: 法庭 時(shí)間: 2025-3-21 18:02
書目名稱Le Fanu‘s Gothic影響因子(影響力)
書目名稱Le Fanu‘s Gothic影響因子(影響力)學(xué)科排名
書目名稱Le Fanu‘s Gothic網(wǎng)絡(luò)公開度
書目名稱Le Fanu‘s Gothic網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Le Fanu‘s Gothic被引頻次
書目名稱Le Fanu‘s Gothic被引頻次學(xué)科排名
書目名稱Le Fanu‘s Gothic年度引用
書目名稱Le Fanu‘s Gothic年度引用學(xué)科排名
書目名稱Le Fanu‘s Gothic讀者反饋
書目名稱Le Fanu‘s Gothic讀者反饋學(xué)科排名
作者: SEMI 時(shí)間: 2025-3-21 22:40 作者: 嫌惡 時(shí)間: 2025-3-22 01:47
Victor Sagehe faced the door to give students his immediate attention when they came to see him. My desk and chair faced the window, putting my back to the students. He stated that while my office arrangement avoided annoying refl- tions on my computer monitor, it sent an unintended message to the students tha作者: 殖民地 時(shí)間: 2025-3-22 04:34 作者: febrile 時(shí)間: 2025-3-22 11:53 作者: 發(fā)牢騷 時(shí)間: 2025-3-22 13:24
Victor Sageesk and chair faced the window, putting my back to the students. He stated that while my office arrangement avoided annoying refl- tions on my computer monitor, it sent an unintended message to the students tha978-0-387-84904-1978-0-387-84905-8作者: 機(jī)制 時(shí)間: 2025-3-22 17:36
esk and chair faced the window, putting my back to the students. He stated that while my office arrangement avoided annoying refl- tions on my computer monitor, it sent an unintended message to the students tha978-0-387-84904-1978-0-387-84905-8作者: 螢火蟲 時(shí)間: 2025-3-22 22:57 作者: 有害處 時(shí)間: 2025-3-23 04:25
esk and chair faced the window, putting my back to the students. He stated that while my office arrangement avoided annoying refl- tions on my computer monitor, it sent an unintended message to the students tha978-0-387-84904-1978-0-387-84905-8作者: 平躺 時(shí)間: 2025-3-23 06:42 作者: excursion 時(shí)間: 2025-3-23 12:38 作者: 強(qiáng)制令 時(shí)間: 2025-3-23 17:44
Gothic and Romance: Retribution and Reconciliationstile, or traditionally opposed, parties, within the parameters of a single language or, at least, a single text. The most striking example of this structure is the way the Jacobite cause is finally dismissed as outmoded by the modern political state in ., which is done by giving the violence and th作者: 證明無(wú)罪 時(shí)間: 2025-3-23 22:02
‘Carmilla’: ‘I’ll let you be in my dream, if I can be in yours’ other, which Frankenstein himself is also reproducing when he determines to create his creature. Behind this, lies the whole tradition back to Aristophanes’ speech in Plato’s ., and the notion that friendship is the completion of the self, that the two halves form a mirror for each other..作者: Flavouring 時(shí)間: 2025-3-23 23:22 作者: 打折 時(shí)間: 2025-3-24 03:47
Palgrave Macmillan, a division of Macmillan Publishers Limited 2004作者: innate 時(shí)間: 2025-3-24 07:45
Book 2004s in context. Sage concentrates on the development in Le Fanu of hybrid forms, which mingle satire and comedy with Gothic horror, and also discusses the early work of Uncle Silas and Carmilla , giving space to the often neglected unpublished romances.作者: 半身雕像 時(shí)間: 2025-3-24 11:20 作者: 充滿裝飾 時(shí)間: 2025-3-24 16:00 作者: interior 時(shí)間: 2025-3-24 20:05
ng that I was “unapproachable”. For the ten years prior to becoming the course director I taught full-time in the gross anatomy course and gave lectures in the medical neuroscience, histology and embryology courses. This amounted to over 130 student contact hours per year, during which time I had no作者: 新手 時(shí)間: 2025-3-24 23:46
Victor Sagew to deal with issues of eroding professionalism.Special conWhich Way Does Your Desk Face? Early in my tenure as a medical neuroscience course director, I started receiving comments on student evaluations stating that I was “unapproachable”. For the ten years prior to becoming the course director I 作者: amnesia 時(shí)間: 2025-3-25 05:09 作者: 慷慨援助 時(shí)間: 2025-3-25 11:17
Victor Sagew to deal with issues of eroding professionalism.Special conWhich Way Does Your Desk Face? Early in my tenure as a medical neuroscience course director, I started receiving comments on student evaluations stating that I was “unapproachable”. For the ten years prior to becoming the course director I 作者: 緩和 時(shí)間: 2025-3-25 13:35 作者: Postmenopause 時(shí)間: 2025-3-25 19:14
Victor Sageng that I was “unapproachable”. For the ten years prior to becoming the course director I taught full-time in the gross anatomy course and gave lectures in the medical neuroscience, histology and embryology courses. This amounted to over 130 student contact hours per year, during which time I had no作者: 儲(chǔ)備 時(shí)間: 2025-3-25 21:17 作者: 紅腫 時(shí)間: 2025-3-26 02:14
Victor Sageng that I was “unapproachable”. For the ten years prior to becoming the course director I taught full-time in the gross anatomy course and gave lectures in the medical neuroscience, histology and embryology courses. This amounted to over 130 student contact hours per year, during which time I had no作者: CAB 時(shí)間: 2025-3-26 04:34 作者: 拾落穗 時(shí)間: 2025-3-26 09:24
Victor Sageng that I was “unapproachable”. For the ten years prior to becoming the course director I taught full-time in the gross anatomy course and gave lectures in the medical neuroscience, histology and embryology courses. This amounted to over 130 student contact hours per year, during which time I had no作者: 匯總 時(shí)間: 2025-3-26 12:51 作者: Cuisine 時(shí)間: 2025-3-26 17:32 作者: 陶瓷 時(shí)間: 2025-3-26 21:45 作者: 客觀 時(shí)間: 2025-3-27 02:33 作者: 槍支 時(shí)間: 2025-3-27 05:38 作者: Intend 時(shí)間: 2025-3-27 10:46
Magic Lanthern: ,, Narrative Indirection and the Layered Textotagonist and witness, speak for herself. This gives the text a different kind of focus and seductive power. But those earlier experiments in holding narrative at arm’s length, follow through into this text, too, in the tension between the spoken and the textualised voice, and the multiple perspecti作者: 假裝是你 時(shí)間: 2025-3-27 16:49 作者: Conflagration 時(shí)間: 2025-3-27 18:11 作者: EWER 時(shí)間: 2025-3-28 00:44 作者: Entreaty 時(shí)間: 2025-3-28 02:07 作者: 寡頭政治 時(shí)間: 2025-3-28 08:55 作者: 粗糙 時(shí)間: 2025-3-28 13:23
Doubleplot I: , knows how to manipulate his status. But he is also dependent on his unpleasant uncle, Kiffyn, who is the next in line for the baronetcy of the Verney family, an inheritance which is, however, at the opening of the novel, still under dispute. Financially, Cleve’s prospects are not directly good - only good by association with his uncle.作者: PALSY 時(shí)間: 2025-3-28 17:08
Doubleplot II: ich transfers, as far as it is possible to do so, the sado-masochistic encounter of desire between lovers into the space between the reader and the text, via a compressed and multiply framed, fairytale Gothic romance version of the Two Brothers Plot.作者: 逃避責(zé)任 時(shí)間: 2025-3-28 20:30
f the 1830s in context. Sage concentrates on the development in Le Fanu of hybrid forms, which mingle satire and comedy with Gothic horror, and also discusses the early work of Uncle Silas and Carmilla , giving space to the often neglected unpublished romances.978-0-230-28741-9作者: ANNUL 時(shí)間: 2025-3-28 23:31
Two Stories: Chiaroscuro and the Politics of Superstition tradition, which can include Protestant and Catholic sides of the Irish sectarian divide. Here is Samuel Ferguson, writing in 1834, in Le Fanu’s own magazine, the .:.Le Fanu’s extraordinary first sequence of stories, written between 1838 and 1840 and published in the ., was nested perfectly within Ferguson’s political brief.作者: Hay-Fever 時(shí)間: 2025-3-29 03:22
Book 2004s in context. Sage concentrates on the development in Le Fanu of hybrid forms, which mingle satire and comedy with Gothic horror, and also discusses the early work of Uncle Silas and Carmilla , giving space to the often neglected unpublished romances.作者: neoplasm 時(shí)間: 2025-3-29 08:28
Dreadful Witness: Narrative Perversity and eron uses asacomicmaskofhyhridity-the’Churchyard laugh’-has the effect in the earlier novel of foregrounding an explicitly paradoxical relation between fiction and truth. In that novel, Charles lets us know when he is making things up, and when his records do not stretch to a picture which he needs for his narration.作者: 少量 時(shí)間: 2025-3-29 11:32
Magic Lanthern: ,, Narrative Indirection and the Layered Textves which are opened up, by that tension, in the very act of narration. This apparently transparent text is, above all, a self-conscious representation. . Gothic, its rhetoric of ‘superstition’, darkness and horror, is an intimate presence in its narrative indirectness, traversing the hybridity of its effects.
