標(biāo)題: Titlebook: Latinidad and Film; Queer and Feminist C Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urqu Book 2024 The Editor(s) (if applicable) and The [打印本頁(yè)] 作者: 吸收 時(shí)間: 2025-3-21 17:24
書目名稱Latinidad and Film影響因子(影響力)
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書目名稱Latinidad and Film網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Latinidad and Film被引頻次
書目名稱Latinidad and Film被引頻次學(xué)科排名
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書目名稱Latinidad and Film年度引用學(xué)科排名
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書目名稱Latinidad and Film讀者反饋學(xué)科排名
作者: geometrician 時(shí)間: 2025-3-21 22:51 作者: 慢跑 時(shí)間: 2025-3-22 01:07
Fall der Wiedervereinigung Deutschlands (Schattenquotenanspruch) verlangen. Die auszugebenden Fundierungs-Schuldverschreibungen lauten auf die ursprüngliche Emissionsw?hrung und sollen folgende Konditionen beinhalten: Zinssatz 3%, Laufzeit 20 Jahre, j?hrliche Tilgung: beginnend nach fünf Jahren mit 作者: 使困惑 時(shí)間: 2025-3-22 08:13 作者: 善辯 時(shí)間: 2025-3-22 09:46 作者: 骨 時(shí)間: 2025-3-22 14:27
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruizhlt, weil das Sophokleische Stück dessen nicht bedarf. Ist doch die ?tragische Analysis? des Sophokles die der Vorgeschichte. Ihre Dramatisierung zum Zwecke des Sophokles-Stückes stie?e sich an diesem, würde von dessen dramatischem Kern negiert, den der Satz begreift: ?Das epische Wandern der Vorges作者: In-Situ 時(shí)間: 2025-3-22 19:30 作者: gimmick 時(shí)間: 2025-3-22 23:29 作者: 撫慰 時(shí)間: 2025-3-23 04:41
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruizr and Wadi Kubbaniya) and West Africa (Iwo Eleru). Case Study 1 also underscores that Hofmeyr is not always on the margin of modern variation, as some of its facial features (e.g., narrow orbits, a curved frontal and large maxillae) are similar to various recent groups from North, South and West Afr作者: falsehood 時(shí)間: 2025-3-23 09:14 作者: 蒸發(fā) 時(shí)間: 2025-3-23 13:06 作者: Statins 時(shí)間: 2025-3-23 14:21
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruizr and Wadi Kubbaniya) and West Africa (Iwo Eleru). Case Study 1 also underscores that Hofmeyr is not always on the margin of modern variation, as some of its facial features (e.g., narrow orbits, a curved frontal and large maxillae) are similar to various recent groups from North, South and West Afr作者: 雜役 時(shí)間: 2025-3-23 19:22 作者: 要求比…更好 時(shí)間: 2025-3-23 23:09
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruizin high frequencies among South African Holocene individuals. Additionally, several high frequency traits from the SSADC are observed in the Hofmeyr dentition, but the disparate frequencies among a number of populations that comprise this model in some of the variants (e.g., the Y occlusal pattern o作者: 冒煙 時(shí)間: 2025-3-24 05:04 作者: 肉體 時(shí)間: 2025-3-24 10:03 作者: 眉毛 時(shí)間: 2025-3-24 13:49 作者: 下級(jí) 時(shí)間: 2025-3-24 16:23
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruiz作者: fallible 時(shí)間: 2025-3-24 22:07
organization in three parts reflects a common core of the Latin American and U.S. Latinx experiences, unifying all these films in the hope of creating a better understanding of these geographical regions and their people.?978-3-031-56118-4作者: 沒有希望 時(shí)間: 2025-3-25 01:45
(María Novaro, 1991, Mexico/Spain)eflects on visual resources that Novaro uses in her film to depict the evolution of her protagonist who starts following the very strict norms of danzón and Mexican society but who later becomes a more independent dancer who also decides the direction of her own life and how she lives sexually and owns her body.作者: 亂砍 時(shí)間: 2025-3-25 06:51
(Claudia Llosa. 2006, Perú)mphasizes the breaking of the conventional rules of modesty and conservatism by imagining a god that turns his back on his children so they can play in absolute freedom as they break all social and familial contracts. Freedom, then, is what is desired by Madeinusa and what she pursues without regrets.作者: 偽書 時(shí)間: 2025-3-25 11:17 作者: ostensible 時(shí)間: 2025-3-25 11:45
(Dir. Leticia Tonos. 2011, República Dominicana)ing a safe space where she is able to reconcile with her father. Manhood is questioned through humor; womanhood is developed through survival. By creating a masculine crisis and a thriving female character, Tonos is subverting the patriarchal narrative without condemning one side or the other.作者: 大量 時(shí)間: 2025-3-25 17:12
(Frances Negrón-Muntaner. 1994, U.S./Puerto Rico) in Philadelphia. The “history” represented in the film is fragmented, interrupted, and artificial as any other cultural production, but it has a conscience of artificiality that allows the spectator to trace a new kind of national identity, queering the national performance in a hopeful light for inclusion.作者: covert 時(shí)間: 2025-3-25 23:19 作者: staging 時(shí)間: 2025-3-26 01:33 作者: Arctic 時(shí)間: 2025-3-26 04:49
(Paola Mendoza and Gloria La Morte. 2009, USA)orld. The aspects analyzed in this chapter synthesize Mendoza and La Morte’s vision of this particular story of strength and resiliency via a personal gaze that explores an immigrant woman’s story of survival.作者: 敲詐 時(shí)間: 2025-3-26 12:12 作者: 關(guān)心 時(shí)間: 2025-3-26 15:26
Book 2024tween individual agency, choices, and freedom from the communities represented. The book‘s organization in three parts reflects a common core of the Latin American and U.S. Latinx experiences, unifying all these films in the hope of creating a better understanding of these geographical regions and their people.?作者: 向外供接觸 時(shí)間: 2025-3-26 20:39 作者: 有特色 時(shí)間: 2025-3-26 22:32
Book 2024ditional notions of gender roles, family, and national identities, it discusses how film directors are broadening the canon and producing provocative work that challenges the boundaries of identity. Utilizing a feminist and queer lens, this book is intended to demonstrate the dynamic interactions be作者: Debate 時(shí)間: 2025-3-27 01:06 作者: Nmda-Receptor 時(shí)間: 2025-3-27 05:20
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. UrquFirst panoramic cinema book focusing on women and LGBTQ creators and filmmakers of Latin American and Latinx community.Accessible to a wide readership, both inside and outside of the academia.Consider作者: 字的誤用 時(shí)間: 2025-3-27 10:30 作者: FLORA 時(shí)間: 2025-3-27 15:02
https://doi.org/10.1007/978-3-031-56118-4Latin American Cinema; Film Studies; LGBTQ; Gender Studies; Latin America; Latino Film; Women filmmakers; W作者: Altitude 時(shí)間: 2025-3-27 19:58 作者: Arteriography 時(shí)間: 2025-3-27 23:17 作者: Insul島 時(shí)間: 2025-3-28 04:14
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruizlt pr?zise systematische Darstellungen anhand neu entwickelt.Die intelligente Weiterentwicklung von Bautypen ist eine wesentliche Aufgabenstellung im Wohnungsbau. Für den einzelnen Entwurf ebenso wie für die breite Verwendbarkeit, Wiederholbarkeit und Variation von erprobten Srukturen ist?das vertie作者: mendacity 時(shí)間: 2025-3-28 09:48 作者: 誘騙 時(shí)間: 2025-3-28 11:27
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruizen zum Schlu?teil nicht erkennen lassen, auf welche Weise das ?Trauerspiel? dramatisch in ?Idylle? h?tte übergehen k?nnen.. Davon unberührt bleibt aber die M?glichkeit, das Verh?ltnis der beiden ausgeführten Teile zu bestimmen, der ?Trag?die in drei Aufzügen? ?Odipus und die Sphinx? und der Neuübers作者: 臭名昭著 時(shí)間: 2025-3-28 17:06 作者: 文件夾 時(shí)間: 2025-3-28 21:31 作者: CLIFF 時(shí)間: 2025-3-29 00:09 作者: Lignans 時(shí)間: 2025-3-29 04:11 作者: Agnosia 時(shí)間: 2025-3-29 10:48
hinterland of the Eastern Cape Province of South Africa. The fossil locality is directly underlain by the reddish siltstones of the Burgersdorp Formation, while the resistant sandstones of the overlying Molteno Formation form the slopes of the Bamboesberg mountains more than 10 km to the east. Both作者: 神化怪物 時(shí)間: 2025-3-29 14:54 作者: 笨拙的你 時(shí)間: 2025-3-29 18:56
Dania Abreu-Torres,Rosana Blanco-Cano,Rita E. Urquijo-Ruiz close morphological and morphometric ties to South African Holocene and Late Pleistocene dentitions. Dental variation, particularly as it relates to size, is quite broad within the South African context. The Hofmeyr molars reside at the extreme range of morphometric variation observed in Holocene K作者: Feckless 時(shí)間: 2025-3-29 20:21