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標(biāo)題: Titlebook: Language and Gender in American Fiction; Howells, James, Whar Elsa Nettels Book 1997 Elsa Nettels 1997 America.fiction.gender.Henry James.V [打印本頁]

作者: TRACT    時間: 2025-3-21 17:05
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ender as revealed in definitions of masculine and feminine, and in comparisons of men‘s and women‘s speech and writing. Chapters on William Dean Howells, Henry James, Edith Wharton, Willa Cather, and Utopian fiction show how individual writers both reinforced and subverted gender ideology in their t
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Introduction,ames — have remained dominant figures in American and English literary history. Several others, including Sarah Orne Jewett, Thomas Nelson Page and Mary E. Wilkins, retained their status as regionalists. The majority, male and female, quickly passed into oblivion and have remained forgotten, their books long since out of print.
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Book 1997James, Edith Wharton, Willa Cather, and Utopian fiction show how individual writers both reinforced and subverted gender ideology in their treatment of language and social class and in their construction of dialogue and the discourse of first and third person narrators.
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ls, Henry James, Edith Wharton, Willa Cather, and Utopian fiction show how individual writers both reinforced and subverted gender ideology in their treatment of language and social class and in their construction of dialogue and the discourse of first and third person narrators.978-1-349-11408-5978-1-349-11406-1
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,Singers, Writers and Storytellers in Cather’s America,ly column, ‘The Passing Show’, which she continued for seven years. At 21, the age when Henry James published his first critical essay, in the ., she was establishing her reputation as one of the foremost western drama critics, ‘in production and distinction the equal of metropolitan critics’.
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, and , in James’s Criticism and Fiction, imagination — shows in James’s fiction, as in Howells’s, the degree to which language reinforces or reflects the kinds of power men and women exercise in their private relationships and within the social order. Finally, James’s lifelong concern to define what is masculine and what is feminine in sp
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, and , in James’s Criticism and Fiction,upied him from the beginning of his career. For 40 years, in England and America, he was an inveterate observer of cultural signs, including language. At clubs, hotels, dinner parties and country houses he listened to men and women talk; he noted the habits of speech of different social classes and
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,Singers, Writers and Storytellers in Cather’s America,says while still in her teens; by the age of 20 she too was a regular contributor to the leading newspaper of a Western state. During the winter of 1893–94, when she was a junior at the University of Nebraska in Lincoln, she became the regular drama critic for the . and began publishing there a week
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Illusions of Change in Utopian Fiction, his attention to a work of ‘pure romance’, as he called Bellamy’s utopian novel: ‘The reversions or counter-currents in the general tendency of a time are very curious, and are worthy of tolerant study. They are always to be found; perhaps they form the exception that establishes the rule; at least
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