派博傳思國際中心

標(biāo)題: Titlebook: Langland‘s Early Modern Identities; Sarah A. Kelen Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 Autorschaft.Cultur [打印本頁]

作者: PED 時(shí)間: 2025-3-21 18:40
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書目名稱Langland‘s Early Modern Identities讀者反饋學(xué)科排名

作者: 連詞 時(shí)間: 2025-3-21 21:30
A Proliferation of Plowmen,nd seems, on the face of it strong.”. Another argument that Chaucer both read and responded to . is Paul Hardwick’s claim that Chaucer’s . Plowman responds to both Langland’s Piers Plowman and the 1381 rebels’ use of that name; Hardwick contends that Chaucer remakes Langland’s plowman from religious metaphor to a figure for poetic making..

作者: 鞭子 時(shí)間: 2025-3-22 00:57

作者: Obloquy 時(shí)間: 2025-3-22 05:44

作者: 演繹 時(shí)間: 2025-3-22 11:01
Introduction,nderstanding the contemporary importance of Shakespeare also includes knowing which particular Shakespearean works twenty-first-century readers still read, and how. The same holds true for later periods’ conceptions of medieval literature. To read early modern works without simultaneously paying att

作者: 艱苦地移動(dòng) 時(shí)間: 2025-3-22 13:03

作者: Culmination 時(shí)間: 2025-3-22 20:12
Fictions of Authorship, Fictions of English Literature,pite Whitaker’s use of a language suggesting physical observation, and even physical action (“I next pursue him to his study”), his narratorial perspective does not truly reproduce that of a real historical eyewitness, for no colleague of Langland’s would have access to such solitary scenes.

作者: Commentary 時(shí)間: 2025-3-23 00:29

作者: 否認(rèn) 時(shí)間: 2025-3-23 04:13

作者: Incumbent 時(shí)間: 2025-3-23 09:24
Sarah A. Kelend der Bundesrepublik Deutschland. Der Beitrag führt an die Schwelle der Gegenwart. Er beobachtet eine historisch gewachsene, für dieses moderne Rechtsgebiet in besonderem Ma?e charakteristische ?Multinormativit?t“, also die Koexistenz, Konkurrenz und Kooperation juristischer mit nicht-juristischen R

作者: faultfinder 時(shí)間: 2025-3-23 11:31

作者: 污穢 時(shí)間: 2025-3-23 16:36
Sarah A. Kelenverfahren, auch nicht das spezifische Verbraucher- und Datenschutzrecht, sondern das Signaturrecht. Dieses regelt die Voraussetzungen und Folgen des Angebots von Signaturverfahren und der Verwendung von elektronischen Signaturen. Seine Grundstrukturen werden in diesem Beitrag dargestellt.

作者: 未開化 時(shí)間: 2025-3-23 21:45

作者: 果核 時(shí)間: 2025-3-24 00:51
Introduction,or those who have won recent literary prizes. Nevertheless, many works from earlier centuries (., for example) retain an important place in our literary culture. It would be hard to explicate the sociology of reading, particularly as it intersects with the practice of education, without understandin

作者: 萬花筒 時(shí)間: 2025-3-24 03:01
The Birth of Langland,to transmit a biography of the poet as an adjunct to his poem. Medieval authors sometimes named themselves in their works, but when they did so, it was by way of autocitation more than autobiography. . Authors might name themselves in their works, but without much psychological detail.. To take one

作者: INCH 時(shí)間: 2025-3-24 07:04

作者: 制造 時(shí)間: 2025-3-24 12:14
Langland Anthologized,by Owen Rogers (1561). After the Rogers edition of 1561, there were no new editions of the poem for well over a century. Someone wishing to read the poem at the end of the seventeenth century would have had to acquire and use a copy over a century old. . was not the only medieval work relatively ina

作者: 鉗子 時(shí)間: 2025-3-24 17:42
Langland Recontextualized,ted anthology such as Cooper’s . could incorporate medieval literature into a unified and linear narrative of the nation’s literary history. On the other hand, an anthology such as Anderson’s . boasted of its thoroughness in presenting complete texts of multiple works by its chosen authors, but did

作者: 消息靈通 時(shí)間: 2025-3-24 19:58
Fictions of Authorship, Fictions of English Literature,etry than his theology, as Whitaker offers an explanation of Langland’s crafting of .. Whitaker describes Langland’s compositional process using particularly visual terms: “ometimes I can descry him taking his staff, and roaming far and wide. . .storing his memory with hints for future use. I nex
作者: CLOWN 時(shí)間: 2025-3-25 01:25

作者: 平靜生活 時(shí)間: 2025-3-25 04:59
Sarah A. Kelenntrecht. Die Patentrechtswissenschaft stand in voller Blüte. Ein Name, der bis heute alle anderen überstrahlt, ist ., der im Bereich des Immaterialgüterrechts Weltgeltung erlangt hat. In seinen rechtsvergleichend angelegten Lehrbüchern und zahlreichen Schriften bezog er insbesondere die Entwicklunge
作者: 鞠躬 時(shí)間: 2025-3-25 11:24

作者: 想象 時(shí)間: 2025-3-25 12:27
Sarah A. Kelensind zum einen ein hohes Potenzial an Innovation und Kreativit?t und zum anderen ein hoher Investitionsaufwand für die Erstellung, Implementierung und Wartung von Computerprogrammen. Dabei reicht die Palette von ma?geschneiderten komplexen Programml?sungen über standardisierte Betriebssysteme und An
作者: sigmoid-colon 時(shí)間: 2025-3-25 17:01

作者: MUMP 時(shí)間: 2025-3-25 19:59

作者: languid 時(shí)間: 2025-3-26 00:29
Book 2007This book uses the methodologies of cultural studies and the history of the book to show how editors and readers of the Sixteenth through the early Nineteenth century successively remade Piers Plowman and its author according to their own ideologies of the Middle Ages.
作者: hardheaded 時(shí)間: 2025-3-26 07:08
https://doi.org/10.1057/9780230608764Autorschaft; Cultural Studies; fiction; history; history of literature; Ideologie; Middle Ages
作者: 發(fā)牢騷 時(shí)間: 2025-3-26 09:25

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作者: overshadow 時(shí)間: 2025-3-27 04:35
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