標題: Titlebook: Landscape Allegory in Cinema; From Wilderness to W David Melbye Book 2010 David Melbye 2010 cinema.film.Hollywood [打印本頁] 作者: 遠見 時間: 2025-3-21 19:58
書目名稱Landscape Allegory in Cinema影響因子(影響力)
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書目名稱Landscape Allegory in Cinema讀者反饋
書目名稱Landscape Allegory in Cinema讀者反饋學科排名
作者: 厚顏 時間: 2025-3-21 21:25 作者: Femish 時間: 2025-3-22 01:53
http://image.papertrans.cn/l/image/580663.jpg作者: overwrought 時間: 2025-3-22 07:59 作者: 萬靈丹 時間: 2025-3-22 09:43 作者: LUDE 時間: 2025-3-22 15:23
David Melbyeen zu verdanken, aus denen Erhebungs-, Aufbereitungs- und Analyseverfahren übernommen werden, und sie ist teils in fachspezifischer Weise erfolgt und somit als Anzeichen der Konsolidierung des vergleichsweise jungen akademischen Fachs DaF/DaZ zu werten.作者: Infelicity 時間: 2025-3-22 19:50
David Melbyeen zu verdanken, aus denen Erhebungs-, Aufbereitungs- und Analyseverfahren übernommen werden, und sie ist teils in fachspezifischer Weise erfolgt und somit als Anzeichen der Konsolidierung des vergleichsweise jungen akademischen Fachs DaF/DaZ zu werten.作者: FORGO 時間: 2025-3-22 22:01 作者: BULLY 時間: 2025-3-23 01:24 作者: acclimate 時間: 2025-3-23 07:13 作者: 壯麗的去 時間: 2025-3-23 09:42 作者: HERE 時間: 2025-3-23 15:58 作者: hauteur 時間: 2025-3-23 18:52
Introduction,sive approach to framing, editing, and juxtaposition. In the same way that Robert Wiene’s German Expressionist film . (1920) suggests its narrator’s insanity through contorted interior sets, certain films use outdoor locations to express their protagonists’ internal conflicts.作者: Liberate 時間: 2025-3-24 00:26
Landscape Depiction before Cinema,th-century American sublime. There are also certain influential artists such as Hieronymus Bosch in the fifteenth century and Claude Lorrain in the seventeenth century whose particular treatment of landscape is evident in subsequent periods. The nineteenth-century Romantic sublime movement in partic作者: 熱心 時間: 2025-3-24 06:00
Spiritualized Landscapes of the Nineteenth Century,, the sublime denotes natural phenomena that inspire fear, awe, wonder, amazement, and similar emotions of astonishment, whereas the beautiful refers to what should be considered antithetical, namely phenomena that inspire love, comfort, and complacency. Utilizing this distinction, landscapes such a作者: extrovert 時間: 2025-3-24 07:34 作者: muster 時間: 2025-3-24 11:07
Spiritual Wasteland Films,ation does not imply all mainstream filmmakers were aware of avant-garde films or their specific approach to natural settings. The overall experimental impulse of this period was enough to encourage landscape allegory in narrative cinema.作者: 屈尊 時間: 2025-3-24 18:49
Landscape Allegory in Hollywood,environments, while the dominant culture develops its urban centers around the most fertile and economically viable regions. The sequestration of American Indians to barren desert reservations is a good example of this cultural phenomenon, as is the marginalization of the Aboriginal people in the Au作者: Aids209 時間: 2025-3-24 22:36 作者: 行乞 時間: 2025-3-25 02:52 作者: ligature 時間: 2025-3-25 05:23 作者: 冒煙 時間: 2025-3-25 07:39
Australian Outback Allegory,and cultural contexts. In these films, landscape allegory emerges similarly by way of peripheral wilderness locations. Simon Schama’s ideas about landscape inform this mode of film allegory. In his study ., Schama asserts:作者: 物質(zhì) 時間: 2025-3-25 13:18
Italian Wasteland Allegory,assimilation into the larger pessimistic allegory of futility, the resulting films challenge narrative conventions by requiring closer intellectual involvement. The spectator must acknowledge that such landscapes are no longer mere backdrops, but characters in their own right.作者: 人造 時間: 2025-3-25 17:11
Introduction,ngly, cinematic locations serve as backdrops for characters that shape the story on their own. Consider Hollywood epics like Richard Fleischer’s . (1958), William Wyler’s . (1959), or Henry Levin’s . (1965): the magnificent locations do little more than set the stage for these films’ grand narrative作者: febrile 時間: 2025-3-25 23:04
Landscape Depiction before Cinema,to specific ideas within a wider cultural context. Scholars such as A. Bartlett Giamatti, Svetlana Alpers, Barbara Novak, Malcolm Andrews, and Leo Marx have thoroughly explored the rich Western tradition of depicting natural landscapes in drawing, painting, tapestry, and other artistic media. In ord作者: 反饋 時間: 2025-3-26 02:52
Spiritualized Landscapes of the Nineteenth Century,kel refers to this Romantic sublime movement as ‘a(chǎn)n attempt to revise the meaning of transcendence precisely when the traditional apparatus of sublimation—spiritual, ontological, and (one gathers) psychological and even perceptional—was failing to be exercised or understood.’. Derived from Longinus’作者: 手術刀 時間: 2025-3-26 06:06 作者: 鑒賞家 時間: 2025-3-26 09:12 作者: 菊花 時間: 2025-3-26 14:44 作者: Confirm 時間: 2025-3-26 19:25
Australian Outback Allegory,e time. Other national cinemas from the same period associate this spiritual crisis with one culture’s exploitation of another, in both environmental and cultural contexts. In these films, landscape allegory emerges similarly by way of peripheral wilderness locations. Simon Schama’s ideas about land作者: 提名的名單 時間: 2025-3-26 23:14
Landscape Allegory in Hollywood,feature-length narratives range from big-budget Hollywood productions, such as the epic western ., to the independent low-budget productions made in less affluent national conditions, as was the case with . Chapter seven explored two major film examples of the Australian bush allegory, but unlike th作者: 隼鷹 時間: 2025-3-27 02:12
River/Jungle and Other Imperialist Allegories,olatile actor Klaus Kinski was cast to play the megalomaniac in two river/jungle allegories released in this defeatist period of cinema. German director Werner Herzog ventured into the Peruvian jungle with Kinski to shoot . (1972), and then . (1982) some years later. Like ., these films contain char作者: Orchiectomy 時間: 2025-3-27 06:06
Landscape Allegory in Other Narrative Contexts,sion of pessimistic cinema in the 1960s and ’70s. With the transition to cinema as the preferred narrative medium, cultural investment in natural terrains as sites of meaning increased. Eventually, such investment adjusted to a major paradigm shift in the myths that had propelled national identity f作者: Meditate 時間: 2025-3-27 09:34
Conclusion,e to the outer experience of natural environments. The pre-cinematic media of painting and literature nurtured a cultural readiness to interpret the landscape beyond its supportive function as backdrop. The complex heritage of landscape painting demonstrates the potential of natural settings to be t作者: 我悲傷 時間: 2025-3-27 15:14 作者: Aids209 時間: 2025-3-27 19:41 作者: canvass 時間: 2025-3-27 23:35
David Melbyefferenzierung der Untersuchungsgegenst?nde und der Forschungsdesigns erfahren. Die thematische Ausdifferenzierung war eingebunden in übergreifende Entwicklungstendenzen der Fremd- und Zweitsprachendidaktik, wie sie u. a. an Casparis (2016a: 14–15) Auflistung entsprechender Forschungsfelder sichtbar 作者: avulsion 時間: 2025-3-28 02:46 作者: Chivalrous 時間: 2025-3-28 09:20 作者: 虛弱 時間: 2025-3-28 13:48
David Melbyefferenzierung der Untersuchungsgegenst?nde und der Forschungsdesigns erfahren. Die thematische Ausdifferenzierung war eingebunden in übergreifende Entwicklungstendenzen der Fremd- und Zweitsprachendidaktik, wie sie u. a. an Casparis (2016a: 14–15) Auflistung entsprechender Forschungsfelder sichtbar 作者: idiopathic 時間: 2025-3-28 14:55
. Gleichwohl wird die Geschichte der philosophischen Theorien, die sich der L?sung des Problems gewidmet haben, wie die Erkenntnis und das Wissen des Menschen entstehen und wie sie sich auf die Wirklichkeit beziehen, oft als linearer Proze? von schw?cheren zu st?rkeren Theorien geschrieben.. Mit Sch作者: sacrum 時間: 2025-3-28 19:36
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