標(biāo)題: Titlebook: Joseph Conrad and the Reader; Questioning Modern T Amar Achera?ou Book 2009 Amar Achera?ou 2009 aesthetics.Autorschaft.fiction.Narrative.Br [打印本頁] 作者: solidity 時(shí)間: 2025-3-21 19:25
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書目名稱Joseph Conrad and the Reader讀者反饋學(xué)科排名
作者: 同來核對(duì) 時(shí)間: 2025-3-21 23:20 作者: 誤傳 時(shí)間: 2025-3-22 03:37
Book 2009Joseph Conrad and the Reader is the first book fully devoted to Conrad‘s relation to the reader, visual theory and authorship. This challenging study proposes new approaches to modern literary criticism and deftly examines the limits of deconstructionist theories, introducing groundbreaking new?theoretical concepts of reading and reception.作者: 說笑 時(shí)間: 2025-3-22 05:01 作者: 荒唐 時(shí)間: 2025-3-22 08:46
Polish Responses: Art and the Ethics of Collectivityn the overlooked cultural, ideological, and political factors that influenced Polish responses to Conrad’s writing. The overall objective is to trace how far the responses of Conrad’s Polish readers were determined by overpowering cultural and ideological constructs that leave little room, if any, for dialogical paradigms.作者: ASSAY 時(shí)間: 2025-3-22 13:10
Conclusionk poet who was inspired by the Muses and keen to entertain and instruct his audience. Rather, the authorial figure that Conrad projects is more in keeping with the Flaubertian type, lurking behind the work and maintaining a detached posture towards the written fictional universe.作者: 著名 時(shí)間: 2025-3-22 17:03
A Cartography of Conrad’s Fictional Readers: Reading Hierarchy in ,, ‘Heart of Darkness’, ,, and historical documents and newspapers. The metaphorical, abstract, or rhetorical category of readers is composed of active observers and interpreters of allegorical scripts such as other characters’ faces, their body language, and their geographic, social, and cultural contexts.作者: faultfinder 時(shí)間: 2025-3-22 22:12 作者: 壯觀的游行 時(shí)間: 2025-3-23 05:03
ing study proposes new approaches to modern literary criticism and deftly examines the limits of deconstructionist theories, introducing groundbreaking new?theoretical concepts of reading and reception.978-1-349-30997-9978-0-230-25083-3作者: prick-test 時(shí)間: 2025-3-23 06:16
Conrad’s Conception of Authorship: Probing the Implications and Limits of the Death-of-the-Author Tht in . His tragedies were not only meant to produce strong emotions, such as fear and pity, but were also intended to educate these very emotions and thus contribute to the audience’s moral education — as was expected from every tragedian.作者: 自戀 時(shí)間: 2025-3-23 13:23
British Reception: Englishness and the Act of Readingconsumption of his British audience. Next, comes the otherness of his style and multi-dimensional worldview. Conrad has a deep, multifarious artistic outlook. His style constructs palimpsests in which Polish, French, and English syntactic patterns coalesce to give his texts exotic resonance and hete作者: Muscularis 時(shí)間: 2025-3-23 13:58 作者: 內(nèi)向者 時(shí)間: 2025-3-23 19:07 作者: 未成熟 時(shí)間: 2025-3-24 01:20
Conrad and the Construction of the Reader: Tension between Democratic Vision and Aristocratic Leaninsses to the reader. In ., for example, the word ‘reader’ is used several times, and it was Balzac’s obsession with the reader that led Zola to refer to Balzac’s works as a ‘véritable causerie avec le public’ (sheer chitchat with the readers).作者: Chemotherapy 時(shí)間: 2025-3-24 03:54
Narrative Self-Consciousness and the Act of Reading: Examining , through the Lens of the Poetics of ics, although Conrad nowhere acknowledged a debt to them. And since writing is essentially an act of appropriation and adaptation,. Conrad’s eighteenth-century influences were, unsurprisingly, themselves indebted to earlier literary traditions. They drew on ancient Greek and Roman poets as well as o作者: irreparable 時(shí)間: 2025-3-24 07:13 作者: sebaceous-gland 時(shí)間: 2025-3-24 11:30 作者: 含沙射影 時(shí)間: 2025-3-24 18:27
?indicators is necessary. Takingthis path is extremely worthwhile. Fan?customers have an emotional connection to their provider and form a new,?reliable “currency” - both as direct buyers and as active ambassadors..This a must-read for all business decision-makers who want to improve the?quality of 作者: nullify 時(shí)間: 2025-3-24 21:25
Amar Achera?ou (2a) touchpoint-wide and (2b) touchpoint-specific. Also, of great importance to the success of the implementation process is (3) the interface between customer and employee relationships: Therefore, we will address the conditions that must be met in order for employees to become Fan Makers of custo作者: ingestion 時(shí)間: 2025-3-25 02:17 作者: ironic 時(shí)間: 2025-3-25 04:34
Amar Achera?ouion.Für das gesamte therapeutische Team: Logop?die, Physio- .Dieses praxisnahe Standardwerk vermittelt das bew?hrte interprofessionelle Therapiekonzept F.O.T.T. nach Kay Coombes. Im Mittelpunkt stehen die individuelle F?rderung und Teilhabe von Patient*innen mit Dysphagie und St?rungen der Atmung, d作者: 不透明性 時(shí)間: 2025-3-25 07:42 作者: 結(jié)構(gòu) 時(shí)間: 2025-3-25 12:00 作者: BRIDE 時(shí)間: 2025-3-25 19:03
Introductioncifically, the leading view in modern literary criticism, notably in structuralist and poststructuralist theories, is Roland Barthes’s notion of the death of the author.. This book revisits Barthes’s theory and uncovers its theoretical and empirical limits. It provides an alternative critical line t作者: sparse 時(shí)間: 2025-3-25 21:32
Conrad’s Conception of Authorship: Probing the Implications and Limits of the Death-of-the-Author Th since its roots go back to ancient Greece and Rome. Indeed, concern with the audience has been a major preoccupation since time immemorial. Throughout antiquity Greek poets were centrally preoccupied with their audiences, whom they sought to entertain and instruct. Plato and Aristotle were both awa作者: NICE 時(shí)間: 2025-3-26 02:45
Polish Responses: Art and the Ethics of Collectivityl, ideological, and political factors that determine readers’ responses to fictional works. The various studies dealing with the reception of Conrad’s fiction are no exception.. This chapter, which examines the reception of Conrad’s writing in Poland, aims to redress this balance. It lays emphasis o作者: 刪減 時(shí)間: 2025-3-26 07:31 作者: 有組織 時(shí)間: 2025-3-26 12:04
Conrad’s Visual Aesthetics: Classical and Modern Connections informed his writing. There is ample evidence that Conrad read extensively and that he was an avid reader of both modern and ancient authors and texts. His father Apollo Korzienowski introduced him to the Polish Romantic classics, specifically Mickiewicz and Slovacki, as well as to Shakespeare. and作者: infatuation 時(shí)間: 2025-3-26 15:45
A Cartography of Conrad’s Fictional Readers: Reading Hierarchy in ,, ‘Heart of Darkness’, ,, and l set consists of characters reading all kinds of texts in the here-and-now of the fictional time. These texts range from letters and light fiction to historical documents and newspapers. The metaphorical, abstract, or rhetorical category of readers is composed of active observers and interpreters o作者: 倔強(qiáng)一點(diǎn) 時(shí)間: 2025-3-26 18:48 作者: Esophagus 時(shí)間: 2025-3-26 23:01
Conrad and the Construction of the Reader: Tension between Democratic Vision and Aristocratic Leaninconscious, revealing intricate relationships between implied author and reader. However, we would need also to clarify that Conrad’s works are not as overtly reader-oriented as could, for instance, be said of the fictions of Fielding, Sterne, or Balzac. These three writers tend to establish close re作者: 主動(dòng)脈 時(shí)間: 2025-3-27 04:52
Narrative Self-Consciousness and the Act of Reading: Examining , through the Lens of the Poetics of acts of solidarity. This intersubjective inclination reflects Conrad’s promotion of a participative poetics that tends to a shared vision and reciprocal understanding with his audience.. Conrad’s participative poetics is the focus of the present chapter. It is examined within a broad literary and c作者: Sciatica 時(shí)間: 2025-3-27 05:22
Conclusionue with ancient as well as modern author and reader theories. In framing these various delicate issues, Conrad engages in a dynamics of continuity and rupture, imitation and challenge, borrowing and renewal. Conrad’s writer figure is certainly different from the all-knowing, omnipresent ancient Gree作者: 干涉 時(shí)間: 2025-3-27 10:50 作者: braggadocio 時(shí)間: 2025-3-27 15:04 作者: 落葉劑 時(shí)間: 2025-3-27 17:59 作者: 柔聲地說 時(shí)間: 2025-3-28 00:57 作者: Crepitus 時(shí)間: 2025-3-28 03:42
Conceptualizing Arctic Documentary: Combining Scientific Authority and the Interests of Broadcasterspes facilitate or hinder? What are the central tropes and facts comprising the film’s narrative, and to what extent are they attuned to the ongoing global displacement of water and ice? This chapter critically explores these questions using the arguments of media, film and cultural studies.作者: 辯論 時(shí)間: 2025-3-28 09:34 作者: Condescending 時(shí)間: 2025-3-28 14:23
Book 20032nd editionrung sowie zahlreiche Anregungen für die eigene Entscheidungsfindung..."Insgesamt bietet das Werk eine hervorragende und leicht verdauliche Einführung in diese sehr praxisrelevante Materie; alle angesprochenen Leserkreise werden dieses Buch mit gro?em Gewinn lesen, vor allem diejenigen, die vom Betr作者: collagen 時(shí)間: 2025-3-28 16:26
Joseph B. Powell,Paul M. Ayoub,Sachin Kapila,Alex P. R. Nevill,Grahame Y. Buss, structural analysis using the boundary element method (BEM), and shape optimization implementation. The book begins by reviewing the developments of shape optimization, followed by the presentation of the mathematical programming methods for solving optimization problems. The basic theory of the B作者: 保守 時(shí)間: 2025-3-28 21:10
