標題: Titlebook: Jimi Hendrix and the Cultural Politics of Popular Music; Aaron Lefkovitz Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Ji [打印本頁] 作者: 小客車 時間: 2025-3-21 16:33
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書目名稱Jimi Hendrix and the Cultural Politics of Popular Music讀者反饋學科排名
作者: Detain 時間: 2025-3-21 21:42 作者: myopia 時間: 2025-3-22 00:51
60s and black-transnational political-cultures.Centers HendrThis book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an it作者: AND 時間: 2025-3-22 07:56
Jimi Hendrix, the 1960s Counterculture, and Confirmations and Critiques of US Cultural Mythologies, this chapter highlights his musical and extra-musical roles as a transnational symbol. This chapter places Hendrix, and rock music more generally, in histories of the 1960s counterculture (especially the Woodstock Festival), US exceptionalist myths, and the cultural Cold War.作者: vibrant 時間: 2025-3-22 08:57 作者: Nerve-Block 時間: 2025-3-22 15:52
,Jimi Hendrix and Black-Transnational Popular Music’s Global Gender and Sexualized Histories,etero-normative global gender and sexual roles in rock music and beyond. Complicating his fixed hetero-normative image, this chapter notes how Hendrix made flexible the strict divisions separating male and female genders and queer and straight sexualities.作者: Insufficient 時間: 2025-3-22 20:47 作者: 最后一個 時間: 2025-3-22 22:15
,“I Don’t Want to Be a Clown Anymore”: Jimi Hendrix as Racialized Freak and Black-Transnational Iconation, Hendrix’s onstage antics, smashing and burning his guitar, playing the guitar with his teeth, with one hand, behind his back, and between his legs, had overtly sexual implications and continued US and international freak-show legacies.作者: 令人作嘔 時間: 2025-3-23 04:49
Book 2018ns of blackface minstrelsy, international freak show spectacles, black popular music’s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix’s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories..作者: Schlemms-Canal 時間: 2025-3-23 07:49 作者: syring 時間: 2025-3-23 12:20 作者: cogent 時間: 2025-3-23 14:30 作者: Congregate 時間: 2025-3-23 18:44 作者: 失望未來 時間: 2025-3-24 01:50
Jimi Hendrix and the Cultural Politics of Popular Music978-3-319-77013-0作者: 間接 時間: 2025-3-24 05:14
,Jimi Hendrix—Gypsy Eyes, Voodoo Child, and Countercultural Symbol, this chapter notes ways Hendrix, living during the tumultuous 1960s countercultural era of upheaval, occupies a singular place in the histories of popular music. Highlighting Hendrix’s early years in Seattle and ascent to becoming one of rock music’s pre-eminent musicians, this chapter highlights H作者: Fretful 時間: 2025-3-24 08:46
,“I Don’t Want to Be a Clown Anymore”: Jimi Hendrix as Racialized Freak and Black-Transnational Icond popular music, and multiple popular music histories. It highlights Hendrix’s place in a legacy of Hollywood racial, gender, and sexual caricatures and ways that, as the Civil Rights Movement gained steam, such African-American artists as Hendrix grew more politically aware as their music resonated作者: compel 時間: 2025-3-24 12:46
,Jimi Hendrix and Black-Transnational Popular Music’s Global Gender and Sexualized Histories,r sexually interstitial, global gender and sexual symbol. It argues that Hendrix enters a tradition of queer black-transnational representations through his unconventional and “freakish” image and performative disposition. This chapter centers Hendrix’s global gender and sexual visual-cultural depic作者: ITCH 時間: 2025-3-24 17:12 作者: Cubicle 時間: 2025-3-24 22:00
Conclusion,t notes ways Hendrix has been one of the most influential popular musical pioneers of the last half-century. The conclusion highlights ways Hendrix is remembered for his racialized, “freakish” spectacles, even as he embodied and performed an assertive and fearless stance against white supremacy and 作者: laparoscopy 時間: 2025-3-25 01:59 作者: 相容 時間: 2025-3-25 05:52 作者: 河流 時間: 2025-3-25 10:36 作者: airborne 時間: 2025-3-25 15:07 作者: chlorosis 時間: 2025-3-25 16:39 作者: Anthropoid 時間: 2025-3-25 23:20
http://image.papertrans.cn/j/image/500952.jpg作者: 辭職 時間: 2025-3-26 01:27 作者: 只有 時間: 2025-3-26 04:22 作者: 率直 時間: 2025-3-26 08:30
araphilia and paraphilic disorders.Includes chapters on paraThis book is a concise, practical guide to both paraphilia and paraphilic disorders as defined by the DSM-5 guidelines. Written by experts in the field, the chapters cover the different types of paraphilic disorder as well as the cutting-ed作者: Painstaking 時間: 2025-3-26 15:53 作者: 減去 時間: 2025-3-26 17:13
The Pig and the Peace: Transposing Order in Early Sydneytifully beat Boston on the street in front of a crowd of soldiers and convicts. Faithful was not prosecuted for breaching public order, so Boston sued Faithful, Laycock, and bystander Private William Addy for trespass in assault and battery in the court of civil jurisdiction seeking ￡500 compensation.作者: 撕裂皮肉 時間: 2025-3-27 00:28 作者: Neutral-Spine 時間: 2025-3-27 01:32 作者: 邪惡的你 時間: 2025-3-27 07:47 作者: 殺死 時間: 2025-3-27 12:22
0065-2598 clinical imaging..Scanning acoustic microscopy for formingimages of mechanical properties of soft tissues with micron resolution..Phantoms for quantitative ultrasound...978-3-031-21989-4978-3-031-21987-0Series ISSN 0065-2598 Series E-ISSN 2214-8019 作者: 細頸瓶 時間: 2025-3-27 17:07
nd der bezaubernden lokalen Traditionen nicht nur die vorherrschenden liberalen,neulinken und neokonfuzianischen Ideologien illustrieren, sondern die China-Debatte bereichern und einen "neuartigen" Ansatz für unser Verst?ndnis des modernen China bieten..978-981-19-5986-8作者: 使熄滅 時間: 2025-3-27 20:04 作者: Adjourn 時間: 2025-3-28 01:25
