標題: Titlebook: Japanese Horror and the Transnational Cinema of Sensations; Steven T. Brown Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 [打印本頁] 作者: 啞劇表演 時間: 2025-3-21 20:08
書目名稱Japanese Horror and the Transnational Cinema of Sensations影響因子(影響力)
書目名稱Japanese Horror and the Transnational Cinema of Sensations影響因子(影響力)學科排名
書目名稱Japanese Horror and the Transnational Cinema of Sensations網(wǎng)絡公開度
書目名稱Japanese Horror and the Transnational Cinema of Sensations網(wǎng)絡公開度學科排名
書目名稱Japanese Horror and the Transnational Cinema of Sensations被引頻次
書目名稱Japanese Horror and the Transnational Cinema of Sensations被引頻次學科排名
書目名稱Japanese Horror and the Transnational Cinema of Sensations年度引用
書目名稱Japanese Horror and the Transnational Cinema of Sensations年度引用學科排名
書目名稱Japanese Horror and the Transnational Cinema of Sensations讀者反饋
書目名稱Japanese Horror and the Transnational Cinema of Sensations讀者反饋學科排名
作者: 思鄉(xiāng)病 時間: 2025-3-21 20:22 作者: 貞潔 時間: 2025-3-22 02:29 作者: Scleroderma 時間: 2025-3-22 07:52
Steven T. BrownOffers transnational analysis of selected J-horror films from new angles that shed light on previously ignored aspects of the genre.Provides insightful analysis of the formal aspects of Japanese horro作者: Ancestor 時間: 2025-3-22 10:45 作者: 看法等 時間: 2025-3-22 15:37 作者: CHASE 時間: 2025-3-22 19:11
In the Wake of Artaud: Cinema of Cruelty in , and ,,Takashi, 1999) and the Korean horror . (.; dir. Park Chan-wook, 2003)—each of which offers engagements with graphic violence but situates that violence in a way that eludes the conceptual restrictions of “torture porn” and “Asia Extreme.”作者: 砍伐 時間: 2025-3-22 21:38 作者: circumvent 時間: 2025-3-23 03:54
Introduction,logical groundwork for investigating J-horror’s aesthetics of “resonance” and the audiovisual techniques by which Japanese horror develops a cinema of sensations that fills viewers with atmospherically enhanced dread.作者: 朦朧 時間: 2025-3-23 06:14 作者: 預知 時間: 2025-3-23 12:26
Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi,silence, the function of ambient drones and sonic palimpsests, and the status of the acousmatic voice, Brown illuminates how soundscapes contribute to the construction of horror as a space for what he calls “haptic sonority,” an intensive space where one does not so much hear sounds as one feels them in one’s body.作者: NAVEN 時間: 2025-3-23 15:14
,Double Trouble: Doppelg?ngers in Japanese Horror,with particular reference to the complex framing techniques employed to help visualize the unstable dynamics between self and double), Brown investigates the figure of the doppelg?nger primarily in relation to the J-horror films . (.; dir. Asato Mari, 2013), . (.; dir. Kurosawa Kiyoshi, 2003), and . (dir. Miike Takashi, 2004).作者: 不愛防注射 時間: 2025-3-23 18:30 作者: MIRTH 時間: 2025-3-24 01:13
Book 2018iality and transnational hybridity in relation to world horror?cinema. Neither a conventional film history nor a thematic survey of?Japanese horror cinema, this study offers a transnational analysis of?selected films from new angles that shed light on previously ignored aspects of the?genre, includi作者: BOLUS 時間: 2025-3-24 03:48
Introduction,al aspects. Undertaking a critical reassessment, Brown attends to J-horror’s transnational hybridity in relation to the larger networks of global cultural flows, including major and minor areas of influence, cross-fertilizations, and intermedial intersections with non-Japanese works of art, literatu作者: agonist 時間: 2025-3-24 07:55
Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi,been done on sound design in Japanese horror, yet it remains one of the most productive means by which J-horror distinguishes itself from other forms of horror. Through advanced spectral and surround field analysis and a careful consideration of elements such as the interrelations between noise and 作者: Anticoagulant 時間: 2025-3-24 12:55
,Double Trouble: Doppelg?ngers in Japanese Horror,cuses on the role of Japanese horror as a productive cultural medium for doubles—a topic that has received relatively little attention thus far in J-horror scholarship. Analyzed both in terms of its evocations of the uncanny and with respect to the ghostly effects of the cinematic apparatus itself (作者: Watemelon 時間: 2025-3-24 17:01 作者: integral 時間: 2025-3-24 19:06
In the Wake of Artaud: Cinema of Cruelty in , and ,,s, Brown develops the Artaudian concept of “cinema of cruelty” in relation to two exemplary revenge horror films—the Japanese horror . (.; dir. Miike Takashi, 1999) and the Korean horror . (.; dir. Park Chan-wook, 2003)—each of which offers engagements with graphic violence but situates that violenc作者: Kidney-Failure 時間: 2025-3-25 00:08
,Conclusion: Envelopes of Fear—The Temporality of Japanese Horror,to consideration the issue of timing understood not only as the duration of individual images and the durational relationships between and among images but also in terms of the concept of temporal envelopes with individual stages of attack, decay, sustain, and release, Brown reconceives how the slow作者: octogenarian 時間: 2025-3-25 04:35
g a language but also on the learner and their contribution to learning the target language. This approach was clearly visible in a study conducted by Rubin (1975) who wanted to investigate the strategies deployed by the Good Language Learner (GLL). The results of her project engendered great intere作者: 地殼 時間: 2025-3-25 10:29 作者: Decline 時間: 2025-3-25 14:05
Steven T. Brown of the economic crisis the country faced in the aftermath of the international financial crisis of 2007. The evidence presented confirms William Baumol’s point about how taxation affects entrepreneurship. That is, it is shown that Baumol was right when indicating that problematic tax rules can lead作者: judicial 時間: 2025-3-25 18:24
Steven T. Brown of the economic crisis the country faced in the aftermath of the international financial crisis of 2007. The evidence presented confirms William Baumol’s point about how taxation affects entrepreneurship. That is, it is shown that Baumol was right when indicating that problematic tax rules can lead作者: exigent 時間: 2025-3-26 00:04
ne in the USA. The strong interest in the area of LLS and their role in second language acquisition, as some researchers believe, stems from the need to identify the features of an effective learner (O’Malley and Chamot 1990). Researchers wanted to know what better learners did and what learning beh作者: 不開心 時間: 2025-3-26 02:07 作者: 有權 時間: 2025-3-26 08:21
Steven T. Brownunctioned also increased uncertainty, which was anything but beneficial for investing in business...This book contributes to the current debates about the Greek economy and the causes of the crisis affecting the country. In this respect, it also throws light on the big issue of tax evasion burdening作者: narcissism 時間: 2025-3-26 11:46 作者: 脖子 時間: 2025-3-26 12:59
Japanese Horror and the Transnational Cinema of Sensations作者: 剝皮 時間: 2025-3-26 17:12 作者: Precursor 時間: 2025-3-26 21:27 作者: 死亡率 時間: 2025-3-27 04:10 作者: tympanometry 時間: 2025-3-27 07:43 作者: 盡管 時間: 2025-3-27 11:00
,Eigenkapitalbildung und Steuereinflüsse,it K?rperschaftsteuer, sofern der Gewinn thesauriert wird.. Die auf den Ausschüttungen lastende K?rperschaftsteuer wird in voller H?he auf die Einkommenoder K?rperschaftsteuerschuld des oder der Anteilseigner angerechnet.作者: Palliation 時間: 2025-3-27 16:38 作者: scrape 時間: 2025-3-27 19:14
