標(biāo)題: Titlebook: Invisibility in Visual and Material Culture; Asbj?rn Gr?nstad,?yvind V?gnes Book 2019 The Editor(s) (if applicable) and The Author(s), und [打印本頁] 作者: invoke 時(shí)間: 2025-3-21 18:14
書目名稱Invisibility in Visual and Material Culture影響因子(影響力)
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書目名稱Invisibility in Visual and Material Culture網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Invisibility in Visual and Material Culture讀者反饋
書目名稱Invisibility in Visual and Material Culture讀者反饋學(xué)科排名
作者: conformity 時(shí)間: 2025-3-21 21:56 作者: 脆弱吧 時(shí)間: 2025-3-22 04:07
Book 2019phic provocations, biometric and brainwave sensing technologies, letters, or a cinematic diary, the analyses in this book engage critically and theoretically with the topic of invisibility and thus represent the first scholarly study to identifyits importance for the field of visual culture. . .作者: Ventilator 時(shí)間: 2025-3-22 08:31 作者: 祝賀 時(shí)間: 2025-3-22 10:21 作者: 牽連 時(shí)間: 2025-3-22 16:01
Henrik Gustafsson’ business models reveals different patterns. The findings suggest that successful social entrepreneurial organisations proactively create their own ways to partner with multiple stakeholders who share their social vision; deploy resources effectively as an integral part of the business model; and i作者: Substance-Abuse 時(shí)間: 2025-3-22 20:18
Ari Laskin that while capital, labour, resources and infrastructure are all important, equally, how these elements are mobilized through leadership, governance, and institutions are at least but perhaps even more important. While technology figures heavily, it is overshadowed to some extent by an emphasis on 作者: acheon 時(shí)間: 2025-3-22 21:22 作者: 闖入 時(shí)間: 2025-3-23 03:55
Ksenia Fedorovaircraft industry. Interviews with one of the founders and with one of the key investors in the company offer deeper insights about the factors that determined success of the company and its ability to overcome some of the challenges it faced early on.作者: 琺瑯 時(shí)間: 2025-3-23 09:18 作者: 音樂等 時(shí)間: 2025-3-23 12:49 作者: blithe 時(shí)間: 2025-3-23 15:17 作者: IOTA 時(shí)間: 2025-3-23 19:26 作者: circumvent 時(shí)間: 2025-3-24 01:32 作者: refine 時(shí)間: 2025-3-24 05:37 作者: aptitude 時(shí)間: 2025-3-24 07:11
,Hearing and Seeing the In/Visible: Anne Charlotte Robertson’s ,ng and thinking through. This chapter uses Robertson’s . to think the relations between image and sound and madness, between hearing and seeing and the in/visible, and suggests that Robertson’s use of sound is an attempt to convey the schizophrenic impulse in sonorous terms.作者: conformity 時(shí)間: 2025-3-24 13:09
Power in Partial Invisibility: Reframing Positions on Nineteenth- and Early Twentieth-Century Photo century, each celebrate in a unique way the partially invisible image. Furthermore, Nathaniel Hawthorne’s literary references to the daguerreotype in his novel . are worthy of consideration and have been insufficiently celebrated in mainstream literature.作者: nettle 時(shí)間: 2025-3-24 16:32 作者: FEIGN 時(shí)間: 2025-3-24 19:09 作者: 潔凈 時(shí)間: 2025-3-25 01:53
Invisibility Matters,echnologies to warfare, activism and identity politics. Deeply ingrained simultaneously in our human faculties and in our ever-transforming cultural and technological manifestations of invisibility, every invocation of the invisible ultimately has the potential to a broadened understanding of what vision is, and what it might become.作者: 苦惱 時(shí)間: 2025-3-25 06:38 作者: chronicle 時(shí)間: 2025-3-25 09:57
Literary Device: Invisible Light and a Photo of Photography,osed to the dominant epistemology of the time. His recourse to a literary form of invisibility was an attempt to reconcile the incommensurability of invisible light with the prevailing episteme structured around tropes of visible light and the eye.作者: 折磨 時(shí)間: 2025-3-25 13:20
Neurointerfaces, Mental Imagery and Sensory Translation in Art and Science in the Digital Age,contemporary image science and critical neuroscience, the chapter shows how artistic scenarios help to both localize and expand our understanding of mental imagery and to offer an alternative to the existing correlations-based approach.作者: 閃光東本 時(shí)間: 2025-3-25 19:27 作者: confederacy 時(shí)間: 2025-3-25 22:32 作者: 反應(yīng) 時(shí)間: 2025-3-26 02:06 作者: interference 時(shí)間: 2025-3-26 04:20
Invisibility Matters,in subsequent chapters. Guided by an understanding of invisibility as a designation for “unmarked and unmapped relationships,” the chapter notes how the phenomenon is largely inseparable from the concepts of representation, aesthetics technology and politics. With reference to Maurice Merleau-Ponty’作者: 等待 時(shí)間: 2025-3-26 10:16
Archaeologists of the Off-Screen: Harun Farocki and Trevor Paglen, called .. In spite of the show’s title, the theme that most potently aligns their respective arcs of artistic research is a persistent concern with invisibility, ranging from the clandestine infrastructure of military and intelligence programs to the invisible operations conducted by automated imag作者: crutch 時(shí)間: 2025-3-26 16:31
Literary Device: Invisible Light and a Photo of Photography,ph of a bookshelf with a seemingly unrelated passage of text. Here, Talbot speculates about a fantastical voyeuristic scenario involving a proto-night vision device and its literary possibilities. In this chapter, it is shown that the vexing nature of “A Scene in a Library,” particularly Talbot’s pa作者: Charade 時(shí)間: 2025-3-26 17:11
,Tomas van Houtryve’s , and the Culture of Surveillance,ip on the topic, which tends to see a transformation from ‘surveillance state’ to ‘surveillance culture’ (David Lyon), inviting a reconsideration of what constitutes surveillor and surveilled. Two conceptual nodes are particularly significant in unpacking this development: Harun Farocki’s influentia作者: Compass 時(shí)間: 2025-3-26 23:44
Neurointerfaces, Mental Imagery and Sensory Translation in Art and Science in the Digital Age,ly the epistemic claims behind various brain-scanning technologies, focusing on the status of the inner images that underlie cognitive activity. Multimedia performances and artistic experiments designed in collaboration with neuroscientists open up new dimensions in the discussion of translation bet作者: 摻假 時(shí)間: 2025-3-27 04:30
,Invisibility and the Ethics of Erasure: Khaled Barakeh’s ,erialize the invisible, the chapter shows how this way of representing suffering sidesteps both the aestheticization of pain and the reduction of affect some critics see as endemic to contemporary visual culture. Paying careful attention to the dynamic interplay between invisibility and visibility a作者: esoteric 時(shí)間: 2025-3-27 05:43
Neither Visible Nor Hidden: The Structuring of the Sensible,through various kinds of media by people around the world. This chapter reflects on how the outpouring of subsequent Kurdi images sourced from the original photograph are inter-linked with each other and engaged in a visual dialog that no one fragment is entirely privy to, yet gestures towards. Thes作者: obviate 時(shí)間: 2025-3-27 10:27 作者: 教育學(xué) 時(shí)間: 2025-3-27 16:18
,Hearing and Seeing the In/Visible: Anne Charlotte Robertson’s ,, and this loss of faculty plays a constitutive role in her work. In her diary film it takes the form of a particular use of multiple parallel audio tracks that fulfill different functions: some reflect the events of her daily life, others chronicle various iterations of mania the filmmaker was livi作者: 縮影 時(shí)間: 2025-3-27 18:10 作者: Decline 時(shí)間: 2025-3-28 00:37 作者: 逢迎春日 時(shí)間: 2025-3-28 05:00 作者: irritation 時(shí)間: 2025-3-28 09:00
Asbj?rn Gr?nstad,?yvind V?gnesstart an equity fund for developing countries, he discovered that there is a stigma attached to the term ‘developing countries’ and is synonymous with lack of progress. Consequently he could not attract funding. To overcome this problem, he coined the term ‘emerging market’ so that they would be ass作者: oncologist 時(shí)間: 2025-3-28 13:25 作者: dilute 時(shí)間: 2025-3-28 15:32 作者: 拱形大橋 時(shí)間: 2025-3-28 21:58 作者: 系列 時(shí)間: 2025-3-29 01:42 作者: COMA 時(shí)間: 2025-3-29 07:09 作者: Fecundity 時(shí)間: 2025-3-29 09:27
Carolina Cambre by two brothers whose educational backgrounds combined advanced technical capabilities with solid business training. The ambition of Dronamics is to design a highly fuel-efficient, unmanned cargo aircraft that is capable of reaching remote areas such as difficult-to-access mountains or island areas作者: Salivary-Gland 時(shí)間: 2025-3-29 14:17
Jena Habegger-Contie human and economic capabilities that were developed during the Socialist period in the region. So, as much as Socialism suppressed natural entrepreneurship as a mindset, it actually shaped and nurtured the skills and capabilities that are at the heart of the entrepreneurial venture creation observ
