標(biāo)題: Titlebook: International Business in Australia before World War One; Shaping a Multinatio Simon Ville,David Merrett Book 2022 The Editor(s) (if applic [打印本頁] 作者: ambulance 時間: 2025-3-21 17:40
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作者: Heterodoxy 時間: 2025-3-21 23:30
Book 2022influence was contested by domestic enterprise, other foreign firms, and the strategic investments of governments in network industries. Nonetheless, foreign agency – particularly investment, knowledge and entrepreneurship – mattered in the economic development of Australia in the nineteenth as well作者: 健談的人 時間: 2025-3-22 00:32
International Business in Australia before World War OneShaping a Multinatio作者: creatine-kinase 時間: 2025-3-22 08:09
Simon Ville,David Merrettan equivalent German theatre scene. This chapter is looking at the reasons why the results of the regime’s efforts lagged behind its expectations and why NS propaganda could not easily invoke a long-standing tradition of German-language theatre in Prague.作者: Occupation 時間: 2025-3-22 12:32 作者: 悄悄移動 時間: 2025-3-22 15:04 作者: 注意 時間: 2025-3-22 19:33
Simon Ville,David Merrettly re-situated and thus designate continuities and disruptions. The analysis of the last revue in Westerbork “Ludmilla, oder Leichen am laufenden Band” (“Ludmilla, or Corpses on the Conveyor Belt”) shows how the artists staged a seemingly superficial critical negotiation of the contemporary situatio作者: 致詞 時間: 2025-3-22 22:49
Simon Ville,David Merrettroductions of the High-Speed Urban Theatre (Szybki Teatr Miejski), the works of Pawel Demirski, Cesary Harasimowicz’s play . (., 2000), Marek Pruchniewski’s . (., 2003), and Andrzej Stasiuk’s . (., 2005). Noteworthy productions based strictly on the verbatim method include . (2003), directed by Jan 作者: sleep-spindles 時間: 2025-3-23 03:02 作者: faction 時間: 2025-3-23 06:36
Simon Ville,David Merrettroductions of the High-Speed Urban Theatre (Szybki Teatr Miejski), the works of Pawel Demirski, Cesary Harasimowicz’s play . (., 2000), Marek Pruchniewski’s . (., 2003), and Andrzej Stasiuk’s . (., 2005). Noteworthy productions based strictly on the verbatim method include . (2003), directed by Jan 作者: Hallmark 時間: 2025-3-23 13:14
ff. Today’s most provocative personal, political, historical, and virtual theatre of the real embraces the cultural and technological changes that are reforming us globally and breaks away from the conservative and conventional dramaturgy of realism that was so much a part of documentary theatre in 作者: 不理會 時間: 2025-3-23 17:23
2662-6497 estments of governments in network industries. Nonetheless, foreign agency – particularly investment, knowledge and entrepreneurship – mattered in the economic development of Australia in the nineteenth as well978-981-19-0483-7978-981-19-0481-3Series ISSN 2662-6497 Series E-ISSN 2662-6500 作者: Ringworm 時間: 2025-3-23 19:02 作者: NOCT 時間: 2025-3-24 00:37 作者: 有毛就脫毛 時間: 2025-3-24 02:24 作者: Deject 時間: 2025-3-24 08:45
Pioneers of International Business in Australia before 1871,gly British, nearly 60 per cent arrived in the decade of the 1850s and more than 80 per cent were in four industries—in the descending order of importance, mining, transport, finance and agriculture. Turnover rates were high, with less than half of our cohort of MNEs known to have survived beyond 1870.作者: 健壯 時間: 2025-3-24 10:49 作者: 娘娘腔 時間: 2025-3-24 15:52
Book 2022ational enterprise arrived predominantly from Britain, but other sender nations included the USA, France, Germany, New Zealand, and Japan. Their firms spread out across Australia from mining and pastoral communities, to portside industries and CBD precincts, and they operated broadly across mining, 作者: uncertain 時間: 2025-3-24 21:17 作者: 英寸 時間: 2025-3-24 23:13
Global Hosts,y Brazil, Argentina and Mexico. Of the remaining third going to developed economies, most was destined to the mature manufacturing nations of Western Europe along with the USA, Canada and the late industrialisers of Eastern Europe, primarily Russia (Fitzgerald 2015, 54–6).作者: 緊張過度 時間: 2025-3-25 04:36
Foreign Voices and Contested Multinationalism,. In drawing together our conclusions, we argue that Australian experience proved to be quite different from much of what is known, or supposed, of the effects of MNEs on many economies although there are grounds for comparison with several hosts.作者: 平 時間: 2025-3-25 07:40 作者: 注射器 時間: 2025-3-25 14:23 作者: 子女 時間: 2025-3-25 15:49
Palgrave Studies in Economic Historyhttp://image.papertrans.cn/i/image/471303.jpg作者: eczema 時間: 2025-3-25 22:01 作者: GAVEL 時間: 2025-3-26 03:35
International Business in Australia before World War One978-981-19-0481-3Series ISSN 2662-6497 Series E-ISSN 2662-6500 作者: languid 時間: 2025-3-26 07:25 作者: 中止 時間: 2025-3-26 10:18 作者: 寬度 時間: 2025-3-26 13:19 作者: 仇恨 時間: 2025-3-26 17:30 作者: INCUR 時間: 2025-3-27 00:22 作者: 拱形大橋 時間: 2025-3-27 01:56 作者: Anthropoid 時間: 2025-3-27 08:54 作者: excursion 時間: 2025-3-27 13:08
Why Did They Come?,en. Their origins, timing of arrival and destination industries were each discussed in detail in Chaps. . and .. These results particularly included the arrival of many British miners, banks and transport and pastoral companies in the middle decades of the century, followed by more British miners in作者: 繁榮中國 時間: 2025-3-27 16:11 作者: exostosis 時間: 2025-3-27 21:49
Innovation and Competition,ere often associated with innovation, broadly defined. The intruding firm might be welcomed for bringing fresh ideas, initiating new markets and enabling up- and downstream firms to expand. This was particularly the case for British firms whose economic resources and development experiences were ver作者: 昏迷狀態(tài) 時間: 2025-3-27 22:03
Global Hosts, for 1914, nearly two-thirds of global FDI went to developing economies, mostly in Asia, especially China and India, and to Latin America, most notably Brazil, Argentina and Mexico. Of the remaining third going to developed economies, most was destined to the mature manufacturing nations of Western 作者: 珠寶 時間: 2025-3-28 05:41
Foreign Voices and Contested Multinationalism,paucity of host impact studies but also to the fact that Australia was relatively unusual as a host because it was a successful resource-based economy. In drawing together our conclusions, we argue that Australian experience proved to be quite different from much of what is known, or supposed, of th作者: 人工制品 時間: 2025-3-28 06:41
Simon Ville,David Merrettf and measures taken by the occupying power to exert control over the theatre in Prague. The German authorities tried to control the Czech theatre landscape in various ways, but at no point did they achieve complete surveillance, not least due to its range and diversity. In addition, artists knew ho作者: Resign 時間: 2025-3-28 12:20 作者: 發(fā)酵劑 時間: 2025-3-28 17:15
Simon Ville,David Merrettf and measures taken by the occupying power to exert control over the theatre in Prague. The German authorities tried to control the Czech theatre landscape in various ways, but at no point did they achieve complete surveillance, not least due to its range and diversity. In addition, artists knew ho作者: 飛來飛去真休 時間: 2025-3-28 19:43 作者: 陳列 時間: 2025-3-29 01:05 作者: Neonatal 時間: 2025-3-29 07:07
Simon Ville,David Merretts, as in the theatre of Maja Kleczewska, Jan Klata, Monika P?cikiewicz, and Michal Zadara. The second includes documentary or, more precisely, “paradocumentary” theatre. Paradocumentary theatre uses interviews, facts, and newspaper reports as its point of departure, with the factual sources serving 作者: 表皮 時間: 2025-3-29 09:35
Simon Ville,David Merretts, as in the theatre of Maja Kleczewska, Jan Klata, Monika P?cikiewicz, and Michal Zadara. The second includes documentary or, more precisely, “paradocumentary” theatre. Paradocumentary theatre uses interviews, facts, and newspaper reports as its point of departure, with the factual sources serving
