標(biāo)題: Titlebook: I Got Something to Say; Gender, Race, and So Matthew Oware Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Hip-Hop.Race evas [打印本頁] 作者: 輕舟 時間: 2025-3-21 18:02
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作者: 鞏固 時間: 2025-3-21 22:06
Matthew Oware(T-F) units with local signal-to-noise ratio (SNR) exceeding a local criterion (LC) are assigned the binary value 1 in the binary mask. However, there are two problems with employing IBM in source separation applications. First, an optimum LC for a certain SNR may not be appropriate for other SNRs. 作者: RAFF 時間: 2025-3-22 00:50 作者: Classify 時間: 2025-3-22 06:37
Matthew Oware(T-F) units with local signal-to-noise ratio (SNR) exceeding a local criterion (LC) are assigned the binary value 1 in the binary mask. However, there are two problems with employing IBM in source separation applications. First, an optimum LC for a certain SNR may not be appropriate for other SNRs. 作者: 叢林 時間: 2025-3-22 11:40
Matthew Owarerent representation domains, such as time domain, frequency domain or time-frequency domain. In recent years, sparsity has been widely exploited to solve the problem of underdetermined blind source separation (UBSS), where the number of sources exceeds that of the observed mixtures. In fact, the spa作者: Prostaglandins 時間: 2025-3-22 16:36 作者: 驚呼 時間: 2025-3-22 17:23
Matthew Owarend we discuss its applicability to acoustic signal processing. The term “SIMO” represents a specific transmission system in which the input is a single source signal and the outputs are its transmitted signals observed at multiple microphones. The SIMO-ICA consists of multiple ICAs and a fidelity co作者: 杠桿支點 時間: 2025-3-23 00:50
Matthew Owarer of nonzero elements is smaller than might be expected. This is a surprisingly powerful idea, as the ability to express a signal sparsely in some known, and potentially overcomplete, basis constitutes a strong model, while also lending itself to efficient algorithms. In the framework we explore, th作者: 消耗 時間: 2025-3-23 02:17
Matthew Owaremakes it important to be able to separate and extract a target speech signal from noisy observations for both man–machine and human–human communication. Blindsourceseparation(BSS)isanapproachforestimatingsourcesignals using only information about their mixtures observed in each input channel. The es作者: 和平主義 時間: 2025-3-23 09:30
e source signals should be extracted from a single stream of observations. To overcome the mathematical intractability, prior information on the source characteristics is generally assumed and applied to derive a source separation algorithm. This chapter describes one of the monaural source separati作者: Grasping 時間: 2025-3-23 12:13
,Introduction: Started from the Bottom…,w wave of politicization in rap music. Using the election as a backdrop, Oware provides an overview of the key components of hip hop culture—breakdancing, graffiti writing, and rapping—turning an eye towards three figures who frame the topical areas within the monograph: Afrika Bambaataa, Sylvia Rob作者: fulmination 時間: 2025-3-23 16:31 作者: Etymology 時間: 2025-3-23 20:08
The Hybrid Rapper,pular male rappers from 2005 to 2015 reveals the continued presence of the . themes of braggadocio, misogyny, and violence that dominated the genre in the 1990s. However, Oware finds?fewer instances of homophobic references than expected. Finally, the author uncovers?references where males express c作者: pester 時間: 2025-3-23 23:24 作者: GET 時間: 2025-3-24 05:47
Coming Straight from the Underground,dependent rap is free of the misogyny, violence, and materialism found in popular rap. However, Oware reveals that male and female underground artists mimic the lyrics of mainstream rappers. Related to the topic of race, underground white rappers as a group engage in .—an avoidance of race-related s作者: STYX 時間: 2025-3-24 06:41
The Queer Emcee,appers through case studies. Chart-topping artists such as lesbian rapper Young M.A and Nicki Minaj provide opportunities for an in-depth exploration of the history and contemporary experiences of LGBTQ emcees in rap. These artists openly discuss same-sex desire in their music, a move that dares to 作者: arcane 時間: 2025-3-24 13:13 作者: ASSET 時間: 2025-3-24 17:18 作者: 葡萄糖 時間: 2025-3-24 21:19 作者: Oligarchy 時間: 2025-3-25 01:59 作者: 懸崖 時間: 2025-3-25 05:58 作者: Locale 時間: 2025-3-25 09:17 作者: Coronary-Spasm 時間: 2025-3-25 14:16 作者: libertine 時間: 2025-3-25 16:31
Matthew Owarebilities of the new mask, a minimum mean-square error (MMSE)-based method is proposed to estimate IMM in the framework of monaural speech enhancement system. Various objective and subjective evaluation criteria show the superior performance of the new speech enhancement system as compared to a recen作者: 最低點 時間: 2025-3-25 21:50 作者: 虛弱 時間: 2025-3-26 00:54
Matthew Owaree–frequency model of speech has been modelled by several multivariate joint densities, and natural gradient or Newton method algorithms have been derived. Here, we present a gentle tutorial on IVA for the separation of speech signals in the frequency domain.作者: 河潭 時間: 2025-3-26 07:42 作者: 要素 時間: 2025-3-26 11:51 作者: 召集 時間: 2025-3-26 15:55
Matthew Owareormation theory ?elds, for applications to a variety of disciplines including wireless communication and biomedicine. However, as speech and audio signal mixtures in a real reverberant environment are generally convolutive mixtures, they involve a structurally much more ch- lenging task than instant作者: 值得 時間: 2025-3-26 18:01 作者: 粗糙 時間: 2025-3-27 00:06
Matthew OwareIncludes a lyrical (content) analysis of recent rap music of men and women from 2005 to 2015.Analyzes commercial and underground/independent rap music in the United States.Discusses the emergence of q作者: 兩棲動物 時間: 2025-3-27 05:01
http://image.papertrans.cn/i/image/460003.jpg作者: 使高興 時間: 2025-3-27 08:13
978-3-030-08019-8The Editor(s) (if applicable) and The Author(s) 2018作者: 退出可食用 時間: 2025-3-27 12:43 作者: Communal 時間: 2025-3-27 17:00
Book 2018er 700 songs from contemporary rap artists. Using innovative research techniques, Matthew Oware reveals how emcees perpetuate and challenge gendered and racialized constructions of masculinity, femininity, and sexuality. Male and female artists litter their rhymes with misogynistic and violent image作者: 可耕種 時間: 2025-3-27 18:05
Urban Spaces and Bodies,manufacturing jobs to overseas countries, and the targeting of poor people of color by politicians and law enforcement. Referencing key studies and scholars, Oware details the deleterious effects on inner-city residents in the Bronx and Los Angeles. Yet, out of this despair, drawing on their creativity, residents create hip hop and rap music.作者: lacrimal-gland 時間: 2025-3-27 22:10
Bad Bitches?,d propriety by women. Yet, Oware suggests women’s agency may simultaneously undercut and perpetuate the view of them as sex objects for male enjoyment. Hence, some feminist messages of empowerment and sexual liberation possibly reinforce stereotypical, caricatured, and overly sexualized images of women as a group.作者: Flavouring 時間: 2025-3-28 05:45
Coming Straight from the Underground,ubjects in their music—more so than rappers of color. Iggy Azalea illustrates this point, but Macklemore contradicts it by addressing the topic of white privilege in his lyrics. Overall, the author argues that the distinction between underground and mainstream rap is manufactured and mutable for some, but distinct and separate for others.作者: 縮減了 時間: 2025-3-28 06:25
The Queer Emcee,confront homophobia in hip hop. However, Oware contends that the provisional tolerance of lesbians remains predicated on lyrics that promote straight male erotic fantasy—women who rhyme about sexual congress with other women receive endorsement. Queer and gay males who rap about sexual relations with other men remain marginalized.作者: Urea508 時間: 2025-3-28 11:48 作者: 別炫耀 時間: 2025-3-28 17:18 作者: GULF 時間: 2025-3-28 22:08 作者: 強制令 時間: 2025-3-28 22:57
Conclusion: Future Intersections of Rap and Politics,m of 2017, and what her achievements signal?for female rappers in the future. In all, women and LGBTQ advancements?in the industry happen alongside continued heterosexual male dominance and heteronormativity.
