標題: Titlebook: H?lderlin’s Dionysiac Poetry; The Terrifying-Excit Lucas Murrey Book 2015 Springer International Publishing Switzerland 2015 Bacchae.Dionys [打印本頁] 作者: tornado 時間: 2025-3-21 19:53
書目名稱H?lderlin’s Dionysiac Poetry影響因子(影響力)
書目名稱H?lderlin’s Dionysiac Poetry影響因子(影響力)學科排名
書目名稱H?lderlin’s Dionysiac Poetry網絡公開度
書目名稱H?lderlin’s Dionysiac Poetry網絡公開度學科排名
書目名稱H?lderlin’s Dionysiac Poetry被引頻次
書目名稱H?lderlin’s Dionysiac Poetry被引頻次學科排名
書目名稱H?lderlin’s Dionysiac Poetry年度引用
書目名稱H?lderlin’s Dionysiac Poetry年度引用學科排名
書目名稱H?lderlin’s Dionysiac Poetry讀者反饋
書目名稱H?lderlin’s Dionysiac Poetry讀者反饋學科排名
作者: GROSS 時間: 2025-3-21 23:04 作者: Sigmoidoscopy 時間: 2025-3-22 02:10 作者: 說明 時間: 2025-3-22 05:56
https://doi.org/10.1007/978-3-319-10205-4Bacchae; Dionysiac Language; Dionysiac and Visualised Chronotopes; Friedrich H?lderlin; Greek tragedy; H?作者: DUST 時間: 2025-3-22 11:29
https://doi.org/10.1007/978-1-4020-8292-4it also transcends this familiar image of H?lderlin by turning to his interest in ancient Greece, as seen through the poet’s translations of tragic plays such as Euripides’ . and Sophocles’ . and .. These translations represent a literary retrieval whose profound socio-political meanings H?lderlin s作者: 上坡 時間: 2025-3-22 13:02 作者: Jubilation 時間: 2025-3-22 18:49
https://doi.org/10.1007/978-3-642-73356-7e this idea, the monetised chronotope is placed within its historical context, namely alongside the emergence and transformation of a visualised chronotope that first appears with Homer’s invention of alphabetic writing around 800 B.C.E. This abstract, visual essence, when it combines with that of m作者: CHYME 時間: 2025-3-22 21:31 作者: 指派 時間: 2025-3-23 03:43
Yeasts in Natural Ecosystems: Diversityin Greece and after). Abstract disciplines that emerge from money and its accompanying visual essence such as philosophy initiate in an important, if still unacknowledged primal manufacturing of consent: the first intellectual betrayal of western civilisation. Loss of the Dionysian spirit and its li作者: TAIN 時間: 2025-3-23 06:47 作者: irritation 時間: 2025-3-23 13:24 作者: 不朽中國 時間: 2025-3-23 14:59 作者: nocturnal 時間: 2025-3-23 20:14 作者: Hyperlipidemia 時間: 2025-3-24 00:39 作者: 不容置疑 時間: 2025-3-24 05:16 作者: STEER 時間: 2025-3-24 07:36 作者: 涂掉 時間: 2025-3-24 10:42 作者: 過分自信 時間: 2025-3-24 18:09 作者: 表示問 時間: 2025-3-24 22:14 作者: antiandrogen 時間: 2025-3-25 02:36
The Dionysiac Chronotopecret experience of ritual that the ancient Greeks cultivated. Further, they harness a socio-political potential that is made public with the invention of tragedy. Although indirectly, the chapter implicitly hints at the relevance of this historical transition for H?lderlin whose songs are rooted in 作者: 填滿 時間: 2025-3-25 05:45
The Visualised Chronotopee this idea, the monetised chronotope is placed within its historical context, namely alongside the emergence and transformation of a visualised chronotope that first appears with Homer’s invention of alphabetic writing around 800 B.C.E. This abstract, visual essence, when it combines with that of m作者: Cirrhosis 時間: 2025-3-25 08:17
Dionysiac Languagecal potential: .. The manifestation of three linguistic moments: ., . and . language are brought to light (and sound) to show their transition to a public (Greek) stage. Of particular importance is the understanding that tragedy is a battleground of languages. The tragic play witnesses the collision作者: miracle 時間: 2025-3-25 14:54
Visual and Linguistic Nihilismin Greece and after). Abstract disciplines that emerge from money and its accompanying visual essence such as philosophy initiate in an important, if still unacknowledged primal manufacturing of consent: the first intellectual betrayal of western civilisation. Loss of the Dionysian spirit and its li作者: Eosinophils 時間: 2025-3-25 17:18 作者: MAL 時間: 2025-3-25 22:56 作者: 無政府主義者 時間: 2025-3-26 04:08 作者: 過去分詞 時間: 2025-3-26 07:25
The Dionysiac Chronotope (1802–1804 and After)ativity, the image that the poet invented from his previous retrieval of Dionysus’ spirit—in particular the modern use of visual media (such as the telescope) to exploit earth’s resources for profit—is fused with a dynamic, original representation in Greece. The dreadful spirit of isolated, monetise作者: 合同 時間: 2025-3-26 09:38 作者: 螢火蟲 時間: 2025-3-26 14:01
Dionysiac Language (1802–1804 and After)rks within (Sophoclean) tragedy as well as his final invocation of this language to resist the (visualised) words of money-tyrants in the present. On the one hand, the “[c]horus-leader of stars and guardian/Of secret speech” now struggles against the perverse, distorted language of ancient money-tyr作者: Frequency-Range 時間: 2025-3-26 19:43 作者: 強行引入 時間: 2025-3-26 20:58
Christianitythe coincidence of ancient Greek and Christian religion gives rise to a new and fascinating form of poetic syncretism, as witnessed in the elegy .. But the psychological core of H?lderlin’s relationship to Christianity (which is concealed finally in the poet’s relationship to a selfish, monetised mo作者: Apraxia 時間: 2025-3-27 05:07 作者: FACT 時間: 2025-3-27 06:50
Tulasi Satyanarayana,Gotthard Kunzerojected onto the public stage. The chapter concludes by turning to one of the most striking, concentrated instances of this double-transformation in the opening verses of the tragedy that H?lderlin translates just before he composes his most meaningful poems: Euripides’ ..作者: ear-canal 時間: 2025-3-27 12:59 作者: Suppository 時間: 2025-3-27 16:06 作者: Fresco 時間: 2025-3-27 18:52
https://doi.org/10.1007/978-1-4939-9782-4 Pindar, and (3) the first 24 lines of Euripides’ Bacchae. Now the power with which H?lderlin confronts competing Dionyisac and monetised/visualised chronotopes, as articulated in Part I, begins to become clear.作者: 溝通 時間: 2025-3-27 23:17
https://doi.org/10.1007/978-1-349-11916-5e tyrant (unconsciously) initiates a mystical revelation of the truth (and horror) of his own blindness. To conclude, the chapter shows how this unparalleled retrieval of Dionysian Greece reappears in H?lderlin’s final poems and his last years of lucidity.作者: 無政府主義者 時間: 2025-3-28 05:12
https://doi.org/10.1007/978-1-349-23757-9that is, language that speaks only of abstract, superficial images that promote individual profit—is made clear by H?lderlin’s Dionysian description of modern money-tyrants who peer through “[t]he telescope […] and coun[t] ./.[.] ..”作者: avulsion 時間: 2025-3-28 07:48 作者: 揉雜 時間: 2025-3-28 12:21 作者: 淺灘 時間: 2025-3-28 14:50
The Visualised Chronotope, the Greeks absorb the unlimited nature of the new visual media of money into the unlimited chronotope of mystery-cult that is, for this purpose, opened out on the public stage. One thinks of the blindness to which the money-tyrants such as Pentheus, Kreon and Oedipus succumb.作者: Enliven 時間: 2025-3-28 20:06
Visual and Linguistic Nihilism and humanism reinforce a still more abstract, alienated concept of humankind. Coupled with the . and (literally) demonisation of Dionysus is the erasure of any trace of the god’s socio-political potential to confront money as a lethal visual media.作者: anesthesia 時間: 2025-3-29 00:44 作者: overweight 時間: 2025-3-29 05:14 作者: 多產子 時間: 2025-3-29 08:36
Dionysiac Language (Pre-1799–1802)that is, language that speaks only of abstract, superficial images that promote individual profit—is made clear by H?lderlin’s Dionysian description of modern money-tyrants who peer through “[t]he telescope […] and coun[t] ./.[.] ..”作者: 非實體 時間: 2025-3-29 13:28
Dionysiac Language (1802–1804 and After)rit of their intentions to “scan every word”. On the other hand, H?lderlin’s elaborates this linguistic technique to resist monetised and visualised languages in the poet’s imagination of a future voyage to “the pure word”, ., of Dionysian Greece.作者: 強化 時間: 2025-3-29 18:12 作者: electrolyte 時間: 2025-3-29 20:47 作者: expound 時間: 2025-3-30 01:45
Wakers-of-the-deadral past to battle the estrangement of modern time. Although, like all romantics, H?lderlin’s experimental voyage to capsizes, the chapter concludes by drawing attention to his forthcoming socio-political significance for us today.作者: 你正派 時間: 2025-3-30 06:31
H?lderlinian Hyper-Abstractionste his uncanny capacity to illuminate the theatrical tension that this cataclysmic event calls forth), H?lderlin follows the hyper-abstract—and significantly monetised (and visualised)—unconscious of the presocratic Herakleitos in his references to “the One differentiated in itself”.作者: recede 時間: 2025-3-30 11:18
tragedy.Shows how H?lderlin’s poetry retrieves the socio-pol.This book casts new light on the work of the German poet Friedrich H?lderlin (1770 – 1843), and his translations of Greek tragedy. It shows H?lderlin’s poetry is unique within Western literature (and art) as it retrieves the socio-politics作者: 熱心 時間: 2025-3-30 12:47
