作者: 先兆 時(shí)間: 2025-3-21 21:28
https://doi.org/10.1007/978-3-8349-4393-4The first published collection of trio sonatas by Handel was issued as a set of parts under the title . According to the title page, the publisher was Jeanne Roger of Amsterdam, although it is now accepted that this was actually a pirated edition issued by John Walsh in London.作者: 自負(fù)的人 時(shí)間: 2025-3-22 02:42
https://doi.org/10.1007/978-3-658-00719-5Im . formuliert H?ndels Zoroastro wenigstens vier ausgesprochen allgemeine, durchaus philosophische und aus der antiken überlieferung bekannte Thesen; zwei davon ganz ausdrücklich, die anderen beiden eher als mitzudenkende Voraussetzungen bzw. Folgen.作者: 我正派 時(shí)間: 2025-3-22 07:39
PSU Proze?simulation in der UmformtechnikOn a mid-spring evening in April 2013, I was sitting in the control room of the Staller Center for the Arts at Stony Brook University, carefully checking that the supertitles for the opera matched the action on stage.作者: MONY 時(shí)間: 2025-3-22 09:35
https://doi.org/10.1007/978-3-663-12457-3In his essay ., Colin Timms explored the potential for potent irony in Handel’s use of similar music for texts with radically different content.. At Prof. Timms’s kind suggestion, I here apply his methods to the detailed study of a single movement (one not addressed in his study).作者: 澄清 時(shí)間: 2025-3-22 15:27 作者: Banquet 時(shí)間: 2025-3-22 18:12
The Pre-Publication Circulation and Scoring of Handel’s Op. 2 Trio SonatasThe first published collection of trio sonatas by Handel was issued as a set of parts under the title . According to the title page, the publisher was Jeanne Roger of Amsterdam, although it is now accepted that this was actually a pirated edition issued by John Walsh in London.作者: 警告 時(shí)間: 2025-3-23 00:43 作者: 貪心 時(shí)間: 2025-3-23 01:46 作者: 諄諄教誨 時(shí)間: 2025-3-23 07:44 作者: 概觀 時(shí)間: 2025-3-23 13:44 作者: 可商量 時(shí)間: 2025-3-23 16:40
https://doi.org/10.1007/978-3-7618-7290-1Jahrhundert; Barock; H?ndel, Georg Friedrich作者: THE 時(shí)間: 2025-3-23 21:12 作者: 裹住 時(shí)間: 2025-3-24 01:35
https://doi.org/10.1007/978-3-531-91806-8German texts, as . on 28 May 1922. In his introduction to the printed wordbook,. Moser notes his debt to the more well-known revivals by Oskar Hagen that began in June 1920 with his adaptation of . in G?ttingen, and that were followed in subsequent years by . (1921), . (1922), and . (1924).作者: Left-Atrium 時(shí)間: 2025-3-24 02:23 作者: 禁令 時(shí)間: 2025-3-24 08:22
https://doi.org/10.1007/978-3-658-43797-8ikum überarbeitet wurde.. Als Vorlage diente Carlo Sigismondo Capecis Dramma per musica . das in der Karnevalssaison 1711 mit der Musik von Domenico Scarlatti im Teatro domestico Maria Kazimiera Sobieskas, der vormaligen K?nigin von Polen-Litauen, seine erste Aufführung erlebte.作者: 發(fā)怨言 時(shí)間: 2025-3-24 14:10
Wissens-Check: An?sthesie für die Fachpflegedel-Opern und -Oratorien etwa ver?ffentlichte Walsh solche Sammlungen, die aber in der Forschung als sekund?re Quellen im Bestreben nach einem H?ndel-Urtext gesehen und in der Regel nicht eingehender untersucht wurden.作者: engrossed 時(shí)間: 2025-3-24 16:09 作者: 知識 時(shí)間: 2025-3-24 19:57
Handel, Hagen, and ,: In search of an historically-informed approach to musical alterations in HandeGerman texts, as . on 28 May 1922. In his introduction to the printed wordbook,. Moser notes his debt to the more well-known revivals by Oskar Hagen that began in June 1920 with his adaptation of . in G?ttingen, and that were followed in subsequent years by . (1921), . (1922), and . (1924).作者: larder 時(shí)間: 2025-3-25 00:06 作者: 2否定 時(shí)間: 2025-3-25 06:24 作者: 無表情 時(shí)間: 2025-3-25 08:53 作者: Radiculopathy 時(shí)間: 2025-3-25 15:11 作者: HEED 時(shí)間: 2025-3-25 16:05
H?ndel-Jahrbuch 2023, 69. Jahrgang978-3-7618-7290-1Series ISSN 0440-0615 Series E-ISSN 2749-2745 作者: 蝕刻 時(shí)間: 2025-3-25 20:40
0440-0615 Overview: 978-3-7618-7290-1Series ISSN 0440-0615 Series E-ISSN 2749-2745 作者: circumvent 時(shí)間: 2025-3-26 00:36
Arnold Schering und die Welt H?ndels1?ndel-Festspiele kurz vorzustellen. Dies k?nnen wir uns im Jubil?umsjahr 2022 mit seiner Hommage an das erste H?ndel-Fest von 1922 sparen, denn der Blick geht heute zurück auf den ersten Festvortrag vor einhundert Jahren und seinen Verfasser: Es soll im Folgenden um den Musikwissenschaftler Arnold S作者: 宇宙你 時(shí)間: 2025-3-26 05:05 作者: 口音在加重 時(shí)間: 2025-3-26 10:08
Handel, Hagen, and ,: In search of an historically-informed approach to musical alterations in HandeGerman texts, as . on 28 May 1922. In his introduction to the printed wordbook,. Moser notes his debt to the more well-known revivals by Oskar Hagen that began in June 1920 with his adaptation of . in G?ttingen, and that were followed in subsequent years by . (1921), . (1922), and . (1924).作者: 表臉 時(shí)間: 2025-3-26 16:40
, auf der Musiktheaterbühne: Von der Barockoper bis zu Olga Neuwirths fiktiver musikalischer Biograpte Mal und in überarbeiteten Fassungen dann nochmals 1521 und 1532 publiziert. Ariosto basierte sein Epos auf einer historischen Figur: . ist jener Neffe von Karl dem Gro?en, der im Kampf gegen die aus Nordafrika kommenden Sarazenen eine wichtige Rolle spielte. Dies wird von Ariosto durch Bezüge zur作者: Vo2-Max 時(shí)間: 2025-3-26 16:54 作者: Middle-Ear 時(shí)間: 2025-3-26 22:54 作者: 暖昧關(guān)系 時(shí)間: 2025-3-27 02:29
Singers and Creativity in , and of opera in London faced some uncertainty. Handel had introduced English oratorios into his theatre programmes in the early 1730s and from 1733 he faced new competition from a second opera company in London, often referred to as the Opera of the Nobility, which was led by the castrato Francesco Bern作者: GULLY 時(shí)間: 2025-3-27 06:34 作者: resilience 時(shí)間: 2025-3-27 13:06
Sorcery in the Libretto of Handel’s by Samuel Humphreys but does not name the author of the Italian original. In the German Handel Society edition of the opera (1881) Friedrich Chrysander stated that the libretto was based on Grazio Braccioli’s .,. which was set to music by Giovanni Antonio Ristori (1713), Antonio Vivaldi (1727) and 作者: Metamorphosis 時(shí)間: 2025-3-27 16:55 作者: CRAFT 時(shí)間: 2025-3-27 20:41 作者: FUME 時(shí)間: 2025-3-28 00:09 作者: 巧辦法 時(shí)間: 2025-3-28 03:43 作者: Pepsin 時(shí)間: 2025-3-28 06:32 作者: Systemic 時(shí)間: 2025-3-28 10:59 作者: 沙發(fā) 時(shí)間: 2025-3-28 15:34 作者: babble 時(shí)間: 2025-3-28 21:55
https://doi.org/10.1007/978-3-658-43797-8ikum überarbeitet wurde.. Als Vorlage diente Carlo Sigismondo Capecis Dramma per musica . das in der Karnevalssaison 1711 mit der Musik von Domenico Scarlatti im Teatro domestico Maria Kazimiera Sobieskas, der vormaligen K?nigin von Polen-Litauen, seine erste Aufführung erlebte.作者: Herbivorous 時(shí)間: 2025-3-29 01:50 作者: sundowning 時(shí)間: 2025-3-29 05:55
Wissens-Check: An?sthesie für die Fachpflegedel-Opern und -Oratorien etwa ver?ffentlichte Walsh solche Sammlungen, die aber in der Forschung als sekund?re Quellen im Bestreben nach einem H?ndel-Urtext gesehen und in der Regel nicht eingehender untersucht wurden.作者: Coronary 時(shí)間: 2025-3-29 07:50 作者: 尖 時(shí)間: 2025-3-29 14:55 作者: harangue 時(shí)間: 2025-3-29 18:42
https://doi.org/10.1007/978-3-663-11867-1specially because it has been associated with the development of annual Festivals in which a broad range of Handel’s music has been presented, complemented by international scholarly conferences. Here I will concentrate on two events from the period since the foundation of the modern series of Fests作者: Forsake 時(shí)間: 2025-3-29 21:33 作者: probate 時(shí)間: 2025-3-30 01:16 作者: 燒瓶 時(shí)間: 2025-3-30 06:27 作者: 混沌 時(shí)間: 2025-3-30 11:22
Sorcery in the Libretto of Handel’s er stated that the libretto was based on Grazio Braccioli’s .,. which was set to music by Giovanni Antonio Ristori (1713), Antonio Vivaldi (1727) and others; this view was repeated as late as 1959 in the “new and revised” edition of the Handel biography by Newman Flower.作者: nocturnal 時(shí)間: 2025-3-30 15:49 作者: 親屬 時(shí)間: 2025-3-30 18:38 作者: 夜晚 時(shí)間: 2025-3-30 23:25 作者: 六邊形 時(shí)間: 2025-3-31 04:11 作者: 大范圍流行 時(shí)間: 2025-3-31 07:40
https://doi.org/10.1007/978-3-8348-2503-2er stated that the libretto was based on Grazio Braccioli’s .,. which was set to music by Giovanni Antonio Ristori (1713), Antonio Vivaldi (1727) and others; this view was repeated as late as 1959 in the “new and revised” edition of the Handel biography by Newman Flower.作者: Lipoprotein 時(shí)間: 2025-3-31 09:42
https://doi.org/10.1007/978-3-663-14883-8el opera.. Which is why, I suppose, Dr Samuel Johnson’s notorious observation slipped irresistibly into my mind: that Italian opera was “an exotic and irrational entertainment, which has always been combated, and always has prevailed.”作者: 反復(fù)拉緊 時(shí)間: 2025-3-31 14:21
https://doi.org/10.1007/978-3-663-11867-1piele in 1955 which I believe had particular international significance: the Festivals in the anniversary years 1959 and 1985. For 1959 I shall draw especially on two reports of the Festival that were published in Britain.作者: 使迷惑 時(shí)間: 2025-3-31 20:29
1959, 1985: The anniversary Festivals in Halle and their importancepiele in 1955 which I believe had particular international significance: the Festivals in the anniversary years 1959 and 1985. For 1959 I shall draw especially on two reports of the Festival that were published in Britain.作者: GUILE 時(shí)間: 2025-3-31 22:15 作者: 數(shù)量 時(shí)間: 2025-4-1 02:44
