標(biāo)題: Titlebook: Hysterical Methodologies in the Arts; Rising in Revolt Johanna Braun Book 2021 The Editor(s) (if applicable) and The Author(s) 2021 Hysteri [打印本頁] 作者: 領(lǐng)口 時(shí)間: 2025-3-21 17:31
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書目名稱Hysterical Methodologies in the Arts讀者反饋學(xué)科排名
作者: 死貓他燒焦 時(shí)間: 2025-3-21 22:18
l established .within. the arts alongside and at times even separately from the much-covered medical studies, and reveal how those current artistic practices very much continue a century spanning cross-fertilization between hysteria and the arts..978-3-030-66362-9978-3-030-66360-5作者: 火車車輪 時(shí)間: 2025-3-22 01:38 作者: seduce 時(shí)間: 2025-3-22 05:13
Heimatgeschichte und Urkundenforschung 1933d how do they, in turn, create new ways of thinking with and thinking through hysteria? Furthermore, can an artistic engagement with hysteria be uncovered that moves next to, alongside, and, at times, separately from the often-covered entanglement of the arts with European medical studies on hysteria around 1900?作者: 乳白光 時(shí)間: 2025-3-22 08:46
https://doi.org/10.1057/9781403970046ical facts, reflected and expressed in painting and photography both archival and production. Anna Furse attempts to contribute her specific theatrical thinking and cultural research that has informed this to ..作者: NEG 時(shí)間: 2025-3-22 14:05
https://doi.org/10.1007/978-3-031-48675-3the subject from an art context and in a public setting. Highlighting a selection of artists’ projects, including exhibitions, performances, talks, and moving image works, this chapter considers how contemporary art practices can open new approaches to hysteria through the lenses of postcolonial, disability, feminism and women’s studies.作者: 商業(yè)上 時(shí)間: 2025-3-22 19:29 作者: 懶惰民族 時(shí)間: 2025-3-22 23:01 作者: 闡釋 時(shí)間: 2025-3-23 03:45 作者: CORD 時(shí)間: 2025-3-23 08:29 作者: omnibus 時(shí)間: 2025-3-23 16:38
Making Ghosts Heard,steric patients. Through studying classic clinical struggles around the hysteric, González disentangles how the mimetic quality of hysteria—its ability to take on culturally permissible expressions of distress—is key to the fascination and the threat of the condition.作者: Keratectomy 時(shí)間: 2025-3-23 21:39 作者: Diskectomy 時(shí)間: 2025-3-23 22:42
https://doi.org/10.1007/978-1-4302-4585-8 [J 4164-G24], at the University of California, Los Angeles, and gives insight into a broader artistic legacy of hysteria in California and ways hysteria can employ its political potential in our specific moment of time.作者: Ethics 時(shí)間: 2025-3-24 04:25 作者: geriatrician 時(shí)間: 2025-3-24 08:44 作者: 松果 時(shí)間: 2025-3-24 12:04
State of Anxiety: Hysterical Studies for Reproduction Struggles, anxiety as symptomatology of the global present. With millions of lives in peril and resources depleted, anxiety is a matter of life and death. Linking class, race, gender, and nature, the feminist curatorial suggestion is to insist on hysterical studies connecting the reproduction crises to the radical legacies of hysteria.作者: adequate-intake 時(shí)間: 2025-3-24 18:15 作者: 動(dòng)作謎 時(shí)間: 2025-3-24 22:30 作者: oxidize 時(shí)間: 2025-3-24 23:20
,Via Telefaune, a Phone Call with Hélène Cixous,ry to pressing contemporary issues, such as the Black Lives Matter and #MeToo movements; discussing what the current hysterical revival has in common with its predecessors and what new perspective have enriched discussions on hysteria in the present.作者: orient 時(shí)間: 2025-3-25 03:45 作者: Diatribe 時(shí)間: 2025-3-25 09:58 作者: pester 時(shí)間: 2025-3-25 13:31
Hysterias in Pictures,ical facts, reflected and expressed in painting and photography both archival and production. Anna Furse attempts to contribute her specific theatrical thinking and cultural research that has informed this to ..作者: 蒙太奇 時(shí)間: 2025-3-25 16:52 作者: 舊式步槍 時(shí)間: 2025-3-25 23:43 作者: Evocative 時(shí)間: 2025-3-26 03:49
Male Hysteria and the Archive: An Auto-Ethnographic Reflection,chives as a story of wandering images, care, neglect and conflict. He uses the mode of auto-ethnographic reflection to excogitate on his position as “hysterical” archivist and poet to intertwine theoretical, historical as well as literary aspects of the archive and its archived sources.作者: disrupt 時(shí)間: 2025-3-26 06:04 作者: 重畫只能放棄 時(shí)間: 2025-3-26 10:12
Hauslehrer- und Konrektorenjahrehen why does Sherman use her own body—distorted by costumes, make-up, and props—as her main model? If it is not a question of self-representation, then what is the relationship between the depiction and the female body being represented? We must consider further, at least.作者: colloquial 時(shí)間: 2025-3-26 13:13 作者: Stress-Fracture 時(shí)間: 2025-3-26 20:17
Wind Energy and Wildlife Impactst of dialectical corporeal surrogation—or “hosting” (Laura González). In the phrasing of vocalist Sage Harlow, this constitutes a dangerous but necessary aesthetics of love, wherein that which arises from within or without the host body must be accepted with compassion, even as this challenges one’s own sense of subjectivity.作者: 腐敗 時(shí)間: 2025-3-26 22:24 作者: 供過于求 時(shí)間: 2025-3-27 02:59 作者: 驚呼 時(shí)間: 2025-3-27 08:03 作者: canonical 時(shí)間: 2025-3-27 12:46 作者: licence 時(shí)間: 2025-3-27 13:38
,The Other Self of the Imagination: Cindy Sherman’s Hysterical Performance,hen why does Sherman use her own body—distorted by costumes, make-up, and props—as her main model? If it is not a question of self-representation, then what is the relationship between the depiction and the female body being represented? We must consider further, at least.作者: Outmoded 時(shí)間: 2025-3-27 20:26 作者: 脊椎動(dòng)物 時(shí)間: 2025-3-27 23:48
Hysterical Aesthetics in Contemporary Performance: Theater, Dance, Voice,t of dialectical corporeal surrogation—or “hosting” (Laura González). In the phrasing of vocalist Sage Harlow, this constitutes a dangerous but necessary aesthetics of love, wherein that which arises from within or without the host body must be accepted with compassion, even as this challenges one’s own sense of subjectivity.作者: 刺耳的聲音 時(shí)間: 2025-3-28 03:17 作者: 主講人 時(shí)間: 2025-3-28 07:50
Dora with Medusa: Is Hysterical Writing a Subversive Revolution?,se to literature and examines Cixous’ theater play as a piece of literature which brings the history of psychoanalysis as talking cure to the stage. A plurality of theories emerges in the Dora-Fragment, from which art can also provide inspiring information.作者: 碎石 時(shí)間: 2025-3-28 12:48 作者: sinoatrial-node 時(shí)間: 2025-3-28 17:25 作者: 止痛藥 時(shí)間: 2025-3-28 21:02 作者: LAPSE 時(shí)間: 2025-3-29 02:54 作者: Goblet-Cells 時(shí)間: 2025-3-29 06:19 作者: 羽飾 時(shí)間: 2025-3-29 07:34 作者: Fresco 時(shí)間: 2025-3-29 12:31
https://doi.org/10.1007/978-981-19-3428-5ter comprehend . and . hysteria was not the invention of nineteenth-century French medicine, but rather, a theatrically expressive “attitude” identifiable throughout the visual and performing arts from the Early Modern period to the present era. His research demonstrates that any distinction between作者: 保留 時(shí)間: 2025-3-29 16:44
https://doi.org/10.1057/9781403970046 her praxis. Focusing on two of her productions that span thirty years—. (1991) and . (2018)—Furse takes the reader through some key social and historical facts, reflected and expressed in painting and photography both archival and production. Anna Furse attempts to contribute her specific theatrica作者: Affectation 時(shí)間: 2025-3-29 20:49 作者: 強(qiáng)制性 時(shí)間: 2025-3-30 03:21 作者: PALMY 時(shí)間: 2025-3-30 05:09
https://doi.org/10.1007/978-3-031-48675-318. This chapter draws upon Kj?rgaard Pr?st’s experience of working with “hysteria” and its many associations, to consider the value of investigating the subject from an art context and in a public setting. Highlighting a selection of artists’ projects, including exhibitions, performances, talks, an作者: 匍匐前進(jìn) 時(shí)間: 2025-3-30 10:48 作者: GEN 時(shí)間: 2025-3-30 14:50
Hauslehrer- und Konrektorenjahrelf as possible in the photographs. It could be, though, that it’s precisely by doing so that I create a self-portrait, doing these totally crazy things with these characters.” Sherman, one of the most widely discussed contemporary American artists, thus poses a serious challenge to art and cultural 作者: Defiance 時(shí)間: 2025-3-30 19:20 作者: 過時(shí) 時(shí)間: 2025-3-30 21:58
https://doi.org/10.1007/3-540-30906-3 made using pigmented microbes, can be read through the lens of nineteenth-century female hysteria. In so doing, she traces parallel narratives of containment and excess, drawing an analogy between the potentially uncontainable growth patterns of micro-organisms and the nineteenth-century female hys作者: 損壞 時(shí)間: 2025-3-31 03:49
https://doi.org/10.1007/978-3-642-82660-3hrough case histories imply beyond their imagery and language, González has developed a performance devising method which she calls “gHosting” (a play of words referring to the hosting of a ghost). The method is directly related to both the hysteric and the performing body. Following Jacques Lacan’s作者: 粗糙 時(shí)間: 2025-3-31 09:01
Wind Energy and Wildlife Impactsal performance text” which emphasizes the “splits and contradictions” within and between characters, their voices and their bodies. This aesthetic strategy was pioneered by the Surrealists and others who encountered hysterical patients at the Pitié-Salpêtrière. Artists today do not necessarily draw 作者: 改良 時(shí)間: 2025-3-31 11:31 作者: 疼死我了 時(shí)間: 2025-3-31 13:46
Wind Energy for Power Generationhat is, literature and/as artistic research. Building on the writings of Hélène Cixous and Georges Didi-Huberman, Ballhausen retells the history of archives as a story of wandering images, care, neglect and conflict. He uses the mode of auto-ethnographic reflection to excogitate on his position as “作者: 量被毀壞 時(shí)間: 2025-3-31 18:39
https://doi.org/10.1057/9780230524279and how the hysteric has been imagined as a mediator between historical practices that were aware of their own performativity and current manifestations of hysteria that are performing this historical awareness and self-reflection. To understand hysteria’s agency, the author propose, one needs to lo作者: 小卷發(fā) 時(shí)間: 2025-3-31 23:24
Probabilistic Modelling and Optimization,estures of “écriture feminine” can themselves be read as hysterical writing, or open up another reading and understanding, which in turn could also lead to a new perspective on the writing of case studies in psychoanalysis. Dedicated to écriture feminine/Trans*Writing the contribution commits to a “作者: 松緊帶 時(shí)間: 2025-4-1 02:36
Guidelines and analysis procedures,ithin the framework of performing philosophy and philosophy . arts-based research. B?hler starts with a philosophical analysis of how one could contextualize Nietzsche as the first to interpret rationality as a hysteric reaction of men, before Susanne Valerie Granzer then introduces the character of作者: Galactogogue 時(shí)間: 2025-4-1 06:43 作者: notion 時(shí)間: 2025-4-1 12:43
Introduction: Searching for Methods in this Madness,a informed by historical concepts and ideas on hysteria, how do they utilize hysteria as a methodological approach within their artistic practices, and how do they, in turn, create new ways of thinking with and thinking through hysteria? Furthermore, can an artistic engagement with hysteria be uncov作者: inscribe 時(shí)間: 2025-4-1 14:44 作者: membrane 時(shí)間: 2025-4-1 22:08 作者: 率直 時(shí)間: 2025-4-2 00:03
,From “Private Theatres Onstage” to Anti-Hysterical Performances: Reclaiming the Feminist Interest irmances such as Christine Blasey Ford’s 2018?U.S. Congressional testimony need to be considered as part of the legacy of hysterical performances. Since the 1990s, feminist theater and performance have coincided with innovative feminist scholarship. The second decade of the twenty-first century witne作者: Mortar 時(shí)間: 2025-4-2 04:20
State of Anxiety: Hysterical Studies for Reproduction Struggles,out of control. Even though hysteria is used as an insult by conservative media pundits and populist politicians, the concept actually fits our historical conjuncture. With hysteria derived from the Greek word for womb and closely tied to reproduction, this chapter takes seriously today’s hysterical
