標(biāo)題: Titlebook: Hybrid Practices in Moving Image Design; Methods of Heritage Iain Macdonald Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 [打印本頁(yè)] 作者: 使固定 時(shí)間: 2025-3-21 19:15
書(shū)目名稱Hybrid Practices in Moving Image Design影響因子(影響力)
書(shū)目名稱Hybrid Practices in Moving Image Design影響因子(影響力)學(xué)科排名
書(shū)目名稱Hybrid Practices in Moving Image Design網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Hybrid Practices in Moving Image Design網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Hybrid Practices in Moving Image Design被引頻次
書(shū)目名稱Hybrid Practices in Moving Image Design被引頻次學(xué)科排名
書(shū)目名稱Hybrid Practices in Moving Image Design年度引用
書(shū)目名稱Hybrid Practices in Moving Image Design年度引用學(xué)科排名
書(shū)目名稱Hybrid Practices in Moving Image Design讀者反饋
書(shū)目名稱Hybrid Practices in Moving Image Design讀者反饋學(xué)科排名
作者: trigger 時(shí)間: 2025-3-21 21:45
Iain Macdonald as a point of departure for students and researchers beginning their research journey or pursuing related projects. It also provides a unique opportunity for experienced researchers in the field to learn about the progress made so far and directions that warrant further investigation. All chapters 作者: 難取悅 時(shí)間: 2025-3-22 03:06 作者: Pseudoephedrine 時(shí)間: 2025-3-22 05:22 作者: Keshan-disease 時(shí)間: 2025-3-22 09:30 作者: progestogen 時(shí)間: 2025-3-22 16:40 作者: 面包屑 時(shí)間: 2025-3-22 19:50 作者: 相反放置 時(shí)間: 2025-3-23 00:02
Iain Macdonaldated with a morbidity and mortality of 7% and 1% respectively, as reported in a recently published multicenter trial (L. et al. 1993). Important complications include the developemnet of sepsis in the obstructed system, pancreatitis, gastric or duodenal perforation, and bleeding.作者: 生氣地 時(shí)間: 2025-3-23 01:54 作者: 珊瑚 時(shí)間: 2025-3-23 09:28
Iain Macdonaldated with a morbidity and mortality of 7% and 1% respectively, as reported in a recently published multicenter trial (L. et al. 1993). Important complications include the developemnet of sepsis in the obstructed system, pancreatitis, gastric or duodenal perforation, and bleeding.作者: 馬具 時(shí)間: 2025-3-23 12:53 作者: 遺留之物 時(shí)間: 2025-3-23 17:22 作者: 無(wú)彈性 時(shí)間: 2025-3-23 21:34 作者: Ballerina 時(shí)間: 2025-3-23 23:43 作者: Keshan-disease 時(shí)間: 2025-3-24 04:59
pursuing related projects. It also provides a unique opportunity for experienced researchers in the field to learn about the progress made so far and directions that warrant further investigation. All chapters 978-3-030-52121-9978-3-030-52119-6Series ISSN 1931-6828 Series E-ISSN 1931-6836 作者: 招致 時(shí)間: 2025-3-24 09:32 作者: 造反,叛亂 時(shí)間: 2025-3-24 11:55 作者: esoteric 時(shí)間: 2025-3-24 15:35
Iain Macdonaldbilevel optimization. Research on the topic has grown tremendously since its introduction in the field of mathematical optimization. Besides the substantial advances that have been made from the perspective of game theory, many sub-fields of bilevel optimization have emerged concerning optimal contr作者: definition 時(shí)間: 2025-3-24 19:20 作者: barium-study 時(shí)間: 2025-3-24 23:22
Iain Macdonaldemerging applications, particularly in data analytics, secur.2019 marked the 85th anniversary of Heinrich Freiherr von Stackelberg’s habilitation thesis “Marktform und Gleichgewicht,” which formed the roots of bilevel optimization. Research on the topic has grown tremendously since its introduction 作者: 擺動(dòng) 時(shí)間: 2025-3-25 04:07
Iain Macdonald different types of mathematical problems. We present formulations and solution concepts for such problems, together with their possible roles in bilevel optimization, and we illustrate the crucial issues concerning these solution concepts. Then, we discuss which of these issues can be positively or作者: Folklore 時(shí)間: 2025-3-25 08:56 作者: LAVE 時(shí)間: 2025-3-25 13:44 作者: immunity 時(shí)間: 2025-3-25 17:38
Iain Macdonaldevent that revolutionized surgery in the past few decades. Although the majority of surgeons today are unfamiliar with the his- ry of early minimally invasive surgery developments, it is important to realize that the advent of laparoscopy led not only to new surgical te- niques, but also to a change作者: decode 時(shí)間: 2025-3-25 21:20 作者: delusion 時(shí)間: 2025-3-26 02:16
Iain Macdonaldhave been advocated for evaluating the pancreas and biliary tree. Although ultrasound (US) and computed tomography (CT) are used in the initial evaluation of patients with symptoms and signs referrable to the pancreaticobiliary system, direct opacification of the biliary tree and pancreatic duct is 作者: INERT 時(shí)間: 2025-3-26 07:11 作者: 憤世嫉俗者 時(shí)間: 2025-3-26 12:07 作者: 因無(wú)茶而冷淡 時(shí)間: 2025-3-26 13:12
Iain Macdonaldo hilar cholangiocarcinoma and distal cholangiocarcinoma based on the junction point of the cystic duct and common hepatic duct. The main risk factors of cholangiocarcinoma include bile duct stones, HBV, and HCV infection, primary sclerosing cholangitis, liver flukes, and chemical substances. The ri作者: 繁忙 時(shí)間: 2025-3-26 19:51 作者: 親密 時(shí)間: 2025-3-26 23:07 作者: embolus 時(shí)間: 2025-3-27 05:11 作者: sulcus 時(shí)間: 2025-3-27 05:59
Skills and Educational Researchll as art and design education. Williams (Culture, 1981) argues that as new technologies arrive there is more of an overlap than an immediate replacement, but today the situation is particularly confused by the rise of online social media and communication. The democratising impact of digital techno作者: Coeval 時(shí)間: 2025-3-27 11:39
Hybrid Futures in Art & Design Educationd informs emerging student talent of possible routes of enquiry beyond corporate software. The role of the artist-educator can be to teach emerging creative talent by example and give them agency to read and understand the media from the past, present and what could be the future. Recognising the di作者: 音樂(lè)戲劇 時(shí)間: 2025-3-27 17:10 作者: GRAZE 時(shí)間: 2025-3-27 20:39
Graham McCallum: Executive Creative Director of Kemistryl technology. He moves with the times, and his inquisitive exploration of materials and processes are fuelled by his creative and intellectual curiosity as a designer. McCallum’s perspective is rare, and he provides an eloquent critique of the business and moving image culture. McCallum has gone fur作者: 棲息地 時(shí)間: 2025-3-28 00:13 作者: exostosis 時(shí)間: 2025-3-28 02:31
Richard Stammers: Visual Effects Supervisoracilities studio in London’s Soho in the 1970s. Richard Stammers is one of their world-leading VFX supervisors who has worked on . (2012) and . (2014) to name just a few. He reflects on his design education and how that informed his career path to VFX. Stammers explains the factors that influence th作者: 外貌 時(shí)間: 2025-3-28 07:17 作者: Indent 時(shí)間: 2025-3-28 12:03
Eric Dyer: Moving Image ArtistInspired by the spinning animated sculptures of Gregory Barsamian, Dyer has developed immersive gallery installations that exhibit both a moving image artefact and the model that was used to make the video. His excitement in his work comes from designing something new that comes from an investigatio作者: corn732 時(shí)間: 2025-3-28 17:25 作者: Self-Help-Group 時(shí)間: 2025-3-28 21:01
Conclusionritage practices in a hybrid form. The importance of the political and economic forces that shape media and education are highlighted. Moving image offers stimulating opportunities for screen-based digital skills, 3D modelling and drawing to develop together, allowing contemporary modes of creation 作者: Hay-Fever 時(shí)間: 2025-3-29 00:34
https://doi.org/10.1007/978-3-319-41375-4Moving image design; contemporary culture; digital and heritage methods; media production; digital techn作者: 全等 時(shí)間: 2025-3-29 04:36 作者: 使厭惡 時(shí)間: 2025-3-29 07:50 作者: Fissure 時(shí)間: 2025-3-29 14:40
978-3-319-82337-9The Editor(s) (if applicable) and The Author(s) 2016作者: 龍卷風(fēng) 時(shí)間: 2025-3-29 19:02
Introduction,e or overlap digital technology. ‘Digital’ is considered in this book as a description of the means of production and also a medium of communication. Recognising the media theories of Lev Manovich (2007; 2013) the author discusses the merging of previously distinct processes and media that have formed a whole new experience and language.作者: radiograph 時(shí)間: 2025-3-29 23:20
Heritage and Digitalng the writing of typographer Eric Gill, who abhorred the idea of combining craft and machine-made design, Macdonald argues that a hybrid approach can revitalize film and graphic heritage crafts that might atrophy and die if they were not combined in digital media practices.作者: Narcissist 時(shí)間: 2025-3-30 00:07 作者: Incumbent 時(shí)間: 2025-3-30 05:48 作者: RAGE 時(shí)間: 2025-3-30 11:51
Nobrain: Directors and Animatorsn’s CGI experience informs its process to exploit the speed and cost-efficiency of computers to often imitate heritage practices. The . idents involved puppeteers working as consultants to provide the raw movement of characters, which were then imitated with greater flexibility that is only possible with CGI software.作者: Ambulatory 時(shí)間: 2025-3-30 15:00
Richard Stammers: Visual Effects Supervisore creative decisions when balancing aesthetics and narrative in constructing and designing the spectacular (and even unspectacular) sequences that have drawn in huge cinema audience around the world. The advantages of combining real elements with CGI and the comparison of using model miniatures over CGI are debated.作者: Exclude 時(shí)間: 2025-3-30 17:48
Eric Dyer: Moving Image Artistn of process and practice, without necessarily having an end outcome in mind at the outset. This is an approach that is contrary to his professional career, which began as a motion graphic designer in New York at Lee Hunt Associates and Razorfish where an end result was specific to a brief.作者: 包庇 時(shí)間: 2025-3-30 22:06
Momoco: Motion Graphic Designerseritage graphic processes and approach to research are essential to the success of their ideas. They combine context and narrative factors with great technical skill in Adobe After Effects and Cinema 4D. Momoco sees a bright future for interdisciplinary creative work that blends literature and music with moving image design.作者: Counteract 時(shí)間: 2025-3-31 00:51
Conclusionto be taught in a structured programme in an arts context. The argument is made that it is the role of artists and designers to continually rethink our relationship with technology, rather than regarding technology as a means to an end.作者: Panacea 時(shí)間: 2025-3-31 08:57 作者: BOAST 時(shí)間: 2025-3-31 10:48
Skills and Educational Researchent, but today the situation is particularly confused by the rise of online social media and communication. The democratising impact of digital technological advances in moving image design and particularly how that affects art and design education are discussed in relation to practice-based learning.作者: babble 時(shí)間: 2025-3-31 16:03
