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標(biāo)題: Titlebook: Humor in Latin American Cinema; Juan Poblete,Juana Suárez Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 cinema.Comic.film [打印本頁(yè)]

作者: 愚蠢地活    時(shí)間: 2025-3-21 18:48
書目名稱Humor in Latin American Cinema影響因子(影響力)




書目名稱Humor in Latin American Cinema影響因子(影響力)學(xué)科排名




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書目名稱Humor in Latin American Cinema網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Humor in Latin American Cinema被引頻次




書目名稱Humor in Latin American Cinema被引頻次學(xué)科排名




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書目名稱Humor in Latin American Cinema年度引用學(xué)科排名




書目名稱Humor in Latin American Cinema讀者反饋




書目名稱Humor in Latin American Cinema讀者反饋學(xué)科排名





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作者: 閑蕩    時(shí)間: 2025-3-22 07:02
Diane E. Marting even though the majority of the world’s population doesn’t even know what they are. This dependence is particularly evident in urban ecosystems, which are often characterized by a deficient and inefficient ecological network that is unable to provide sufficient services. We need to bring nature bac
作者: 排斥    時(shí)間: 2025-3-22 11:39
Maurício de Bragan?aspontaneously colonised by plants, or intentionally greened. Their strength lies in the multiple benefits (co-benefits) they offer to single buildings and the urban environment as a whole: from the absorption of air pollutants and the reduction of energy consumption in buildings to the provision of
作者: 時(shí)間等    時(shí)間: 2025-3-22 15:51
Fernando Gabriel Pagnoni BernsTo address these challenges, it is crucial to comprehend the factors that influence individual choices concerning resource consumption, waste disposal, sustainable transportation, and environmental advocacy. Sustainable behaviors often come with economic, effort, and time costs, so understanding the
作者: aesthetic    時(shí)間: 2025-3-22 17:55
Juana Suárezof the Internationalization Unit of the Department of Planning, Design, and Technology of Architecture, of which the author is coordinator. Climate change issues are prioritized and closely linked to cultural and social aspects, considering biodiversity conservation in constructive dialogue with the
作者: Chemotherapy    時(shí)間: 2025-3-22 21:56

作者: itinerary    時(shí)間: 2025-3-23 03:52
Ignacio M. Sánchez Pradodecide to write a musical about a bunch of poor Jews in a Russian village? Who cares?” It turned out that a great many people cared. . had a Broadway run of 3,242 performances—seven years and nine months—and was for a time the longest-running show in Broadway history. By 1964, not just an intangible
作者: 能量守恒    時(shí)間: 2025-3-23 09:02
Freya Schiwyirst letter of Paul to Timothy, 2:5). In the Jewish Apocrypha, the concept of mediation before God is also present; in the Book of Tobit, Raphael, one of ‘the seven holy angels’ in Jewish angelology, is said to ‘bear upwards the prayers of the saints and (to) have access to the glory of the Holy One
作者: Entirety    時(shí)間: 2025-3-23 10:02
Juan Pobleteirst letter of Paul to Timothy, 2:5). In the Jewish Apocrypha, the concept of mediation before God is also present; in the Book of Tobit, Raphael, one of ‘the seven holy angels’ in Jewish angelology, is said to ‘bear upwards the prayers of the saints and (to) have access to the glory of the Holy One
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作者: 無(wú)目標(biāo)    時(shí)間: 2025-3-24 09:29
,The Laugh of Niní Marshall: Comic Performance and Gender Performativity in Argentinean Classical Ciboth in her native country and in Spain, Mexico, Cuba, and other nations of Latin America. Born for the radio in the mid-1930s, Marshall’s creatures burst into the cinema at the end of that decade, providing recognition patterns to basically two new social subjects that had emerged in Argentinean so
作者: 潛伏期    時(shí)間: 2025-3-24 10:42
,The Early Comedies of Tomás Gutiérrez Alea, for the screen. Later, as he became more successful, acquired more resources, and articulated more clearly to himself and others his goals as a committed artist, Titón (as his friends called him) preferred to place within each of his films a dialectic of reality and entertainment. In his lifetime,
作者: 俗艷    時(shí)間: 2025-3-24 15:56

作者: 波動(dòng)    時(shí)間: 2025-3-24 22:58
Enrique Cahen Salaberry and Hugo Sofovich: Humor Strategies in the Films Featuring the Duo Alberto untry’s television and cinema industries. Their work in different media and theater continues to be remembered, celebrated, and imitated by younger comedians and audiences alike. Although their importance to Argentinian popular culture can be conceived separately and individually, Olmedo and Porcel
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作者: 冰雹    時(shí)間: 2025-3-25 06:22
Invasion of the ,! Mocking Social Prejudice in Contemporary Mexican Cinema,el García Bernai) Verduzco, in a society unaccustomed to social mobility. From its very start, taking on an Argentine soccer talent scout—a caricature of a cliché-ridden social climber—as narrator, the film parodies the rigidity of Mexican society, reticent to accept the cultural production and habi
作者: enflame    時(shí)間: 2025-3-25 08:10
Humorous Affects: Romantic Comedies in Contemporary Mexico, is the most recent reminder of the role of the romantic comedy as a dominant genre in Mexican cinema. . is the latest iteration of a remarkable process of change and consolidation of the Mexican film industry in the neoliberal era. Since the release of . “Love in the Time of AIDS” (Alfonso Cuarón 1
作者: Alcove    時(shí)間: 2025-3-25 12:16

作者: Felicitous    時(shí)間: 2025-3-25 19:21
A Sense of Humor and Society in Three Chilean Comedies: ,, and ,. My contention is that, through humor, these three films evidence the dual nature of neoliberal globalization in Chile and, more specifically, a certain dominant and widely spread Chilean self-understanding within this transformation. The three comedies outline an arc that goes from the external sa
作者: Obituary    時(shí)間: 2025-3-25 23:00
Backwardness and Modernity in the Rural Tradition of Mazzaropi Comedies,later, in 1952, he would make his film debut in a movie entitled . (.), which told, in a humorous way, of the everyday adventures of a country man in a big city, S?o Paulo. This circularity was very important to develop a language marked by the crossing intersection of media, as evidenced by Luiz Otavio de Santi:
作者: Asseverate    時(shí)間: 2025-3-26 01:06

作者: cleaver    時(shí)間: 2025-3-26 05:20
1554-4028 omedy of manners and light sexuality, iconic figures and characters, as well as a variety of humor registers evident in different Latin American films..978-1-137-54357-8Series ISSN 1554-4028 Series E-ISSN 2634-520X
作者: 新鮮    時(shí)間: 2025-3-26 11:25
Cinema and Humor in Latin America: An Introduction, Chile (., 2012), Argentina (., 2013), and Mexico (., 2013), the most successful national film ever is a very recent comedy. Even more strikingly, in Brazil and Chile, seven out of ten of the most popular films are comedies (one of them examined here by Poblete).
作者: 皮薩    時(shí)間: 2025-3-26 14:16
,The Laugh of Niní Marshall: Comic Performance and Gender Performativity in Argentinean Classical Ciciety: immigrants and urban popular sectors, and specially the women within those groups. However, like Helene Cixous’ version of the myth of Medusa,. the female characters created by Niní Marshall laugh about stereotyped roles assigned to women by classical film narrative.
作者: Narcissist    時(shí)間: 2025-3-26 19:07

作者: 時(shí)代錯(cuò)誤    時(shí)間: 2025-3-26 21:56
nd the larger, center picture.. In this center photo there are women stand-ing, dancing, arms waving in the air, with their mouths wide open—screaming. These girl fans evoke the “mania” of the early 1960s—the uncontrollable idolization of stars and fandom gone rampant. In most accounts of rock and r
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Diane E. Martingental policy issue restricted to protected natural areas only..While the main goal is one, the solutions may be multiple and must necessarily be shared by involving city administrators, citizens and the scientific community. The skills of the scientific community will need to be different but comple
作者: 怎樣才咆哮    時(shí)間: 2025-3-27 14:13

作者: 性行為放縱者    時(shí)間: 2025-3-27 21:29
Fernando Gabriel Pagnoni Berns behavior change within sustainable living. This entails developing interventions to encourage sustainable behaviors and evaluating their long-term effectiveness. By implementing systematic and rigorous evaluation methods, researchers can gain valuable insights into the strategies and techniques tha
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作者: 陰謀小團(tuán)體    時(shí)間: 2025-3-28 07:18
Ignacio M. Sánchez Pradohe ambient Jewishness no barrier to becoming involved with this show about a man who loves his daughters. (Jewish drama, by and large, is about families: an important reason for its popularity.) When I first saw it I was greatly moved, and so, as far as I could tell, were the nuns who sat all around
作者: 察覺(jué)    時(shí)間: 2025-3-28 11:52

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作者: 有權(quán)威    時(shí)間: 2025-3-28 23:46
,Luis Sandrini’s Stutter, Early Argentine Film Comedy, and the Representability of Time,er to consider comedy . comedy and not as an inadequate realism or a derivation of melodrama, I engage with a general study of comedy as a broader cultural form with a long-standing history—in tension with, and transformed by, realism. Much like Linda Williams’s revision of melodrama, this project r
作者: 帶來(lái)墨水    時(shí)間: 2025-3-29 03:56
,“Comrades, There Are Moments in Life That Are Truly Momentary”: Cantinflas and the Administration olic space, and of a new . of public space, that is the direct result of post-revolutionary print capitalism, the emergent mass entertainment industries, and the imperfect transition from the military force of the Revolutionary Generals to the police order of the . in 1930s Mexico. The change of tone
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作者: 運(yùn)動(dòng)的我    時(shí)間: 2025-3-29 12:46
Invasion of the ,! Mocking Social Prejudice in Contemporary Mexican Cinema,rotagonists in contemporary Mexican cinema addresses how humor can be used as a measure of resistance, as a tool of defiance against an entrenched social order, unwilling to change even in global times, and when social mobility—in the upward sense of the term—appears to be the best alternative for c
作者: 中世紀(jì)    時(shí)間: 2025-3-29 16:11
Humorous Affects: Romantic Comedies in Contemporary Mexico,ectatorship resulting from the privatization of exhibition structures; its ability to articulate synergic relationships with other forms of commercial media; and the economic viability of its production in an industry that faces unfair dominant competition from Hollywood (Sánchez Prado, . 62–105)..
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