標(biāo)題: Titlebook: Humanism, Drama, and Performance; Unwriting Theatre Hana Worthen Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Theatre.Hum [打印本頁(yè)] 作者: Conformist 時(shí)間: 2025-3-21 20:07
書(shū)目名稱(chēng)Humanism, Drama, and Performance影響因子(影響力)
書(shū)目名稱(chēng)Humanism, Drama, and Performance影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Humanism, Drama, and Performance網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Humanism, Drama, and Performance網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Humanism, Drama, and Performance被引頻次
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書(shū)目名稱(chēng)Humanism, Drama, and Performance讀者反饋
書(shū)目名稱(chēng)Humanism, Drama, and Performance讀者反饋學(xué)科排名
作者: Diskectomy 時(shí)間: 2025-3-21 21:39 作者: FAWN 時(shí)間: 2025-3-22 04:02 作者: 倔強(qiáng)一點(diǎn) 時(shí)間: 2025-3-22 06:59
Wasserstoff und BrennstoffzelleKivimaa’s writings underlines the problematic of theatre humanism as historical revisionism in liberal, inter/national, cultural politics and theatre/performance studies, and points to the necessity to open the history of theatre humanism to the indigestible histories it has—in an act of self-legitimation—unwritten.作者: 新字 時(shí)間: 2025-3-22 09:43 作者: HALO 時(shí)間: 2025-3-22 16:22 作者: 纖細(xì) 時(shí)間: 2025-3-22 17:09 作者: Diastole 時(shí)間: 2025-3-23 00:26
,Pinkins’s Alienating ,tion of her professional and representational labor. Striking an alliance with Pinkins, it promotes an affirmative dramaturgy that thinks through the actress’s voice, which arrestingly haunts both feminist and Althusserian accounts of epic-dialectical theatricality.作者: flimsy 時(shí)間: 2025-3-23 01:24 作者: 樂(lè)器演奏者 時(shí)間: 2025-3-23 05:57 作者: 樹(shù)上結(jié)蜜糖 時(shí)間: 2025-3-23 11:40 作者: STAT 時(shí)間: 2025-3-23 16:09
https://doi.org/10.1007/978-3-658-34748-2oth Goethe’s literarizing model, machining the actor to textual ., and Schiller’s theatre of . (spiritualization) and its?kinaesthetic spectatorial identification, problems extended and redefined by their major successor, Brecht.作者: seruting 時(shí)間: 2025-3-23 18:34 作者: 過(guò)多 時(shí)間: 2025-3-24 01:58 作者: SPER 時(shí)間: 2025-3-24 04:13
Book 2020d disciplines of literary, drama, theatre, and performance history and studies today. From Aristotle onward, theatre has been regulated by three strains of critical .poiesis:. the .literary,. segregating theatre and the practices of the spectacular from the humanizing work attributed to the book and作者: Lasting 時(shí)間: 2025-3-24 07:34
erformance into the dominant understanding of the arts todayThis book examines the appropriation of theatre and theatrical performance by ideologies of humanism, in terms that continue to echo across the related disciplines of literary, drama, theatre, and performance history and studies today. From作者: Verify 時(shí)間: 2025-3-24 13:15 作者: BILIO 時(shí)間: 2025-3-24 17:12
http://image.papertrans.cn/h/image/429816.jpg作者: 從屬 時(shí)間: 2025-3-24 21:56 作者: Harpoon 時(shí)間: 2025-3-25 01:18 作者: implore 時(shí)間: 2025-3-25 06:37 作者: Radiculopathy 時(shí)間: 2025-3-25 10:14
ng work, along a privileged dualism from the aestheticized .ensemble.—harmonizing actor, character, and spectator to the essentialized drama—to the politicized .assembly,. theatre understood as an agonistic gathering.? ?.?.978-3-030-44068-8978-3-030-44066-4作者: Somber 時(shí)間: 2025-3-25 12:31
Potential und M?glichkeiten von Wasserstoffrformance is at once the consequence and final cause of poetic composition. Seizing theatre as an instrument of writing occupies theatre and performance studies reflected here within two key perspectives: Oscar G. Brockett’s account of the relationship between dramatic maturity and the fashioning of作者: 教義 時(shí)間: 2025-3-25 17:02
Carl-Jochen Winter,Joachim Nitsche executed by wild beasts in the Roman arena. Spectacularizing a legal punishment through the form of drama and deploying performance to require, to engage, and to shape the contours of a civic audience, these . contest a set of humanist biases—the segregation of the mise-en-page from the mise-en-sc作者: 禮節(jié) 時(shí)間: 2025-3-25 21:53 作者: BRIDE 時(shí)間: 2025-3-26 00:32 作者: cultivated 時(shí)間: 2025-3-26 04:58
Sicherheitsrelevante Anwendung,heatre. At the same time, retooling . epic theatricality without assimilating it into the formal proprieties of dramatic humanism has proven challenging. Reconsidering Brecht’s epic-dialectical theatre, this chapter considers the controversy emerging when Tonya Pinkins, an African American actress i作者: 背信 時(shí)間: 2025-3-26 10:45 作者: landmark 時(shí)間: 2025-3-26 15:08 作者: AXIS 時(shí)間: 2025-3-26 20:23
Introduction: Unwriting Theatre,rformance is at once the consequence and final cause of poetic composition. Seizing theatre as an instrument of writing occupies theatre and performance studies reflected here within two key perspectives: Oscar G. Brockett’s account of the relationship between dramatic maturity and the fashioning of作者: 地名表 時(shí)間: 2025-3-26 21:59 作者: photophobia 時(shí)間: 2025-3-27 03:02 作者: Resection 時(shí)間: 2025-3-27 06:09 作者: exorbitant 時(shí)間: 2025-3-27 11:25 作者: Watemelon 時(shí)間: 2025-3-27 17:07
,Kivimaa’s ,UNESCO agency) World Theatre Day, Arvi Kivimaa. Fashioning a cultural alliance with National Socialist racialized idealism in the 1930s and 1940s, Kivimaa’s postwar . (theatre humanism) accommodated to the foundational principles of UNESCO’s scientific trans/humanism as shaped by its first Director-作者: 離開(kāi)可分裂 時(shí)間: 2025-3-27 18:41
Disassembling Performance,es’ . (2012, 2015), Thomas Ostermeier’s with Ibsen’s . (2012), and the Smeds Ensemble’s with Chekhov’s . (2011). Decentering familiar modes and objects of theatre and culture (the book as a means of singularizing performance; a homogenized ensemble of experience inimical to politically defined assem作者: 條約 時(shí)間: 2025-3-28 00:29
Postcards and/of Prostitutes: Circulating the City in Atom Egoyan’s ,complex accommodations that cities, directors, and women must make as they try to sell themselves and find their niche as ‘different’ in a fiercely competitive market, while not being so transgressive they risk failure and rejection.作者: 委托 時(shí)間: 2025-3-28 05:31
0342-4901 I have structured the book in this way. The major computing usually lies in the diffusion of substance, while the major program- ming effort (and preparatory paper work) goes into the boundary conditions. These are treated separately.978-3-662-21819-8Series ISSN 0342-4901 Series E-ISSN 2192-6603 作者: 詞匯表 時(shí)間: 2025-3-28 06:25 作者: Hemiplegia 時(shí)間: 2025-3-28 10:39
