標(biāo)題: Titlebook: Human Nature and the Causes of War; John David Orme Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Classical Realism.Revis [打印本頁(yè)] 作者: FERN 時(shí)間: 2025-3-21 19:51
書(shū)目名稱Human Nature and the Causes of War影響因子(影響力)
書(shū)目名稱Human Nature and the Causes of War影響因子(影響力)學(xué)科排名
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書(shū)目名稱Human Nature and the Causes of War網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
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書(shū)目名稱Human Nature and the Causes of War讀者反饋
書(shū)目名稱Human Nature and the Causes of War讀者反饋學(xué)科排名
作者: farewell 時(shí)間: 2025-3-21 22:24
Human Nature, the Regime and War,gimes. Wars occur when a revisionist leader animated by power and glory, unrestrained or encouraged by his regime, attempts to seize territory or provokes others to attack. The validity of this approach will be tested in twenty case studies grouped according to regime type: Monarchy; Republic; and Dictatorships of four sub-types.作者: isotope 時(shí)間: 2025-3-22 00:23 作者: Expertise 時(shí)間: 2025-3-22 06:49 作者: 雪崩 時(shí)間: 2025-3-22 11:23 作者: 膽小鬼 時(shí)間: 2025-3-22 12:54 作者: 側(cè)面左右 時(shí)間: 2025-3-22 20:31 作者: Self-Help-Group 時(shí)間: 2025-3-22 22:03
for much more warfare than “spirals of insecurity” between sWhat are the causes of war? Wars are generally begun by a revisionist state seeking to take territory. The psychological root of revisionism is the yearning for glory, honor and power. Human nature is the primary cause of war, but political作者: 粘連 時(shí)間: 2025-3-23 02:42
Heroes and Sultans,ll four embarked on futile wars. Although these situations differ in many respects, common factors are the dysfunctionality of the advising process and the concentration of power in the hands of men of deeply flawed judgment and character.作者: 可忽略 時(shí)間: 2025-3-23 05:40
Soldiers and Subordinates,izure of the Malvinas Islands in 1982. All four of these actions ended badly, which confirms suspicions that the advisory process of these regimes does little to correct the miscalculations of their dictators.作者: 闡釋 時(shí)間: 2025-3-23 11:04
978-3-030-08387-8The Editor(s) (if applicable) and The Author(s) 2018作者: nitric-oxide 時(shí)間: 2025-3-23 17:50
John David OrmeSets forth classical realism as a theory of world politics.Finds that revisionism (the desire to alter the territorial status quo) accounts for much more warfare than “spirals of insecurity” between s作者: infringe 時(shí)間: 2025-3-23 19:09 作者: 易碎 時(shí)間: 2025-3-24 01:20
https://doi.org/10.1007/978-3-319-77167-0Classical Realism; Revisionism; Power; Honor; Glory; Regime; Tyranny; Authoritarianism; Republics作者: Isthmus 時(shí)間: 2025-3-24 03:19
devising scenarios for the benefit of one or sometimes two privileged individuals who constitute an audience of a rather special kind. Their patronage buys a private performance which, since the play is designed to realise their most intimate fantasies, begins quickly to engross them in the action. 作者: 學(xué)術(shù)討論會(huì) 時(shí)間: 2025-3-24 07:45
John David Ormestructive because it concerned — literally — the representation of authority. The play is dominated by Asper, whose ‘character’ is defined in the printed text: ‘He is of an ingenious and free spirit, eager and constant in reproof, without fear controlling the world’s abuses. One, whom no servile hop作者: stroke 時(shí)間: 2025-3-24 10:44 作者: Gene408 時(shí)間: 2025-3-24 15:46
John David Ormee opinions of others; his own judgement is what counts. He believes that a good writer should read widely and engage in serious scholarly thought, but he is contemptuous of those who simply follow literary fads and imitate what is currently fashionable. Most poets have ‘servile imitating spirits’ (.作者: 同音 時(shí)間: 2025-3-24 20:34 作者: Motilin 時(shí)間: 2025-3-25 00:14
John David Orme from that period, he was committed to scholarly reconstructions of classical Rome for both comic and tragic dramatic purposes. Rome fascinated him as both an aesthetic and political community, providing him with clear paradigms against which to measure his contemporary situation. Jonson used this c作者: habitat 時(shí)間: 2025-3-25 03:39
John David Orme from that period, he was committed to scholarly reconstructions of classical Rome for both comic and tragic dramatic purposes. Rome fascinated him as both an aesthetic and political community, providing him with clear paradigms against which to measure his contemporary situation. Jonson used this c作者: 闖入 時(shí)間: 2025-3-25 08:46
John David Orme from that period, he was committed to scholarly reconstructions of classical Rome for both comic and tragic dramatic purposes. Rome fascinated him as both an aesthetic and political community, providing him with clear paradigms against which to measure his contemporary situation. Jonson used this c作者: conifer 時(shí)間: 2025-3-25 13:47
from that period, he was committed to scholarly reconstructions of classical Rome for both comic and tragic dramatic purposes. Rome fascinated him as both an aesthetic and political community, providing him with clear paradigms against which to measure his contemporary situation. Jonson used this c作者: 連接 時(shí)間: 2025-3-25 17:47 作者: 彎曲的人 時(shí)間: 2025-3-25 22:08
Kings and Counselors,d in battle. Four kings who initiated wars are examined: Louis XIV; Charles XII; Frederick the Great; and Nicholas I. Minister-President Bismarck, advisor to the King of Prussia, is the fifth case. Although its advisory process is generally rational, Monarchy becomes conducive to war when its warrio作者: hardheaded 時(shí)間: 2025-3-26 01:37 作者: eardrum 時(shí)間: 2025-3-26 07:32
Soldiers and Subordinates,ng, its weak claim to legitimacy, its diffusion of power to imprudent subordinates, and its concentration of authority in the hands of men with strong yearnings for honor, glory and power but flawed judgment. This is demonstrated by investigations of four wars initiated by military dictatorships: Im作者: annexation 時(shí)間: 2025-3-26 09:43 作者: GRIN 時(shí)間: 2025-3-26 16:00 作者: Virtues 時(shí)間: 2025-3-26 20:44
Classical Realism and History: Findings and Implications,sults are inconsistent with the claim that states content with the status quo blunder into war through mutual misperception. The wars occurred primarily because revisionist states, led by kings and dictators eager to attain glory and power, attacked others or provoked others to attack them. Human na作者: 狗窩 時(shí)間: 2025-3-27 00:41 作者: Vasodilation 時(shí)間: 2025-3-27 01:17 作者: 冰河期 時(shí)間: 2025-3-27 07:07
John David Orme of this, and restored to his ‘character’ of Asper, by the sight of the Queen: that is, a boy disguised as Queen Elizabeth actually appeared on stage, and ‘her’ appearance shocked Macilente back to his senses. Someone, however, objected to this (Jonson implies that it was the public, but it may have作者: 可耕種 時(shí)間: 2025-3-27 11:43
John David Ormenslated Horace’s ., and planned ‘a(chǎn)n epic poem, entitled ., of the worthies of his country roused by fame’ and . of his ‘foot pilgrimage’, which would have been a topographical poem about Scotland (., 1–3, 347–9), though neither of these seems to have come to fruition; he kept a commonplace book, ., 作者: CESS 時(shí)間: 2025-3-27 13:51 作者: insert 時(shí)間: 2025-3-27 19:29 作者: 使成波狀 時(shí)間: 2025-3-27 23:14
John David Ormeepublican, political communities for the purpose of comparison with his own age. This chapter will use the tragedies and a consideration of the source materials they were inspired by to account for this comparative dynamic and these distinctly ‘Roman frames of mind’ in Jonson’s dramatic canon.作者: 種屬關(guān)系 時(shí)間: 2025-3-28 04:37 作者: Brittle 時(shí)間: 2025-3-28 07:30 作者: 祖先 時(shí)間: 2025-3-28 14:00
epublican, political communities for the purpose of comparison with his own age. This chapter will use the tragedies and a consideration of the source materials they were inspired by to account for this comparative dynamic and these distinctly ‘Roman frames of mind’ in Jonson’s dramatic canon.
