標(biāo)題: Titlebook: Hooks in Popular Music; Tim Byron,Jadey O’Regan Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to Spri [打印本頁] 作者: 滲漏 時(shí)間: 2025-3-21 17:14
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書目名稱Hooks in Popular Music讀者反饋學(xué)科排名
作者: 我吃花盤旋 時(shí)間: 2025-3-21 23:05 作者: prostate-gland 時(shí)間: 2025-3-22 00:46 作者: 蒼白 時(shí)間: 2025-3-22 06:02 作者: 粘 時(shí)間: 2025-3-22 10:20 作者: Culmination 時(shí)間: 2025-3-22 13:00
,D-D-Don’t Don’t Stop the Beat: Backing Track Hooks,roduction encompassed by (Moore in .. Routledge, 2012) explicit beat layer, functional bass layer, and harmonic filler layer and (Lavengood in . 26, 2020) novelty layer. Firstly, we discuss the way that pitch information can be used in the backing track to create hooks, drawing on the research of ( 作者: acclimate 時(shí)間: 2025-3-22 18:59
,Don’t Bore Us, Get to the Chorus: Structural Hooks,nternalised frame of reference for what is likely to be present in a pop song at any particular time (i.e., that a verse is followed by a chorus). Hooks, therefore, can be created by the way the song manipulates that frame of reference. Accordingly, we firstly discuss the use of repetition in melodi作者: 有惡意 時(shí)間: 2025-3-22 21:29 作者: 放大 時(shí)間: 2025-3-23 02:55 作者: AGGER 時(shí)間: 2025-3-23 07:04 作者: 組裝 時(shí)間: 2025-3-23 11:50 作者: 退出可食用 時(shí)間: 2025-3-23 17:20 作者: 比賽用背帶 時(shí)間: 2025-3-23 20:07 作者: Outwit 時(shí)間: 2025-3-24 00:13 作者: 使高興 時(shí)間: 2025-3-24 05:48
Tim Byron,Jadey O’Reganis heard at a specific location, in a setting consisting of .?simultaneous transmitters and background noise. The SINR model gives rise to a natural geometric object, the ., which partitions the space into . regions where each of the transmitters can be heard and the remaining space where no transmi作者: PAN 時(shí)間: 2025-3-24 09:51 作者: 銀版照相 時(shí)間: 2025-3-24 11:33 作者: 傷心 時(shí)間: 2025-3-24 17:14 作者: Cubicle 時(shí)間: 2025-3-24 19:13 作者: Grandstand 時(shí)間: 2025-3-25 02:20
cerning the first point, the grid theorem, originally proved in 1986 by Robertson and Seymour in Graph Minors V, is the basis (even for the whole graph minor project). In the mid-90s, Reed and Johnson, Robertson, Seymour and Thomas (see [., .]), independently, conjectured an analogous theorem for di作者: BILL 時(shí)間: 2025-3-25 03:22 作者: 無價(jià)值 時(shí)間: 2025-3-25 08:03 作者: 符合你規(guī)定 時(shí)間: 2025-3-25 12:49
Book 2022melodic phrase – are arguably the guiding principle of much modern popular music. The concept of the hook involves aspects of melody, rhythm, harmony, production, lyrical and cultural meaning - and how these interact within a song’s topline and backing track. Hooks are also inherently related to the作者: 不連貫 時(shí)間: 2025-3-25 18:33
sing the importance of earworms in contemporary music.This volume is the first book-length study of hooks in popular music. Hooks - those memorable musical moments for listeners such as a riff or catchy melodic phrase – are arguably the guiding principle of much modern popular music. The concept of 作者: Nutrient 時(shí)間: 2025-3-25 23:47
. Understanding hooks in popular music requires a new interdisciplinary approach drawing from popular music studies, pop musicology, and music psychology, and this book draws from each of these disciplines to understand the hooks present in a broad range of popular music styles from the last thirty years..978-3-031-19002-5978-3-031-19000-1作者: enormous 時(shí)間: 2025-3-26 02:33 作者: 推測 時(shí)間: 2025-3-26 05:25 作者: 蝕刻術(shù) 時(shí)間: 2025-3-26 12:00
Tim Byron,Jadey O’Reganthat generates a schedule for computing τ with at most 2..(τ) delay..It is shown that the a communication delay-computation time tradeoff given by Papadimitriou and Ullman for a diamond dag can be achieved for essentially two values of the computation time. We also present DAGs that exhibit proper t作者: GEM 時(shí)間: 2025-3-26 14:19 作者: ANTIC 時(shí)間: 2025-3-26 18:24
Tim Byron,Jadey O’Regan. The papers of track C cover topics in security and cryptography such as theory, secure computation, two-party protocols and zero-knowledge, encryption with special properties/quantum cryptography, various types of hashing, as well as public-key cryptography and authentication.作者: 滲入 時(shí)間: 2025-3-26 22:58
Tim Byron,Jadey O’Regans strongly not only on the number?. of transmitters and on the approximation parameter ., but also on some geometric parameters that cannot be bounded . as a function of?. or?...In this paper, we address the question of . point location queries, i.e., answering many queries simultaneously. Specifica作者: conformity 時(shí)間: 2025-3-27 04:23
Tim Byron,Jadey O’Reganxity of additive regular functions. Second, we consider ., where the objective of one of the players is to reach a target set while minimizing the cost. We show the corresponding decision problem to be .-complete when the costs are non-negative integers, but undecidable when the costs are integers.作者: Exposition 時(shí)間: 2025-3-27 06:19 作者: FAST 時(shí)間: 2025-3-27 11:55
Tim Byron,Jadey O’Reganng it easy to specify protocols and to validate programs against them, statically and at runtime..In this talk we introduce central ideas of session types through illustrative examples, identify different properties of concurrent and distributed systems which session types and associated theories ca作者: 四目在模仿 時(shí)間: 2025-3-27 16:59
Tim Byron,Jadey O’Regan full generality. As a consequence of our results we are able to improve results in Reed et al.?in 1996 [.] to disjoint cycles of length at least .. This would be the first but a significant step toward the structural goals for digraphs (hence towards the first point)..Concerning the second point, i作者: 原告 時(shí)間: 2025-3-27 19:58
full generality. As a consequence of our results we are able to improve results in Reed et al.?in 1996 [.] to disjoint cycles of length at least .. This would be the first but a significant step toward the structural goals for digraphs (hence towards the first point)..Concerning the second point, i作者: 幻影 時(shí)間: 2025-3-28 00:39 作者: BLA 時(shí)間: 2025-3-28 05:56 作者: 積云 時(shí)間: 2025-3-28 10:11 作者: 含糊 時(shí)間: 2025-3-28 11:56 作者: Kindle 時(shí)間: 2025-3-28 17:11 作者: 使厭惡 時(shí)間: 2025-3-28 22:20 作者: 透明 時(shí)間: 2025-3-29 02:11
,Don’t Bore Us, Get to the Chorus: Structural Hooks,eation between verse and chorus. Thirdly, we discuss the use of prechoruses and postchoruses to delineate between verse and chorus, and to further emphasise particular hooks present in the song. Fourthly, we then move to a discussion of the ways that musicians create and resolve tension in a structu作者: Pander 時(shí)間: 2025-3-29 05:01
Parallel or Together?: Compound Hooks, After discussing hook stacks and multi-hooks, Chapter 8 discusses features of pop music that are not easily delineated into categories like pitch, harmony, and rhythm: riffs, sampling, and interpolation. Here, we discuss the riffs often present in pop music, which play multiple structural roles wit作者: 水獺 時(shí)間: 2025-3-29 07:14
