標(biāo)題: Titlebook: Homo Creativus; The 7 C’s of Human C Todd Lubart,Marion Botella,Franck Zenasni Book 2022 The Editor(s) (if applicable) and The Author(s), u [打印本頁] 作者: GERM 時(shí)間: 2025-3-21 19:14
書目名稱Homo Creativus影響因子(影響力)
書目名稱Homo Creativus影響因子(影響力)學(xué)科排名
書目名稱Homo Creativus網(wǎng)絡(luò)公開度
書目名稱Homo Creativus網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Homo Creativus被引頻次
書目名稱Homo Creativus被引頻次學(xué)科排名
書目名稱Homo Creativus年度引用
書目名稱Homo Creativus年度引用學(xué)科排名
書目名稱Homo Creativus讀者反饋
書目名稱Homo Creativus讀者反饋學(xué)科排名
作者: 名詞 時(shí)間: 2025-3-21 20:51 作者: 補(bǔ)助 時(shí)間: 2025-3-22 03:15
Marion Botella,Franck Zenasni,Julien Nelson,Todd Lubartie von der Tradition auf Lukas, den Verfasser des 3. Evangeliums, zurückgeführt wird; diese Tradition hat einiges gegen sich, aber weit mehr für sich — so da? wir den Autor mit diesem Namen Lukas benennen dürfen. Beide Schriften, Evangelium wie Apostelgeschichte, beginnt Lukas mit einer literarische作者: Lumbar-Spine 時(shí)間: 2025-3-22 06:36
Julien Nelson,Jér?me Gueganie von der Tradition auf Lukas, den Verfasser des 3. Evangeliums, zurückgeführt wird; diese Tradition hat einiges gegen sich, aber weit mehr für sich — so da? wir den Autor mit diesem Namen Lukas benennen dürfen. Beide Schriften, Evangelium wie Apostelgeschichte, beginnt Lukas mit einer literarische作者: Chronic 時(shí)間: 2025-3-22 11:02
Canan Ceylan,Jan DulWissenschaft von der Eisenbahn er?ffneten. Mit der Zahl seiner Abhandlungen über Eisenbahnen und ihre Einführung in Europa und in Deutschland insbesondere, ragt sein Verfassername im gesamten Schrifttum der Welt über die aller andern weit hinaus; nur in der Literatur der schweizerischen Eisenbahnen 作者: invade 時(shí)間: 2025-3-22 14:56 作者: 夜晚 時(shí)間: 2025-3-22 20:57 作者: 繼承人 時(shí)間: 2025-3-23 00:08
From Everyday Creativity to Eminent Cases of Creative Achievement in Professional Domains,ngle quantitative continuum or else constitute qualitatively distinct phenomena. The examination begins with the very definition of creativity, a definition that must (a) include three criteria rather than the usual two and (b) distinguish carefully between personal and consensual assessments. Discu作者: 主講人 時(shí)間: 2025-3-23 02:20 作者: 罐里有戒指 時(shí)間: 2025-3-23 07:29 作者: 下垂 時(shí)間: 2025-3-23 13:32
Creative Processes in Five Domains: Art, Design, Scriptwriting, Music and Engineering,domain may not be the same as those that are necessary in another. In this chapter, we will compare five domains of creativity: art, design, scriptwriting, music, and engineering. For each domain, we will describe a current model of the process and then present the results of observations of a class作者: 迷住 時(shí)間: 2025-3-23 15:49
Creative Collaboration in Groups,e demonstrating a production loss effect. In this chapter, we review the main causes of this effect and argue that such studies provide an imperfect view of creative collaboration, because participants interacting in classical studies on brainstorming cannot be said to constitute a true group. We in作者: sterilization 時(shí)間: 2025-3-23 20:10 作者: Endoscope 時(shí)間: 2025-3-23 22:50
The Social Environment of Creativity,g the environment’s effects on creativity Bronfenbrenner’s ecological systems theory (1979, 1986), which proposes that the individual’s psychological development results from interactions with different types of environmental systems that range from local to global—microsystem, mesosystem, exosystem作者: 驚呼 時(shí)間: 2025-3-24 05:15
The Place to Be: Organizational Culture and Organizational Climate for Creativity,text surrounding employees, organizational culture and organizational climate have gained much attention in creativity research over the last decades. However, still many challenges exist about the role of culture and climate on creativity. For example, the literature stresses the importance of the 作者: 微粒 時(shí)間: 2025-3-24 09:01
Types of Creativity,cal research is conducted. These include, which population is being sampled? What is the focus, . or actual .? Key concerns are noted, the broadest concerning generalizations. Simply put, if creative potential is assessed, generalizations to actual creative performance are only as good as the reliab作者: Nonconformist 時(shí)間: 2025-3-24 12:07 作者: corn732 時(shí)間: 2025-3-24 15:53
Waste Creatively: The Intersection of Creativity and Consumerism, as part of an interactional, person-culture framework. Nobel laureates and other individuals credited with groundbreaking scientific discoveries or the introduction of entirely new movements in the arts virtually never work alone. Instead, creativity results from a complex web of social influences 作者: Commonwealth 時(shí)間: 2025-3-24 20:19 作者: 徹底檢查 時(shí)間: 2025-3-25 00:49
Creativity in the Classroom: Advice for Best Practices,l specific points. Teachers should recognize both the benefits and costs of creativity. They can then help students gain a broader understanding of creativity. Teachers can give appropriate feedback to student creativity that avoids creative mortification. This can then help students improve their c作者: 銼屑 時(shí)間: 2025-3-25 04:34
Creative Problem Solving: From Evolutionary and Everyday Perspectives,Here, the authors make three principal arguments. First, through the arc of human history creative problem solving has been a competitive advantage for the human species. Thus, it is argued that creative thinking is an innate human trait and fundamental to the human experience. Second, everyday acts作者: 我怕被刺穿 時(shí)間: 2025-3-25 09:02
Conclusion: Interlocking the 7Cs,g and its links with the Context, Creation and Consumption. The different chapters in the edited book are discussed using as common thread Amanda Gorman’s narrative of how she crafted her powerful poem for President Joe Biden’s inauguration ceremony.作者: champaign 時(shí)間: 2025-3-25 12:51 作者: 慟哭 時(shí)間: 2025-3-25 16:09 作者: 砍伐 時(shí)間: 2025-3-25 23:32
Marion Botella,Franck Zenasni,Julien Nelson,Todd Lubartern etwas anders, als ihre Vorrede wenigstens den Namen Jesus nennt..aber dieser Hinweis auf das vorangegangene Buch, das Evangelium, entspricht durchaus literarischen Gepflogenheiten. Und wenn auch der Fortgang des Textes uns insofern entt?uscht, als Lukas aus dieser Anrede an Theophilus gleich in 作者: 不如樂死去 時(shí)間: 2025-3-26 00:26
Julien Nelson,Jér?me Gueganern etwas anders, als ihre Vorrede wenigstens den Namen Jesus nennt..aber dieser Hinweis auf das vorangegangene Buch, das Evangelium, entspricht durchaus literarischen Gepflogenheiten. Und wenn auch der Fortgang des Textes uns insofern entt?uscht, als Lukas aus dieser Anrede an Theophilus gleich in 作者: Thyroiditis 時(shí)間: 2025-3-26 04:56
Canan Ceylan,Jan Dulder Familie des bekannten Gründers der ersten franz?sischen Eisenbahnen seine Entstehung zu verdanken hat. England und Amerika, die L?nder, die die ersten Eisenbahnstrecken bauten, haben so gut wie keine Zusammenfassung der Druckschriften, die um die Eisenbahnen entstanden sind und von ihnen handeln作者: 濕潤 時(shí)間: 2025-3-26 09:29
Mark A. Runcoder Familie des bekannten Gründers der ersten franz?sischen Eisenbahnen seine Entstehung zu verdanken hat. England und Amerika, die L?nder, die die ersten Eisenbahnstrecken bauten, haben so gut wie keine Zusammenfassung der Druckschriften, die um die Eisenbahnen entstanden sind und von ihnen handeln作者: 費(fèi)解 時(shí)間: 2025-3-26 14:04 作者: 原告 時(shí)間: 2025-3-26 18:51
The DA VINCI Model for the Creative Thinking Process,n to be compatible with other models for the creative process (i.e., Wallas, Mumford, Geneplore models), but to add important new elements with respect to these. The DA VINCI model includes many different creativity styles, allowing any mixture of two extreme styles: the problem solver and the free 作者: Insufficient 時(shí)間: 2025-3-27 00:25
Waste Creatively: The Intersection of Creativity and Consumerism,oducts are reviewed; and specific applications are made to the question of the promotion of creativity in the schools, where it is argued that the educational system itself and the graduates it produces are now seen as commodities. Finally, researchers are encouraged to examine the effects of the CO作者: Bravado 時(shí)間: 2025-3-27 01:23
Christophe Mouchiroud,Nils Myszkowski,Martin Storme作者: FANG 時(shí)間: 2025-3-27 09:19 作者: 脆弱吧 時(shí)間: 2025-3-27 13:27
From Everyday Creativity to Eminent Cases of Creative Achievement in Professional Domains,tion and personality). The overall conclusion is that a definite qualitative gap separates the two levels of creativity, imposing constraints on the generalizability of results across the two levels. Creativity researchers must then scrutinize the specifics of those constraints.作者: 不安 時(shí)間: 2025-3-27 17:41 作者: 無情 時(shí)間: 2025-3-27 21:35
The Social Environment of Creativity,so point to research gaps—notably the limited research describing mesosystems and exosystem effects—but conclude that, overall, the social environment plays a substantial role in creativity, calling for further inquiry.作者: 心胸狹窄 時(shí)間: 2025-3-28 00:59 作者: 歪曲道理 時(shí)間: 2025-3-28 04:27 作者: Arthritis 時(shí)間: 2025-3-28 08:01
Creative Problem Solving: From Evolutionary and Everyday Perspectives,ly breed creative solutions. The chapter concludes by examining at a macro-level the polarity between creativity and conformity and describes how this dialectic serves to facilitate cultural evolution.作者: aviator 時(shí)間: 2025-3-28 14:27
Creativity and Culture: Four (Mis)Understandings,ndings presents specific benefits but also considerable limitations. A sociocultural formulation of creativity as a distributed phenomenon, grounded in acts of collaboration, is advanced towards the end in order to reconnect creativity and culture in a conceptually meaningful and practically useful way.作者: 外露 時(shí)間: 2025-3-28 18:31
The Black Box of the Consensual Assessment Technique: Some Questions and Doubts on the Subjective R on guidelines regarding judges selection and statistical reliability, this chapter discusses the validity of the technique in its different applications and provides avenues for research to ensure further valid subjective assessment of creativity.作者: chastise 時(shí)間: 2025-3-28 19:37
2364-6675 tanding creativity.Helps practitioners and professionals who.This book focuses on creativity and showcases a specific approach to creativity. It uses a new 7 C’s basis for understanding creativity (creators, creating, cooperation, context, creations, consumption, and curricula). This new approach to作者: Isometric 時(shí)間: 2025-3-28 23:50 作者: braggadocio 時(shí)間: 2025-3-29 05:49
Creative Collaboration in Groups,troduce a social identity perspective on brainstorming and explore some of its repercussions for improving creative performance in groups. In particular, recent technological developments involving virtual environment technology offer the potential means for organizations to truly benefit from the creative potential of groups.作者: CUB 時(shí)間: 2025-3-29 07:35 作者: 針葉類的樹 時(shí)間: 2025-3-29 12:07
2364-6675 creativity is an extension of the 4 ‘P’ approach (person, process, press, and product) which has dominated the literature since the 1960s. In each section, there are two chapters, which illustrate?work on the topic and focus on some key issues..978-3-030-99674-1Series ISSN 2364-6675 Series E-ISSN 2364-6683 作者: 使習(xí)慣于 時(shí)間: 2025-3-29 17:58 作者: 指派 時(shí)間: 2025-3-29 21:33 作者: 動(dòng)機(jī) 時(shí)間: 2025-3-29 23:54 作者: 不溶解 時(shí)間: 2025-3-30 06:15 作者: 不適 時(shí)間: 2025-3-30 08:43
Creativity in the Twenty First Centuryhttp://image.papertrans.cn/h/image/428075.jpg作者: FATAL 時(shí)間: 2025-3-30 13:26 作者: Firefly 時(shí)間: 2025-3-30 16:44
Creativity and Consumer Behavior: An Economic Analysis,vity measures used in psychology are predictive of consumer behavior observed in economic experiments. We present a multidisciplinary literature review and illustrate empirically the economic approach to creativity in consumption with several new experiments realized by our team.作者: Militia 時(shí)間: 2025-3-30 22:32 作者: locus-ceruleus 時(shí)間: 2025-3-31 02:31 作者: figure 時(shí)間: 2025-3-31 06:49
